An amazing cast of big-screen favourites is directed by Robert Rodriguez (Desperado, From Dusk Till Dawn), Frank Miller and special guest director Quentin Tarantino (Kill Bill 1 and 2, Pulp Fiction) in an acclaimed and visually stunning hit that's the coolest movie of the year! Straight from the pages of Miller's hip series of Sin City graphic novels, Bruce Willis stars as a cop with a bum ticker and a vow to protect a sexy stripper (Jessica Alba Fantastic Four); Mickey Rourke (Man On Fire) as an outcast misanthrope on a mission to avenge the death of his one true love. (Jaime King Pearl Harbor); and Clive Owen (King Arthur) as Dwight, the clandestine love of Shellie (Brittany Murphy Little Black Book), who spends his night defending Gail (Rosario Dawson The Devil's Rejects) and her Old Town girls (Devon Aoki and Alexis Bledel) from a tough guy (Benicio Del Toro 21 Grams) with a penchant for violence. Also starring Elijah Wood, Nick Stahl, Michael Madsen, Carla Gugino and Michael Clarke Duncan.
Frank Miller's acclaimed comic book comes to the screen courtesy of director Robert Rodriguez.
Retired CIA agent Frank Moses (Bruce Willis) reunites his team of elite operatives in the highoctane action-comedy RED 2.
Frank Miller's acclaimed comic book comes to the screen courtesy of director Robert Rodriguez.
James Reece is offered 1st senior-level assignment & cant believe his good fortune-until he meets partner trigger-happy wisecracking cannon who's been sent Paris to stop terrorist attack.
Iconoclastic take-no-prisoners cop John McClane for the first time finds himself on foreign soil after traveling to Moscow to help his wayward son Jack. With the Russian underworld in pursuit and battling a countdown to war the two McClanes discover their opposing methods make them unstoppable heroes. Special Features: Feature – Theatrical and Extended Versions Deleted Scenes Making It Hard to Die Anatomy of a Car Chase Two of a Kind Back in Action The New Face of Evil Pre-Vis Segments VFX Sequences Storyboards Concept Art Galleries Theatrical Trailers Audio Commentary by Director John Moore and First Assistant Director Mark Cotone Maximum McClane
An aging cop is assigned the ordinary task of escorting a fast-talking witness from police custody to a courthouse.
Bruce Willis is The Jackal - the greatest assassin in history - out to eliminate a top U.S. government official. Declan Mulqueen an imprisoned underground operative is the only man who can stop him. Now the Deputy Director of the FBI is taking the biggest risk of all . . . he's releasing one criminal to stop another in this terrifically explosive totally intrigueing suspense thriller.
Set during the 1950s blacklist a young Hollywood screenwriter (Jim Carrey) loses his job and memory after a car accident, only to fall in love with a new woman in the heart of a small town.
High above the city of LA a team of terrorists has seized a building taken hostages and declared war. But one man has managed to escape detection.. An off-duty cop. He's alone..tired..and the only chance anyone has. Bruce Willis stars as New York City Detective John McClane newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as McClane waits for his wife's office party to break-up terrorists seize control of the building. While the terrorist leader Hans Gruber (Alan Rickman) and his savage henchman (Alexander Godunov) round up hostages McClane slips away unnoticed. Armed with only a service revolver and his wits. McClane launches his own one-man war. A crackling thriller from beginning to end Die Hard explodes with heartstopping suspense.
African-American and Jewish gangsters and a guy in the wrong place collide in this thriller.
Co-directors Frank Miller and Robert Rodriguez reunite to bring Miller's visually stunning Sin City graphic novels back to the screen in 3D in FRANK MILLER’S SIN CITY: A DAME TO KILL FOR. In a town where justice doesn't prevail the desperate want vengeance and ruthless murderers find themselves with vigilantes on their heels. Their paths cross in Sin City’s famous Kadie's Club Pecos. The film opens with fan-favorite “Just Another Saturday Night ” when Marv (Mickey Rourke) finds himself in the center of carnage as he tries to remember the preceding events. “The Long Bad Night” tells the tale of Johnny a cocky young gambler (Joseph Gordon-Levitt) taking his chances with the biggest villain in Sin City Senator Roark (Powers Boothe). The central story Miller’s acclaimed A Dame To Kill For features Dwight McCarthy (Josh Brolin) in his final confrontation with the woman of his dreams and nightmares Ava Lord (Eva Green). “Nancy’s Last Dance follows Nancy Callahan (Jessica Alba) in the wake of John Hartigan’s (Bruce Willis) selfless suicide. Driven insane by grief and rage she will stop at nothing to get revenge.
