Vin Diesel stars as a mercenary hired to deliver a package from the ravages of post-apocalyptic Eastern Europe to a destination in the teeming megalopolis of New York City. The "package" is a mysterious young woman with a secret.
You never really know someone until you look into their past... Katana returns to his roots while Hajiki remembers his father and gathers new direction in his life. Will Hajiki be able to handle the darker aspects of this and retain his moral standards when the underground makes use of his services? And will Hajiki be able to complete his job when circumstances seem to continually pull him away? Night Town seems to be a little darker nowadays. But there are some things in lif
From its charming and angst-ridden first season to the darker, apocalyptic final one, Buffy the Vampire Slayer succeeds on many levels, and in a fresher and more authentic way than the shows that came before or after it. How lucky, then, that with the release of its box set of seasons 1-7, you can have the estimable pleasure of watching a near-decade of Buffy in any order you choose. (And we have some ideas about how that should be done.) First: rest assured that there's no shame in coming to Buffy late, even if you initially turned your nose up at the winsome Sarah Michelle Gellar kicking the hell out of vampires (in Buffy-lingo, vamps), demons, and other evil-doers. Perhaps you did so because, well, it looked sort of science-fiction-like with all that monster latex. Start with season 3 and see that Buffy offers something for everyone, and the sooner you succumb to it, the quicker you'll appreciate how textured and riveting a drama it is. Why season 3? Because it offers you a winning cast of characters who have fallen from innocence: their hearts have been broken, their egos trampled in typically vicious high-school style, and as a result, they've begun to realize how fallible they are. As much as they try, there are always more monsters, or a bigger evil. Despite this, or perhaps because of it, the core crew remains something of a unit--there's the smart girl, Willow (Alyson Hannigan) who dreams of saving the day by downloading the plans to City Hall's sewer tunnels and mapping a route to safety. There are the ne'r do wells--the vampire Spike (James Marsters), who both clashes with and aspires to love Buffy; the tortured and torturing Angel (David Boreanz); the pretty, popular girl with an empty heart (Charisma Carpenter); and the teenage everyman, Xander (Nicholas Brendon). Then there's Buffy herself, who in the course of seven seasons morphs from a sarcastic teenager in a minidress to a heroine whose tragic flaw is an abiding desire to be a "normal" girl. On a lesser note, with the box set you can watch the fashion transformation of Buffy from mall rat to Prada-wearing, kickboxing diva with enviable highlights. (There was the unfortunate bob of season 2, but it's a forgivable lapse.) At least the storyline merits the transformations: every time Buffy has to end a relationship she cuts her hair, shedding both the pain and her vulnerability. In addition to the well-wrought teenage emotional landscape, Buffy deftly takes on more universal themes--power, politics, death, morality--as the series matures in seasons 4-6. And apart from a few missteps that haven't aged particularly well ("I Robot" in season 1 comes to mind), most episodes feel as harrowing and as richly drawn as they did at first viewing. That's about as much as you can ask for any form of entertainment: that it offer an escape from the viewer's workaday world and entry into one in which the heroine (ideally one with leather pants) overcomes demons far more troubling than one's own. --Megan Halverson
An epic adventure begins in La Brea: Season One when a massive sinkhole opens in the middle of Los Angeles, pulling hundreds of people and buildings into its depths. Those who fell in find themselves in a mysterious and dangerous primeval land, where they have no choice but to band together to survive. In the search for answers, one family torn apart by this disaster will have to unlock the secrets of this inexplicable event to find a way back to each other. This Blu-ray set contains all 10 episodes from the hit first season from NBC Universal. Product Features Inside NBC's La Brea La Brea: Survival and the Unexpected Journey
With a tantalising "what-if?" scenario and a respectable cast of Hollywood veterans, The Final Countdown plays like a grand-scale episode of The Twilight Zone. It's really no more than that, and time-travel movies have grown far more sophisticated since this popular 1980 release, but there's still some life remaining in the movie's basic premise: what if a modern-era navy aircraft carrier--in this case the real-life nuclear-powered USS Nimitz--was caught in an anomalous storm and thrust 40 years backwards in time to the eve of Japan's attack on Pearl Harbor? Will the ship's commander (Kirk Douglas) interfere with history? Will the visiting systems analyst (Martin Sheen) convince him not to? Will a rescued senator from 1941 (Charles Durning) play an unexpected role in the future of American politics? Veteran TV director Don Taylor doesn't do much with the ideas posed by this potentially intriguing plot; he seems more interested in satisfying aviation buffs with loving footage of F-14 "Jolly Roger" fighter jets, made possible by the navy's generous cooperation. That makes The Final Countdown a better navy film than a fully fledged time-travel fantasy, but there's a nice little twist at the end, and the plot holes are easy to ignore. James Cameron would've done it better, but this popcorn thriller makes an enjoyable double bill with The Philadelphia Experiment. --Jeff Shannon
