Watch out for the Man watching the Rollercoaster. In this high-speed suspense thriller a determined terrorist (Timothy Bottoms) begins to turn America's amusement parks into battlefields. The tension mounts as an affable safety inspector (George Segal) attempts to track down the saboteur who has targeted the country's most popular rollercoaster and its riders for senseless destruction. The edge-of-the-seat excitement mounts as the battle of wits between Segal and Bottoms build
When John Travolta first opens his mouth during the opening credits of The General's Daughter and speaks in a terrible Southern cracker drawl, one briefly hopes the movie will turn out to be just as hilariously bad. Unfortunately, the accent is soon revealed to be part of a disguise, and the movie is just as quickly unveiled as a clumsy, run-of-the-mill potboiler, too mediocre to be truly hysterical fun. A female officer is discovered strangled and tied to the ground; she's the title character, and because of the general's political ambitions, the mystery of who did it and why has to be wrapped up in 36 hours by Travolta and fellow CID officer Madeleine Stowe (Last of the Mohicans, 12 Monkeys). Sexual violence and lurid S&M have been thrown in to shore up the incomprehensible plot, but that only adds to the queasy atmosphere. The supporting actors--an impressive collection including James Woods (Salvador), Timothy Hutton (Ordinary People), and James Cromwell (Babe, L.A. Confidential)--don't embarrass themselves, but even they can't make sense of their blustering, macho dialogue. It's amazing that, screenwriter William Goldman (who wrote such great and genuinely thrilling films as Butch Cassidy and the Sundance Kid, Marathon Man, All the President's Men and Misery) left his name attached to this script; there's no sign of his usual skill and intelligence. Madeleine Stowe, a graceful presence in any film, is equally wasted. It was directed with a lot of empty flash by Simon West (Con Air). --Bret Fetzer, Amazon.com
From visionary director Michael Mann ("Heat", "Collateral") comes the film inspired by one of America's most captivating and infamous outlaws - John Dillinger.
Adam Wingard directs this US thriller in which an ex-soldier causes mayhem within a family. David (Dan Stevens) knocks at the door of the Peterson family and informs mother Laura (Sheila Kelley) that he was a close friend of Caleb (Chris Harding), the son she lost in combat. Welcomed into the family home, David is initially granted a hostile reception by Caleb's brother and sister, Luke (Brendan Meyer) and Anna (Maika Monroe). However, David's handy ability to buy booze and deal out violent r.
Eddie Murphy is back as Axel Foley in the third, action-packed installment of the blockbuster comedy franchise Beverly Hills Cop, now remastered in 4K Ultra HDTM with Dolby Vision and HDR-10. After investigating a Detroit car theft ring, Axel finds himself at the center of real high-stakes danger-a hidden crime front located within a popular California amusement park. Directed by John Landis (Trading Places, Coming to America), and featuring Judge Reinhold, Bronson Pinchot and Gil Hill returning to their roles.
Sir John Menier plays a juror in a murder trial of a young woman who is found next to the corpse and is suffering from amnesia due to shock. Sir John and the rest of the jury find her guilty and she is given the death penalty. Sir John has second thoughts and starts to suspect her boyfriend and begins an investigation of his own. In a race against time can he save the girl?
Hercule Poirot is called in to investigate a case for an insurance company regarding firstly a dead woman's body found on a moor and then a important diamond sent to the company to be insured turns out to be a fake. Poirot discovers that the diamond was bought for Arlena Marshall by Sir Horace Blatt and Arlena is on her honeymoon with her husband and step-daughter on a tropical island hotel. He joins them on the island and finds that everybody else starts to hate Arlena for different reasons - refusing to do a stage show stopping a book and for having an open affair with Patrick Redfern another guest in full view of his shy wife. So it's only a matter of time before Arlena turns up dead strangled and Poirot must find out who it is....
