A small-time Los Angeles night club owner falls for a lavish invitation to gamble at a private club. After losing high stakes on extended credit he is pressured by a gangster to erase his debt by killing a rival underworld power referred to only as 'The Chinese Bookie'...
Working for the British in Colonial Africa a young Nigerian starts to delude himself that he is really an Englishman - and finds himself despised by blacks and whites alike. Bruce Beresford's triumphant adaptation of the famous Joyce Cary novel stars Pierce Brosnan Edward Woodward and Maynard Eziashi.
It's easy to forget that, though fronting the British war effort through most of World War Two, Winston Churchill had spent the previous decade isolated in Parliament and in an internal opposition to the Conservative party. Winston Churchill: The Wilderness Years dramatises this period, in which the growing menace of Nazism in Germany was met with indifference, even fear by governments of the day who were more concerned with their survival than in serving those who had elected them. Churchill is perceptively played by Robert Hardy who confirms the image without falling into caricature. Visionary and obstinate by turns, he galvanises his supporters and enrages his enemies with a passion borne of conviction. A seasoned British cast includes Peter Barkworth as the amiable but ineffectual Stanley Baldwin, Eric Porter as the truly "out of time" Neville Chamberlain, Edward Woodward as the scheming Samuel Hoare, and Nigel Havers as the tragically flawed Randolph Churchill. Martin Gilbert has done a persuasive job transforming his novel into a TV script, the scenes in the House of Commons having a gritty reality that makes compulsive viewing. On the DVD: It's a pity that the Southern Pictures production first screened in 1981 has emerged so dimly in this incarnation. Has the master tape eroded so badly, or was it simply not available? However, it's worth putting up with the technical defects to enjoy this historically informed and grippingly dramatic serial. --Richard Whitehouse
Featuring a wicked magician a talking eagle a beautiful princess and the hippest genie of all time Aladdin is a timeless tale of romance and dreams that come true....
1. The Annihilators (Dir. Charles E. Sellier Jr. 1985) 2. Joyride (Dir. Quinton Peeples 1996) 3. Final Assignment (Dir. Paul Almond 1980) 4. Breaker Morant (Dir. Bruce Beresford 1980) 5. Tenth Of A Second (Dir. Darrell Roodt 1987) 6. The Underground (Dir. Cole S. McKay 1997) 7. Epicenter (Dir. Richard Pepin 2000) 8. Firetrap (Dir. Harris Done 2001) 9. Land Of The Free (Dir. Jerry Jameson 1997) 10. Last Man Standing (Dir. Joseph Merhi 1996) 11. Fist Of Honour (Dir. Richard Pepin 1993) 12. Kickboxer 3 (Dir. Rick King 1992) 13. Impulse (Dir. William Grefe 1974) 14. Knights Of The City (Dir. Dominic Orlando 1986) 15. Peter Gunn (Dir. Blake Edwards 1989) 16. Secret of The Andes (Dir. Alejandro Azzano 1999) 17. Bruce Lee: Immortal Dragon - Documentary 18. Manhunt (Dir. Larry Ludman 1984) 19. Street Corner Justice (Dir. Charles Bail 1996) 20. Street Of Dreams (Dir. William A. Graham 1988)
Gang tapes paints a violent and shocking portrayal of the Gangster lifestyle with stunning performances from a cast of virtual unknowns many of whom being real life LA Gangbangers. Experiencing the rise of 14 year old Lil' Lonzo to moral corruption as an 'East Side Riders' Gangsta wannabe to create an uncompromising look into the grim reality of growing up on the mean streets of Central Los Angeles.