Forbin is the designer of an incredibly powerful and sophisticated computer Colossus who can run all of America's nuclear defences. Shortly after being powered up it detects the existence of Guardian the Soviet counterpart previously unknown to the US to which it insists to be linked. Both America and Russia allow this but as soon as a link is established the two become a super computer and threaten the world with nuclear war if detached.
Fate Grand Order: First Order The Chaldea Security Organization was founded to focus on preserving the continuation of human history. They observe a world which mage craft couldn't observe, and science couldn't measure, all to prevent the certain extinction of humanity. But one day, the future that Chaldea continued to observe disappears and humanity's extinction becomes clear.
The first manned mission from Earth to Mars in 2033 attempts to colonize the red planet.
Remembrance of the Daleks" was the final Doctor Who story to feature the titular mutant cyborgs, and is a particularly notable adventure for the way it ties the plot into the very first story, "An Unearthly Child" made 25 years before. It is 1963, and the Seventh Doctor, Sylvester McCoy arrives in London with new companion Ace (Sophie Aldred), where two Dalek factions are engaged in a deadly search for the Hand of Omega. Ace quickly proves herself a dab-hand with high explosives, and while there are references to the history of the show, including some nice in-jokes, the drama is played much straighter than in McCoy's first season as the time traveller. This is Doctor Who with a decent budget; the period setting is surprisingly lavish and there are some fairly intense action sequences. The Daleks remain as menacing as ever, the plotting has an intriguing air of mystery, and McCoy injects some steel into his characterisation. Aldred serves an ace as a heroine with attitude, (very much post-Sarah Connor from The Terminator), and if this really does prove to be the Dalek's swansong, at least they go out with a bang. On the DVD: Sylvester McCoy and Sophie Aldred provide a warm and friendly commentary track, which also offers optional subtitles. The audio possibilities continue with an isolated music track, though the sound is Pro-Logic stereo, not the stated Dolby Digital. There are trailers for two episodes, a collection of out-takes, 13 deleted or extended scenes, and the raw footage from two different camera angles for two major scenes. Optional on-screen production notes complete a package which, with animated menus and very good 4:3 picture quality puts many Hollywood releases to shame.--Gary S. Dalkin
Roughnecks is the computer-animated TV spin-off from director Paul Verhoeven's live-action sci-fi shoot-'em-up Starship Troopers. Verhoeven had already seen his Robocop movie spun-off into animated television with mixed results, so when it came to Starship Troopers he wanted Roughnecks to be a little different (the director acted as Executive Producer on the series). The style of computer animation here recalls, if anything, the little green soldiers from the Toy Story movies. Backed by an unending techno-based score (despite which the series has won several awards for sound editing), the 20-minute episodes are like viewing brilliantly conceived "cut scenes" from computer games. The series concept begins by taking the movie's characters, giving them different origins---and then forgets about a bug home-world in favour of a mobile threat that can appear anywhere. With souped-up combat suits that better acknowledge Robert Heinlein's original novel, the technological look and feel also owes a significant debt to Aliens. This first collection edits together the opening five episodes to make a 100-minute self-contained movie about a crawling infestation on Pluto. You'll know where shows start and end by the narration. The story is all to do with set-up as we meet the titular Roughnecks: Rico, Dizzy, Doc, Jenkins, Higgins and Razak. Between missions of rescue and mercy, a love triangle is established, Rico's heroics and Higgins' cowardice are explored and more bugs are wasted than you can possibly keep count of. The finale's discovery of "Bug City" will test anyone for arachnophobia. --Paul Tonks
A six year-old girl on the brink of orphanhood, believes that the natural world is in balance with the universe until a storm changes her reality...