Having cornered the market on his signature brand of inspirational comedy, Tyler Perry makes a bid for action-movie supremacy with this grisly adaptation of author James Patterson's most popular character. Loosely based on the 12th novel in the series (2007's Cross), the plot follows the early days of the title character, a genius police detective/psychologist trying to clean up the mean streets of Detroit while keeping his family out of the line of fire. As he mulls over accepting a job with the FBI, he and his team are forced to match wits with a psychotic contract killer (Matthew Fox), who displays a disturbing commitment towards seeing his job through. Director Rob Cohen (The Fast and the Furious, XXX) knows this turf well, delivering an effective mix of creeping thriller sequences and go-for-broke action scenes. Faced with the unenviable task of following in the footsteps of Morgan Freeman (who played the character in Kiss the Girls and Along Came a Spider), Perry does a credible job in portraying both the tender and vengeful aspects of his character, even if the script often falls into the trap of having other characters exclaiming how brilliant Cross is, rather than letting the viewers see the deductive process for themselves. Based on his first attempt, any future entries in the franchise appear to be in good hands. Ultimately, however, the other elements of Alex Cross pale in comparison to Fox, who goes all out--and then some--in giving the audience someone to hiss at. He's shorn down to what appears to be a negative body-fat ratio, and occasionally literally froths at the mouth--and his dedication to creating a villain for the ages quickly overpowers the material. Once this freaky beanpole starts chewing the scenery, you'll be glad that the filmmakers decided against shooting in 3-D. --Andrew Wright
Starring Vince Edwards (City of Fear) and Herschel Bernardi (The Front), Murder by Contract is a bleak investigation into the mind of a professional killer. Tasked with murdering a witness in a criminal trial, contract killer Claude has second thoughts when the target turns out to be a woman... because women cost double. Killing is just a business to Claude, but when he tries to quit, the hunter become the hunted. The once-blacklisted writer-director team of Ben Maddow (Framed) and Irving Lerner (City of Fear) bring you this stylish, minimalist, and eccentric film noir, beautifully photographed by Lucien Ballard (Bullfighter and the Lady, The Wild Bunch), and championed by Martin Scorsese who has described it as one of his biggest influences. Product Features High Definition presentation Original mono audio Audio commentary with film critic and writer Farran Smith Nehme (2021) Introduction by Martin Scorsese (2014, 5 mins) Swedes in America (1943, 18 mins): Irving Lerner's Oscar-nominated short film, presented by Ingrid Bergman, detailing the influence of Swedish immigrants on the United States Violence Is the Word for Curly (1938, 18 mins): comedy short starring the Three Stooges, which provided an early cinematography credit for Murder by Contract's prolific director of photography, Lucien Ballard Original theatrical trailer Larry Karaszewski trailer commentary (2020, 3 mins): short critical appreciation Image gallery: publicity and promotional material New and improved English subtitles for the deaf and hard of hearing
The film tells the story of a lawyer (Fassbender), who finds himself in over his head when he gets involved in drug trafficking.
A seductive and intense noir romance for our times, FRANK & LOLA is the story of two people locked in a battle of passion and obsession. When talented chef Frank meets aspiring fashion designer Lola, he falls instantly and violently in love. As the secrets of Lola's dark past are revealed, the lovers are drawn into a web of sex, jealousy and revenge. With outstanding performances from Michael Shannon and Imogen Poots, FRANK & LOLA is a haunting examination of love, obsession and domination that weaves a twisted yet irresistible spell.
Ronin 4K UHD & Blu-Ray Mediabook3-Disc Limited Collector's Edition in Mediabook with the film on UHD-Blu-ray and Blu-ray, and one Bonus Blu-ray disc, as well as a 24 page booklet.BONUS:Audio Commentary by Director John Frankenheimer | Theatrical TrailerBLU-RAY BONUS:In the cutting room | Natascha McElhone: The Work of an Actress | Composing the Music | Risky Driving Maneuvers | Filming in the Fast Lane | Through the Lens | Interviews in Venice | Alternative Ending
Legendary bada** John Shaft (Samuel L. Jackson) agrees to help his estranged son, JJ (Jessie T. Usher), uncover the truth behind his friend's suspicious death. The popular opposite of his foul-mouthed father, JJ is a book-smart cybersecurity expert who needs an education only Shaft can provide: how to navigate Harlem's underbelly. But if flying fists and bullets weren't enough of a challenge, JJ finds his political correctness clashes wildly with Shaft's shut your mouth style in this nonstop action-comedy that proves the Shaft name is still the ultimate in cool. Extra Content Can Ya Dig It? The Making of Shaft - A Complicated Man: The Shaft Legacy - Part One: A Bad Mother Born, Part Two: No Question Asked, Part Three: A Legend in His Time - Deleted Scenes - Gag Reel
After running out of money while backpacking in a tiny, male-dominated town in the Australian outback, two friends resort to a working holiday at the Royal Hotel. When the locals behavior starts crossing the line, the girls find themselves trapped in an unnerving situation that grows rapidly out of their control.