The Mouse That Roared, originally released in 1959, is mostly remembered as a tour-de-force from peerless comic actor Peter Sellers, playing all three of the principal roles. It's worth seeing for that alone, but the film is also one of the most memorable satires of nuclear geopolitics produced during the Cold War and, along with another Sellers vehicle, Dr Strangelove, provides an unbeatable illustration of the paranoia and helplessness engendered by that period. The Mouse That Roared tells the story of the fictional European principality of Grand Fenwick. Finding itself on the wrong end of a trade dispute with the United States, and noting America's generosity in rebuilding the countries it had fought in World War II, Grand Fenwick's rulers hit upon the idea of declaring war on the US, losing, and then reaping a Marshall Plan-style hand-out. The plan, proposed by Grand Fenwick's prime minister (played by Peter Sellers), is approved by the monarch (also played by Peter Sellers), who dispatches an invasion force of chain mail-clad archers under the command of Grand Fenwick's hapless Field Marshal (also played by Peter Sellers). Due to a series of happenstances and misunderstandings, Grand Fenwick's plan goes terribly wrong, and they inflict a surprising defeat on America, with curious consequences. On the DVD: The Mouse That Roared is presented in 1.85:1 widescreen; sound is mono. Soundtracks are available in English, French, German, Italian and Spanish, and subtitles in all those as well as most other major European languages, Hebrew and Arabic. Special features include a scene selector, and three theatrical trailers: one for this film (English audiences will get a kick out of the 1950s American announcer raving about "an hilarious new personality, Peter Sellers"), one for Sellers' much bleaker (and much funnier) Cold War satire Dr Strangelove, and one for his slight horror spoof Murder By Death. --Andrew Mueller
The Expendables are back in a sequel that J. Rentilly of MensHealth.com calls a high-octane adventure with non-stop action! The team signs on for a mission that looks like an easy paycheck for Barney and his band of old-school mercenaries. But things quickly go wrong, and one of their own is killed by a psychotic terrorist-for-hire. Hell-bent on payback, they cut a swath of destruction through enemy territory and wreak havoc upon their opponents. In the midst of the mayhem, they must also shut down an unexpected threat in the nick of time preventing five tons of weapons-grade plutonium from falling into the wrong hands. Disc 1 4K Ultra HD (Movie Only) Audio Commentary with Director Simon West Gods of War: Assembling Earth's Mightiest Antiheroes Disc 2 Blu-Ray (Movie + Special Features) On the Assault: The Real-Life Weaponry of The Expendables Deleted Scenes
The second sequel to the mould-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall Fine
A group of sorority sisters are sworn to 'trust, secrecy and solidarity' - no matter what. But their loyalty is tested when a prank goes terribly wrong and ends in a brutal murder.
In the year 2044 time travel has not yet been invented. But in 30 years it will have been... In director Rian Johnson's sensational action thriller, Joe (Joseph Gordon-Levitt) works as a looper, a futuristic assassin who eliminates targets sent back in time by a criminal organisation. The only rule is that you do not let your target escape even if that target is you. The rules are put to the test when Joe is called upon to close his loop and assassinate his future self (Bruce Willis). In failing to pull the trigger, so begins a desperate race against the clock as Joe begins to unravel his own future and older Joe's past. LOOPER stars Bruce Willis (Die Hard), Joseph Gordon-Levitt (The Dark Knight Rises), Emily Blunt (The Adjustment Bureau), Paul Dano (There Will Be Blood), Piper Perabo (The Prestige) and Jeff Daniels (State of Play). Special Features: 4K disc includes all bonus features in 4K resolution! Feature Commentary by Director Rian Johnson, Joseph Gordon-Levitt And Emily Blunt Featurettes: Looper: From the Beginning, Scoring Looper, The Science Of Time Travel, The Two Joes, New Future, Old School 21 Deleted Scenes with Commentary by Rian Johnson And Noah Segan Looper Animated Trailer
On an island off the coast of New England in the summer of 1965, two twelve-year-olds (Kara Hayward, Jared Gilman) who fall in love, make a secret pact and run away together into the wilderness. As a local search party led by the Sheriff (Bruce Willis) and the girl's parents (Bill Murray, Frances McDormand) try to hunt them down, a violent storm is brewing off-shore - and the peaceful island community is turned upside down in more ways than anyone can handle.
M Night Shyamalan's breakout third feature, The Sixth Sense sets itself up as a thriller poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. --Mark Englehart M Night Shyamalan reunites with Bruce Willis in Unbreakable for another story of everyday folk baffled by the supernatural (or at least unknown-to-science). This time around, Willis has paranormal, possibly superhuman abilities, and a superbly un-typecast Samuel L Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. Throughout, the film refers to comic-book imagery, while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers may find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness off-putting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman After tackling ghosts and superheroes, M Night Shyamalan brings his distinctive, oblique approach to aliens in Signs. With Mel Gibson replacing Bruce Willis as the traditional Shyamalan hero--a family man traumatised by loss--and leaving urban Philadelphia for the Pennsylvania sticks, the film starts with crop circles showing up on the property Gibson shares with his ex-ballplayer brother (Joaquin Phoenix) and his two troubled pre-teen kids. Though the world outside is undergoing a crisis of Independence Day-sized proportions, Shyamalan limits the focus to this family, who retreat into their cellar when "intruders" arrive from lights in the sky and set out to "harvest" them. The tone is less certain than the earlier films--some of the laughs seem unintentional and Gibson's performance isn't quite on a level with Willis's commitment--but Shyamalan still directs the suspense and shock dramas better than anyone else. --Kim Newman
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