David Tennant steps into the role of the Doctor for the second series of Doctor Who. Following the phenomenal success of the first series that took British television by storm in 2005 the second instalment is full of new thrills new laughs new heartbreak and some terrifying new monsters. The Doctor and Rose meet Queen Victoria an evil race of Cat Women and the dreaded Cybermen. Featured Episodes: 1. Tooth And Claw 2. School Reunion 3. The Girl In The Fireplace
The immortal Macleod's Connor (Lambert) and Duncan (Paul) must join forces against Kell an evil immortal who has become too strong for anyone to face alone...
The fourth series of Deep Space Nine can be summed up in one word: Klingons! The show's producers apparently felt beset from all sides. Babylon 5 was a huge hit, as was Star Trek: Voyager, the flagship of new channel UPN. Stepping up DS9's action quotient seemed to be the answer. Time would tell, however, whether doing so via Trek's tried-and-tested former bad guys was the best solution. Opening with a special two-hour extravaganza, the new year was immediately unfamiliar. Dennis McCarthy's original theme--despite winning an Emmy--was deemed too subdued. As its upbeat new rendition kicked off, the station was seen in battle and swarming with activity. Moments later, we met old/new crewmember Worf, whose sudden appearance was the result of a brewing invasive strategy by the Klingons. This initiated the first of many loyalty shifts, as the Cardassians became the victims. With plenty of re-appearances by Gowron, Kor and Kurn, it was clear that an ongoing space opera was being crafted. Dukat revealed a tragedy-ridden daughter; Odo's relationship with his people (and Kira) became increasingly melancholy; and even the Jem'Hadar foot soldiers were given a sympathetic angle by their drug addiction. Adding to the layers of ambiguity about Earth's (read: the Producers') position over being at war, was the "outing" of Eddington and Sisko's girlfriend as rebel activists. Lest we forget the homely/spiritual side of the Captain, time was spent with a future version of Jake, with his father (Brock Peters), and on the nature of his role as "The Emissary". Avery Brooks worked behind the camera a couple of times, but this year the surprise was LeVar Burton directing five shows. There was still time for comedy: the Ferengi warped back to Roswell in 1947 and Bashir played at James Bond. But the year will be recalled predominately for its violence. One of the episodes Burton directed had its fight scenes drastically cut, while the series as a whole won an Emmy for its space battle effects. On the DVD: Deep Space Nine, Series 4 contains more than two hours of extra features. Although they might all have been better compiled into one long documentary, the sections devoted to Aliens, Production Design and Artwork are, nevertheless, nicely contained. "Charting New Territory" is a 20-minute featurette on all the big changes attempted this year: Worf's introduction, arming the station and being daring with stand-alone episodes. There's also a terrific and candid dossier on Michael Dorn (Worf), ten mini-cameo cast tales, four seasons' worth of episode introductions, and a well-stocked Photo Gallery. All this can be found on the set's seventh disc; there's also the fourth CD-ROM disc, which allows you to build your own station at home. --Paul Tonks END
A group of high schoolers, including the popular Mandy Lane, head to a weekend party on a secluded ranch. However soon their numbers start to dwindle.
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