The simple version: This is the story of Master Shake Frylock and Meatwad: teens who live together unsupervised somewhere near the Jersey shore. Carl their next door neighbor has an above-ground pool and an attitude. The complicated version: This is a story of mysteries neighborhood conflicts aliens mad scientists rabbits robots rabbit robots perms cologne heavy metal haunted school buses giant moths mold with a generous heart Dracula road trips removable brains and of course leprechauns. And that's only the beginning.
Bruce Willis is back as supercop John McClane in this, the fourth instalment of the smash action franchise.
Bruce Willis is John McClane, a New York cop who flies to L.A. on Christmas Eve to visit his wife at a party in her company’s lavish high-rise. Plans change once a group of terrorists, led by Hans Gruber (Alan Rickman), seize the building and take everyone hostage. McClane slips away and becomes the only chance anyone has in this heart-stopping action thriller. Includes DVD bonus disc featuring over 90 minutes of all new content in the Decoding Die Hard.
This time New York cop John McClane (Willis) is the personal target of the mysterious Simon (Jeremy Irons) a terrorist determined to blow up the entire city if he doesn't get what he wants. Accompanied by an unwilling civilian partner (Samuel L. Jackson) McClane careens wildly from one end of New York City to the other as he struggles to keep up with Simon's deadly game. It's a battle of wits between a psychopathic genius and a heroic cop who once again finds himself having a real
Bruce Willis's awful, 1991 vanity piece is an abuse of audience goodwill and a waste of a good cast and director (Michael Lehmann of Heathers). The story of Hudson Hawk, cowritten by Willis, concerns a cat burglar pressured into stealing precious art, including some from the Vatican. But the script is just a convenience upon which Willis piles his vaguely boorish brand of hip irony, assuming his audience will stay with him every step of the way. Certain, self-congratulatory scenes induce cringing--Willis and Danny Aiello, for instance, sing "Side by Side" (to brassy accompaniment on the soundtrack) every time they're working a job--but the overall effect is more irritating and baffling. Keep a good thought for Willis (an underrated actor better than the summer junk we usually see him in) by checking out his superior work in Pulp Fiction and his small but memorable role in Billy Bathgate. --Tom Keogh
A group of friends become involved in a potentially deadly diamond heist.
Nothing ever happens in Suddenly. It's a just small town with small concerns. That is until the President decides to show up... In this intelligent 1954 film noir thriller Frank Sinatra delivers an electrifying lead performance as psychotic undercover assassin John Baron. Alleged to have been viewed by Lee Harvey Oswald in 1963 only days prior to the shooting of President Kennedy 'Suddenly' was subsequently withdrawn from circulation by United Artists at Sinatra's personal request. Chillingly prophetic in it's subject matter 'Suddenly' is a killer addition to any noir collection...
This horrible misfire from the usually reliable writer-director Andrew Bergman (The Freshman) has nothing funny, provocative, timely or interesting to say (despite being based on a novel by Carl Hiaasen) once Demi Moore gets her clothes off. Moore plays a single, unemployed mum caught up in a custody battle who elects to make some money by stripping at a club. The character's troubles don't end there, however: her ex-husband is posing a threat, and a perverted congressman (Burt Reynolds) is looking for more than a lap dance. Bergman's great wit is nowhere in sight, and the film primarily becomes another opportunity for Moore to function like a special effect. --Tom Keogh, Amazon.com
From The Ashes is the incredible story of English cricket's greatest ever comeback. It's the summer of 1981 and in the midst of a heated Ashes battle iconic all-rounder Ian Botham is sacked as England Captain with England 1-0 after two tests. Having been told by selectors that if he hadn't resigned he would have been sacked anyway not only is his career on a tightrope but English cricket is on the verge of total humiliation.
Best known for making movies about men and violence, director Walter Hill scored a misfire with this ambitious but ultimately dreary remake of Akira Kurosawa's samurai classic Yojimbo. The story's essentially the same but the setting has been switched to a dusty, almost ghostly Texas town in the 1930s, where two rival Chicago gangs are locked in an uneasy truce. Bruce Willis plays the lone drifter who allies himself with both gangs to his own advantage, working both sides against each other according to his own hidden agenda. The violence escalates to a bloody climax, of course, with Christopher Walken, David Patrick Kelly and Michael Imperioli as trigger-happy lieutenants in a lonely, desolate war. Fans of gangster movies will want to see this, and, if nothing else, Hill has brought his polished style to a vaguely mythic story. It's far from being a classic, however, and although its action is at times masterfully choreographed, the movie's humourless attitude is unexpectedly oppressive. --Jeff Shannon, Amazon.com
Co-directors Frank Miller and Robert Rodriguez reunite to bring Miller's visually stunning Sin City graphic novels back to the screen in 3D in FRANK MILLER’S SIN CITY: A DAME TO KILL FOR. In a town where justice doesn't prevail the desperate want vengeance and ruthless murderers find themselves with vigilantes on their heels. Their paths cross in Sin City’s famous Kadie's Club Pecos. The film opens with fan-favorite “Just Another Saturday Night ” when Marv (Mickey Rourke) finds himself in the center of carnage as he tries to remember the preceding events. “The Long Bad Night” tells the tale of Johnny a cocky young gambler (Joseph Gordon-Levitt) taking his chances with the biggest villain in Sin City Senator Roark (Powers Boothe). The central story Miller’s acclaimed A Dame To Kill For features Dwight McCarthy (Josh Brolin) in his final confrontation with the woman of his dreams and nightmares Ava Lord (Eva Green). “Nancy’s Last Dance follows Nancy Callahan (Jessica Alba) in the wake of John Hartigan’s (Bruce Willis) selfless suicide. Driven insane by grief and rage she will stop at nothing to get revenge.
