Humoresque (Dir. Jean Negulesco 1946): Helen Wright a neurotic society woman sets her sights on ambitious young violinist Paul Boray who returns her love but is undeterred from his music. She becomes his patroness helping him to great success but cannot abide being of secondary importance (""second fiddle?"") in his life. Tragedy ensues. Possessed (Dir. Jean Negukesco 1947): A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her... obsession for David as a result of borderline personality disorder which ultimately leads to murder. The Damned Don't Cry (Dir. Vincent Sherman 1950): The murder of gangster Nick Prenta touches off an investigation of mysterious socialite Lorna Hansen Forbes who seems to have no past and has now disappeared. In flashback we see the woman's anonymous roots; her poor working-class marriage which ends in tragedy and her determination to find ""better things."" Soon finding that sex appeal is her only salable commodity she climbs from man to man toward the center of a nationwide crime syndicate...a very perilous position. Grand Hotel (Dir. Edmund Goulding 1932): Berlin's plushest most expensive hotel is the setting where in the words of Dr. Otternschlag ""People come people go. Nothing ever happens."". The doctor is usually drunk so he missed the fact that Baron von Geigern is broke and trying to steal eccentric dancer Grusinskaya's pearls. He ends up stealing her heart instead. Powerful German businessman Preysing brow beats Kringelein one of his company's lowly bookkeepers but it is the terminally ill Kringelein who holds all the cards in the end. Meanwhile the Baron also steals the heart of Preysing's mistress Flaemmchen but she doesn't end up with either one of them in the end... [show more]
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