In his directorial debut actor Morgan Freeman casts a knowing eye on the ways the racist apartheid movement in South Africa divided South African blacks even from each other in this story of a black policeman. Danny Glover plays the cop who believes he's trying to help his people even while serving as a pawn of the racist government. When his son gets involved in the antiapartheid movement he finds himself torn between his family (including long-suffering wife Alfre Woodard) and w
Introduced in "A Magnum for Schneider", the hour-long 1967 Armchair Theatre episode of Callan written by James Mitchell about a disillusioned British secret agent of the same name (starring Edward Woodward), went on to offer four popular (if downbeat) series, a spin-off movie remaking the original story and a some-years-later wrap-up play "Wet Job". Remembered for its very distinctive opening titles, with a swinging broken-light bulb and a memorable theme tune, the series adopted a Deighton-LeCarré approach to the grim, treacherous, grubby business of Cold War espionage and made a TV star of the intense Woodward as the sweaty, sometimes conscience-stricken, sometimes robotic Callan. Even in the 21st century this still seems as strong, its complex stories and impressive performances outweighing a low-budget mix of video and film in the production that makes it seem less "professional" than other shows of the time. A great deal of the series opener is devoted to bringing on new regulars. Theres a fresh Mr Hunter who, like Number Two on The Prisoner--with which Callan shares series editor George Markstein--was a title not a name, so several actors held the position over the course of the show. Theres also the trendily mulleted thug Cross (Patrick Mower), who would go spectacularly off the rails in the next series and a half. In a dramatic device that has long since fallen out of fashion in television, Callan episodes tend to wind up by leaving the audience to work out all the connections of the plot while Callan himself sits gloomily and ponders the wretchedness of his squalid world. --Kim Newman
Divided by time and tradition. United by love and hope. The story of an unforgettable family. In this adaptaion of Evan S. Connell's twin novels Newman plays Mr. Bridge a distinguished Kansas lwyer and Woodward his wife. It is far from being a marriage of like minds though: India Bridge is all caring and sharing but conservative Walter though full of love for his family dares not speak of it. The First World War is over and the second one is on it's way but Walter refuses to move with the times.
Football Factory Meets Spinal TapA hilarious mad-cap comedy about Tash McDermott (Mark Woodward), Head of Lancashire Constabulary's Football Intelligence Unit, as he tries to track down a football hooligan ring leader, and put a stop to any shenanigans on the terraces.Tash is on the trail of the elusive ‘Nightmare’, a notorious football firm hooligan. Inspired by TV programmes like ‘Police, Camera, Action, Tash is giving a journalist (IAN WIGGINS) unrestricted access to cover his operation. But Tash is stuck in the glory days of the past, when football was a man’s game, women knew their place, a ruck was pretty much guaranteed, and he was top of the league for arrests and banning orders.Tash senses that being the subject of a documentary will restore his status, put him right back where he deserves to be, and maybe even make him a star. So he takes his eye off the ball and starts playing up to the camera. But that, and the fact the he can’t hold his beer, ends up landing him in serious trouble.
Wilt - Henry Wilt is a teacher of liberal studies to students on day-release from the nearby pie factory. His night-time fantasies are full of ways in which to murder his bossy wife Eva. When she goes missing Police Inspector Russell Flint attempts to charge Wilt for the 'crime'... Leon The Pig Farmer - A young Jewish estate agent in London suffers an identity crisis when he discovers that his real father is a Yorkshire pig farmer... Personal Services - Julie Walters gives a sterling performance in this riotous comedy which takes a look behind the scenes at the sex-life of the British inspired by the life the notorious Madam Cynthia Payne...
Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise, but taking a visual and conceptual leap beyond those shows. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, courtesy of Jim Henson's Creature Shop, the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script, which is peppered with post-modern pop culture references and movie in-jokes, never takes itself too seriously. It may be expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) like every penny made it to the screen. Ben Browder plays leading man John Crichton as a latter-day Buck Rogers but with an entirely believable sense of bewilderment, not to mention loss; the rest of the living ship Moya's crew also has plenty of difficult issues to deal with, allowing Farscape's writers licence to develop their characters in often unexpected ways. The result is episodic TV sci-fi that continually pushes at the accepted boundaries of the format. Box Set 6: after the nail-biting cliffhanger at the end of the first, the second series gets off to a shaky start in "Mind the Baby", as all the loose plot ends have to be gathered and resolved. Crais apparently has a change of heart, and Scorpius takes his place as Crichton's new nemesis. In "Vitas Mortis" D'Argo falls for a lonely Luxan, with catastrophic and barely plausible results for Moya. "Taking the Stone" showcases Chiana's grief in an episode that manages to be even more confusing. Fortunately by the fourth episode, "Crackers Don't Matter", the show has really hit its stride once again: the crew slowly succumbs to a state of paranoia-fuelled madness, fighting and trying to kill one another thanks to the presence of an odd light-seeking alien. Crichton has a string of great lines ("I hate it when villains quote Shakespeare") and much fun doing an impersonation of Jack Nicholson in The Shining. In "The Way We Weren't" there are shocking revelations about both Aeryn and Pilot's past lives and the show's gift for surprising as well as emotionally convincing character development is once more brought to the fore. Extra features on the DVD include a handful of deleted scenes, cast biographies, a picture gallery and TV trailer. --Mark Walker
A series of brutal sex murders disturbingly similar to the pattern of Tennison's first major case leads to the awful suggestion that she may have caught the wrong man...
