Mia Hansen-Løve (Father of My Children; Goodbye, My Love; Eden) takes on late-life misdirection in this exquisite, resonant new drama with a beautiful central performance from Isabelle Huppert. Nathalie (Huppert) teaches philosophy at a high school in Paris. She's passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, students and her possessive mother; until one day, her husband Heinz (Andre Marcon) drops a bombshell. With new freedoms unexpectedly thrust upon her late in life, Nathalie is forced to rethink her future.
Mia Hansen-Løve (Father of My Children; Goodbye, My Love; Eden) takes on late-life misdirection in this exquisite, resonant new drama with a beautiful central performance from Isabelle Huppert. Nathalie (Huppert) teaches philosophy at a high school in Paris. She's passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, students and her possessive mother; until one day, her husband Heinz (Andre Marcon) drops a bombshell. With new freedoms unexpectedly thrust upon her late in life, Nathalie is forced to rethink her future.
Following the critically acclaimed Father if my Children, Mia Hansen-Lvereturns with the equally impressive Goodbye First Love. Loosely auto-biographical in style, the film deals with what Hansen-Lve has described as the defining and central part of her adolescence. The blooming of first love, subsequent heartbreak and renewal are portrayed with a simple directness of stye which nevertheless allow the complexity of emotions to be given full range. Lola Crton (Bluebeard), playing the central character of Camille, creates an incredibly subtle performance allowing the audience to embrace our protagonists growth into maturity and personal liberation.
Following the critically acclaimed Father if my Children, Mia Hansen-Lvereturns with the equally impressive Goodbye First Love. Loosely auto-biographical in style, the film deals with what Hansen-Lve has described as the defining and central part of her adolescence. The blooming of first love, subsequent heartbreak and renewal are portrayed with a simple directness of stye which nevertheless allow the complexity of emotions to be given full range. Lola Crton (Bluebeard), playing the central character of Camille, creates an incredibly subtle performance allowing the audience to embrace our protagonists growth into maturity and personal liberation.
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