Bruce Willis and Damon Wayans star as a seedy detective and a disgraced quarterback teaming to dodge ambushes fire off one-liners and bust chops. When the going gets tough they get tougher. And funnier. They came to play. And to settle a score in this raging fireball where bigger is better hits are harder and bad guys end up deader.
A high-profile action/exploitation thriller set in the late 20th century, The Siege is really a fantasy that extrapolates from major terrorist bombings, such as the one at the World Trade Centre. Denzel Washington is FBI special agent Hubbard, "Hub" to his friends, whose anti-terrorist task force must track down the terrorist cells responsible for a spate of bombings in New York. His partner is an FBI agent of Arabian extraction (played convincingly by Tony Shalhoub), proving not all Arabs are bad guys--a point the film should be lauded for making again and again. Thrown into the mix is a CIA spy (played almost kittenish at times by Annette Bening), whose ties to the terrorists appear to be at the centre of the conflicts. When the bombings escalate out of control, the President institutes martial law, sending in General Devereaux (played with impenetrable countenance by Bruce Willis) with tanks and troops to ferret out the terrorists. Echoes of Japanese-Americans in internment camps ring out as Arabs, including the son of the Arab-American FBI agent, are herded into a stadium. Periodic audio-montages of "man in the street" sentiments anchor the material in the present and show how serious and relevant the material is. But finally what we have is a taut and entertaining popcorn movie, giving itself the humanistic nod when it can. --Jim Gay, Amazon.com
It has been nearly 15 years since we last saw the fabulous Chigwell Three but their wit and charm has not diminished during that time. So where are the girls now? As the series begins we catch up with the ladies who are currently living separate lives. Tracey (Linda Robson) who is no longer with Darryl has recently divorced her money grabbing second husband and is living with her 17 yr. old pampered son Travis (Charlie Quirke) who has aspirations of becoming a barrister. Sharon (Pauline Quirke) meanwhile barely exists in a tiny flat/hovel which leaves a lot to be desired spending her days working at Essex's leading 'everything's a pound' chain World of Quid. And Dorien (Lesley Joseph) what can we say? She is trying to maintain her caviar cougar lifestyle having written the best-selling erotic memoir '60 Shades of Green' under the alias Foxy Cohen. But with an impending court case Dorien finds herself needing a roof over her head. Against her better judgment Tracey offers Sharon and Dorien a place to stay. With an already full house her son Garth (Matt Willis) unexpectedly returns from Australia with a girlfriend and stepdaughter in tow. Join three generations of the family again - proof that for Sharon Tracey and Dorien Essex really is the only way.
Set against the backdrop of 1950s New York, Motherless Brooklyn follows Lionel Essrog (Edward Norton), a lonely private detective afflicted with Tourette's Syndrome, as he ventures to solve the murder of his mentor and only friend, Frank Minna (Bruce Willis). Armed only with a few clues and the powerful engine of his obsessive mind, Lionel unravels closely-guarded secrets that hold the fate of the whole city in the balance. In a mystery that carries him from gin-soaked jazz clubs in Harlem to the hard-edged slums of Brooklyn and, finally, into the gilded halls of New York's power brokers, Lionel contends with thugs, corruption and the most dangerous man in the city to honour his friend and save the woman who might be his own salvation.
One of Walt Disney's most beloved film classics So Dear To My Heart brilliantly blends live action and animation to tell a heartwarming story the whole family will cherish. The fun begins when Danny a rejected and mischievous black lamb is adopted by a determined young boy named Jeremiah (Bobby Driscoll). While drawing a picture of Danny in his scrapbook Jeremiah daydreams of winning first prize in a local contest. Then from his drawings Danny and other animal pictures magica
In Unbreakable, writer-director M. Night Shyamalan reunites with Sixth Sense star Bruce Willis, comes up with another story of everyday folk baffled by the supernatural (or at least unknown-to-science) and returns to his home town, presenting Philadelphia as a wintry haunt of the bizarre yet transcendent. This time around, Willis (in earnest, agonised, frankly bald Twelve Monkeys mode) has the paranormal abilities, and a superbly un-typecast Samuel L. Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. David Dunn (Willis), an ex-jock security guard with a failing marriage (to Robin Wright Penn), is the stunned sole survivor of a train derailment. Approached by Elijah Price (Jackson), a dealer in comic book art who suffers from a rare brittle bone syndrome, Dunn comes to wonder whether Price's theory that he has superhuman abilities might not hold water. Dunn's young son Joseph (Spencer Treat Clark) encourages him to test his powers and the primal scene of Superman bouncing a bullet off his chest is rewritten as an amazing kitchen confrontation when Joseph pulls the family gun on Dad in a desperate attempt to convince him that he really is unbreakable (surely, "Invulnerable" would have been a more apt title). Half-convinced he is the real-world equivalent of a superhero, Dunn commences a never-ending battle against crime but learns a hard lesson about balancing forces in the universe. Throughout, the film refers to comic-book imagery--with Dunn's security guard slicker coming to look like a cape, and Price's gallery taking on elements of a Batcave-like lair--while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers might find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness offputting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman
When Richie finds himself in Kabul, abandoned, penniless and without his passport, he discovers a young girl with an extraordinary voice and manages her through Afghanistan's version of American Idol, the wildly popular Afghan Star.
New York psychologist Dr Bill Capa (Bruce Willis) is stunned when an old friend and colleague is brutally stabbed to death. Capa believes the vicious murderer to be one of the members of a therapy group. While all around him falls apart he finds Rose (Jane March) and they embark on a reckless and passionate affair of erotic sexual discovery. But is there more to Rose than meets the eye? He will only know if he survives long enough to find out...
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