An all new Richard Pryor DVD gifting set. The set features 4 DVDs in a slipcase and includes his 1976 comedy musical Car Wash also starring The Pointer Sisters. The 1978 fantasy musical adventure. The Wiz a film based on the classic Wizard of Oz, also starring Michael Jackson and Diana Ross. The 1978 farcical comedy Which Way is Up sees Pryor acting in three roles, which Eddie Murphy has so famously now made a career of. And finally one of Pryor s greatest commercial successes the 1985 smash hit comedy Brewster s Millions also starring John Candy.
Based on a true story Michael Landon stars as foreign journalist John Everingham who returns to war-ravaged Laos to rescue the woman he loves. Convicted of spying due to a confession given under torture and expelled from the country Everingham plots with his friend Derek McBracken (Edward Woodward) to free his love the beautiful Keo (Moira Chen). The only undetectable way back into Laos is the daring and dangerous route of swimming the Mekong River and avoiding the communist guard patrols both on land and water. Capture means certain death but he is willing to risk everything to rescue his one true love.
THE HOLLYWOOD COLLECTION GLENGARRY GLEN ROSS AL PACINO HEADS A STUNNING STAR-STUDDED CAST... Close the deal...or you re history. The stakes couldn t be higher for four desperate Chicago real-estate salesmen: close the deal or lose your job. David Mamet s famously profanity-laden screenplay based on his own Pulitzer Prize-winning play ferociously nails the dog-eat-dog world where lies, flattery, threats, theft and bribery rule supreme as the four salesman scrabble to thrash the opposition and keep their livelihoods. But who will survive? Will it be top closer Ricky Roma? Has-been Shelley The Machine Levene? Timid no-hoper George Aaronow? Big-mouth Dave Moss? Or does ruthless office manager Williamson hold all the trump cards? Al Pacino, who earned both Academy Award® and Golden Globe® nominations for his powerhouse performance, heads a fabulous cast of big-name stellar talent, including Alec Baldwin, Kevin Spacey, Ed Harris, Alan Arkin, Jonathan Pryce and Jack Lemmon (who won the Volpi Cup - Best Actor at the Venice Film Festival). JULIA Fred Zinnemann's last great movie. Based on part of Lillian Hellman's memoir, the film stars Jane Fonda as Hellman as she recounts her friendship with the enigmatic JULIA, played by Vanessa Redgrave. Fonda gives a gutsy performance, playing well with Redgrave and, to a greater degree, Jason Robards, who plays Dashell Hammett. Alvin Sargent's screenplay cleverly bends time, jumping back and forth as the story of Hellman's friendship with Julia is told and Zinnemann creates a melancholy feel that's sustained throughout. The excellent music by Georges Delerue is haunting and the cinematography by Douglas Slocombe is beautiful. The supporting cast features Meryl Streep as Anne Marie, Maximillian Schell as Johann, Cathleen Nesbitt as Julia's grandmother, Rosemary Murphy as Dorothy Parker and Hal Holbrook as Parker's husband Alan Campbell. THE LONG HOT SUMMER Paul Newman plays Ben Quick, the mysterious drifter who stirs up a town and its women when he hitches up in Frenchman s Bend, Mississippi, where life is dominated by elderly patriarch Will Varner (Orson Welles). Will s daughter Clara (Joanne Woodward) and son Jody (Anthony Franciosa) are a disappointment to him. While Jody spends his time fooling around with his alluring wife, Eula (Lee Remick), the strong-willed Clara is courted by Alan Stewart (Richard Anderson), a milquetoast mama s boy. Will himself is resisting being pressured into marriage by his long-term mistress Minnie (Angela Lansbury), but he sees in Ben the passion and drive that Jody lacks. He invites Ben to live with the family, and Ben launches a relentless campaign to break Clara s will and win her heart. This proves the final straw for Jody, who is driven to desperate measures to prove his manhood a situation that sparks both deadly danger and shocking revelations over the course of one long, hot summer.
Who Dares Wins starring Lewis Collins Edward Woodward and Richard Widmark is an uncompromising and exciting action thriller which dramatises the activities of the SAS. When a British government undercover agent is assassinated a radical anti-nuclear group is held responsible. SAS agent Skellen is called upon to infiltrate the group and put an end to their terrorist activities. However the group raids the American embassy and Skellen from within the residence must use his skill and courage to support and guide his SAS colleagues. It will require the full force of the world's most lethal fighting unit to save the lives of several high-ranking hostages...