Adam Wingard directs this US thriller in which an ex-soldier causes mayhem within a family. David (Dan Stevens) knocks at the door of the Peterson family and informs mother Laura (Sheila Kelley) that he was a close friend of Caleb (Chris Harding), the son she lost in combat. Welcomed into the family home, David is initially granted a hostile reception by Caleb's brother and sister, Luke (Brendan Meyer) and Anna (Maika Monroe). However, David's handy ability to buy booze and deal out violent r.
Critics and controversy aside, The Da Vinci Code is a verifiable blockbuster. Combine the film's huge worldwide box-office take with over 100 million copies of Dan Brown's book sold, and The Da Vinci Code has clearly made the leap from pop-culture hit to a certifiable franchise (games and action figures are sure to follow). The leap for any story making the move from book to big screen, however, is always more perilous. In the case of The Da Vinci Code, the story is concocted of such a preposterous formula of elements that you wouldn't envy Akiva Goldsman, the screenwriter who was handed a potentially unfilmable book and asked to make a filmable script out of it. Goldsman's solution was to have the screenplay follow the book as closely as possible, with a few needed changes, including a better ending. The result is a film that actually makes slightly better entertainment than the book. So if you're like most of the world, by now you've read the book and know that it starts out as a murder mystery. While lecturing in Paris, noted Harvard Professor of Symbology Robert Langdon (Tom Hanks) is summoned to the Louvre by French police help decipher a bizarre series of clues left at the scene of the murder of the chief curator, Jacques Sauniere. Enter Sophie Neveu (Audrey Tautou), gifted cryptologist and Sauniere's granddaughter. Neveu and Langdon are forced to team up to solve the mystery, and from there the story is propelled across Europe as it balloons into a modern-day mini-quest for the Holy Grail, complete with alternative theories about the life of Christ, ancient secret societies headed by historical figures like Leonardo Da Vinci, secret codes, conniving bishops, daring escapes, car chases, and, of course, a murderous albino monk controlled by a secret master who calls himself "The Teacher." Taken solely as a mystery thriller, the movie almost works--despite some gaping holes--mostly just because it keeps moving forward at the breakneck pace set in the book. Brown's greatest trick might have been to have the entire story take place in a day so that the action is forced to keep going, despite some necessary pauses for exposition. Hanks and Tautou are just fine together but not exactly a memorable screen pair; meanwhile, Sir Ian McKellen's scenery-chewing as pivotal character Sir Leigh Teabing is just what the film needs to keep it from taking itself too seriously. In the end, this hit movie is just like a good roller-coaster ride: try not to think too much about it--just sit back and enjoy the trip. --Daniel Vancini, Amazon.com
A woman is kidnapped by a stranger on a routine flight. Threatened by the potential murder of her father, she is pulled into a plot to assist her captor in offing a wealthy executive.
The stellar duo of George C Scott (The Day of the Dolphin) and Joanne Woodward (The Effect of Gamma Rays on Man-in-the-Moon Marigolds) headline They Might Be Giants, an eccentric and touching comedy. Grief-stricken widower Justin Playfair begins to believe he is Sherlock Holmes. Briefly institutionalised, he teams up with his doctor - coincidentally named Watson - and, together, they follow a string of clues across New York City as they search for their elusive arch-enemy, Moriarty... Based on a play by award-winning writer James Goldman (The Lion in Winter, Robin and Marion) and directed by Anthony Harvey (Dutchman), They Might Be Giants is an innovative reworking of Don Quixote, and is presented here in three variant cuts. Product Features High Definition remaster Three presentations of the film: the original US theatrical cut (91 mins); the UK theatrical cut (86 mins); and the extended television version (98 mins) Original mono audio Audio commentary with director Anthony Harvey and film preservationist Robert A Harris (2000) Audio commentary with writers and film experts Barry Forshaw and Kim Newman (2023) Madness It's Beautiful (1971): archival promotional documentary Kim Newman on Sherlock Holmes (2023): the critic and author of Moriarty: The Hound of the D'Urbervilles discusses the many cinematic adaptations and interpretations of the famous fictional detective Original theatrical trailer Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing Limited edition booklet featuring a new essay by XXX, and full film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK Extras subject to change
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