Introduced in "A Magnum for Schneider", the hour-long 1967 Armchair Theatre episode written by James Mitchell about a disillusioned British secret agent Callan (Edward Woodward), went on to offer four popular (if downbeat) series, a spin-off movie remaking the original story and a some-years-later wrap-up play "Wet Job". Remembered for its very distinctive opening titles, with a swinging broken light bulb and a memorable theme tune, the series adopted a Deighton-LeCarré approach to the grim, treacherous, grubby business of Cold War espionage and made a TV star of the intense Woodward as the sweaty, sometimes conscience-stricken, sometimes robotic Callan. Even in the 21st century this still seems a strong show, its complex stories and impressive performances outweighing a low-budget mix of video and film in the production that makes it seem less "professional" than other shows of the time. In a dramatic device that has long since fallen out of fashion in television, Callan episodes tend to wind up by leaving the audience to work out all the connections of the plot while Callan himself sits gloomily and ponders the wretchedness of his squalid world. --Kim Newman
The Bone Collector: He takes his victims' lives and leaves behind mysterious pieces of a bizarre puzzle. And the only person who may be able to make sense of the serial killer's deranged plan is Lincoln Rhyme (Denzel Washington) a one-time top homicide investigator. After a tragic accident changes his life forever Rhyme can only watch as other cops bungle the case...until he teams up with a young rookie Amelia Donaghy (Angelina Jolie) who bravely becomes his eyes and ears and searches out the clues that help them solve the case. But as the killer senses the cops closing in Rhyme realizes that he and his partner are on the trail of a vicious sadistic murderer who will stop at nothing on his deadly mission. At any moment Rhyme and Amelia could become his next targets - and their first case could become their last. (Dir. Phillip Noyce 1999) Philadelphia: Up-and-coming young lawyer Andrew Beckett (Tom Hanks) has just been fired by his prestigious law firm. They say he hasn't got what it takes. Andrew knows it's because he's got AIDS. Determined to defend his professional reputation Andrew hires fierce brilliant personal-injury attorney Joe Miller (Denzel Washington) to sue his former employers for wrongful dismissal. Joe is initially reluctant to take on the case. Although he as grown up knowing the pain of prejudice he's never had to confront his own prejudices against homosexuality and AIDS...until now. One man is fighting for his reputation his life and for justice. The other is battling to overcome his own and society's ignorance and fear. Philadelphia is one of the most powerful and critically acclaimed movies of our time. (Dir. Jonathan Demme 1993) Inside Man: It looked like the perfect bank robbery. But you can't judge a crime by its cover. Acclaimed actors Denzel Washington Clive Owen and Jodie Foster come together to explore the lure of power the ugliness of greed and the mystery of a perfect robbery in a combustible new crime drama from Spike Lee. The hardbitten but unorthodox Detective Fraiser (Washington) pits his wits against a high-class bank robber Dalton Russell (Owen) following the robbery of a Manhattan bank. As the chase unfolds political corruption and hidden agendas threaten to destabilise an already volatile situation. (Dir. Spike Lee 2006)
It must be stressed that despite the fact that it was produced in 1973 and stars both Christopher Lee and Britt Ekland, The Wicker Man is not a Hammer Horror film. There is no blood, very little gore and the titular Wicker Man is not a monster made out of sticks that runs around killing people by weaving them into raffia work. Edward Woodward plays Sergeant Howie, a virginal, Christian policeman sent from the Scottish mainland to investigate the disappearance of young girl on the remote island of Summer Isle. The intelligent script by Anthony Schaffer, who also wrote the detective mystery Sleuth (a film with which The Wicker Man shares many traits), derives its horror from the increasing isolation, confusion and humiliation experienced by the naïve Howie as he encounters the island community's hostility and sexual pagan rituals, manifested most immediately in the enthusiastic advances of local landlord's daughter Willow (Britt Ekland). Howie's intriguing search, made all the more authentic by the film's atmospheric locations and folkish soundtrack, gradually takes us deeper and deeper into the bizarre pagan community living under the guidance of the charming Laird of Summer Isle (Lee, minus fangs) as the film builds to a terrifying climax with a twist to rival that of The Sixth Sense or Fight Club. --Paul Philpott
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