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Titles comprise: Pale Rider: In Pale Rider Clint Eastwood returned to the saddle after nine years and Western movies were riding high again. After corporate mining boss Coy LaHood (Richard Dysart) begins a campaign of terror to drive independent pan miners out of the area a nameless stranger called Preacher (Eastwood) rides into the underdog's camp. He becomes their avenger. The tycoon then hires a badge-wearing killer and his duster-shrouded deputies men loyal to whoever pays the most. LaHood pays gold. But in a climactic shootout to remember Preacher pays in lead. The Outlaw Josey Wales: As the Outlaw Josey Wales Clint Eastwood is ideal as a wary fast drawing loner akin to the Man with No Name from his European Westerns. But unlike that other mythic outlaw Josey Wales has a name and a heart. That heart open up as the action unfolds. After avenging his family's brutal murder Wales is pursued by a pack of killers. He prefers to travel alone but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected. One of the top Westerns ever. Unforgiven Clint Eastwood and Morgan Freeman play retired down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remote Wyoming town of Big Whiskey: Richard Harris is an ill-fated interloper a colourful killer-for-hire called English Bob. Gene Hackman is the sly and brutal local sheriff whose brand of Law enforcement ranges from unconventional to ruthless. Big trouble is coming to Big Whiskey...
The spirited Western stars Kevin Kline Scott Glenn Kevin Costner and Danny Glover as four unwitting heroes who cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day but first they have to break each other out of jail and learn who their real friends are. The spectacular cast also includes Rosanna Arquette John Cleese Brian Denehy Jeff Goldblum and Linda Hunt.
John Matthews (Johnson) is a father whose teenage son Jason (Gavron) is facing a 30 year jail sentence. Desperate and determined to rescue his son at all costs, John makes a deal with the U.S Attorney (Sarandon) to go in as an undercover informant.
This 40 minute workout video is presented by TV exercise guru Jillian Michaels.
After they first worked together on the 1966 film This Property Is Condemned, director Sydney Pollack and Robert Redford continued their long-lasting collaboration with this 1972 drama set during the mid-1800s, about one man's rugged effort to shed the burden of civilisation and learn to survive in the wilderness of the Rocky Mountains. Will Geer is perfectly cast as the seasoned trapper who teaches Jeremiah Johnson (Redford) how to survive against harsh winters, close encounters with grizzly bears, and hostile Crow Indians. In the course of his adventure, Johnson marries the daughter of a Flathead Indian chief, forms a makeshift family, and ultimately assumes a mythic place in Rocky Mountain folklore. Shot entirely on location in Utah, Jeremiah Johnson boasts an abundance of breathtaking widescreen scenery, and the story (despite a PG rating) doesn't flinch from the brutality of the wilderness. --Jeff Shannon
Based on Patrick Dewitt's acclaimed novel of the same name, two brothers Eli and Charlie Sisters are hired to kill a prospector who has stolen from their boss. A reimagining of the cinematic Western as a dangerous, witty, and emotionally cathartic exploration of what it means to be a man.
Cold austere Presbyterian Churh is just another small mining town in the turn-of-the-century Pacific Northwest - and a perfect place for John Q McCabe and Constance Miller to bring a touch of 'civilazation'. He's a small time gambler who dreams of running a big time bordello; she's a madam from Seattle who arrives to make that dream come true...
In a No-man's land between North and South, you didn't fight for the Blue or the Gray... you fought for your friends and your family.
It has about everything that a high-priced horse opera should have hard riding, hard shooting, hard fighting, a bit of hard drinking and Errol Flynn, proclaims The New York Times. Add costars Olivia de Havilland, Ronald Reagan, Raymond Massey and a somewhat revamped re-creation of American history, and you're on the Santa Fe Trail. Bright young lieutenants Jeb Stuart (Flynn) and George Armstrong Custer (Reagan) are assigned to Kansas Territory to guard the Santa Fe Trail. There, they clash with the fanatical abolitionist John Brown (Massey). On a more romantic side, they also vie for the hand of Kit Carson' Holliday (de Havilland). But the pursuit of Brown leads the army to the pivotal battle at Harpers Ferry, Virginia, which strikes the spark that hastens the Civil War.
One of the most treasured Hollywood classics, and one of the most influential and iconic Westerns ever made, High Noon remains a powerful study of heroism, and the tension between the individual and the society around him. One of the best films by director Fred Zinnemann (From Here to Eternity) -- and produced by Stanley Kramer -- High Noon is riveting entertainment and an acknowledged American masterpiece, yet one with surprisingly tumultuous roots. In his Oscar-winning performance, Gary Cooper stars as small town Marshal Will Kane, preparing to retire and leave town with his young bride Amy (Grace Kelly). However, plans are derailed with the impending arrival of outlaw Frank and his brutal gang. Unfolding in real time, High Noon follows Will as he futilely tries to assemble a posse with the reluctant townspeople, who want Will to forget about a conflict -- as does Amy, a Quaker pacifist who just wants to avoid violence. But as high noon approaches, Will realises he must do the moral thing...with or without help. Special Features 4K Digital Restoration Optional English subtitles for the deaf and hard-of-hearing Exclusive audio commentary by historian Glenn Frankel, author of High Noon: The Hollywood Blacklist and the Making of an American Classic Exclusive audio commentary by western authority Stephen Prince Video interview with film historian Neil Sinyard, author of Fred Zinnemann: Films of Character and Conscience A 1969 audio interview with writer Carl Foreman from the National Film Theatre in London The Making of High Noon' [22 mins] a documentary on the making of the film Inside High Noon' [47 mins] and Behind High Noon' [10 mins] two video pieces on the making and context of the film Theatrical Trailer PLUS: A collector's booklet featuring an essay by Philip Kemp; two archival pieces on the film by critic Richard Combs, including an analysis of the film's timekeeping; and On The Wayne, an article by Carl Foreman originally published in Punch Magazine in 1974
Noirish shadows spread across the frontier in this landmark western, the first of the celebrated collaborations between director Anthony Mann and actor James Stewart that redefined the genre with their moral and psychological intensity.
Live without limits. The one-hour drama series, WESTWORLD is a dark odyssey about the dawn of artificial consciousness and the evolution of sin. Set at the intersection of the near future and the reimagined past, it explores a world in which every human appetite, not matter how noble or depraved, can be indulged.
The year is 1878 Lincoln County. John Tunstall a British ranch owner hires six rebellious boys as regulators to protect his ranch against the ruthless Santa Fe Ring. When Tunstall is killed in an ambush the Regulators led by the wild-tempered Billy the Kid declare war on the Ring. As their vendetta turns into a bloody rampage they are branded outlaws becoming the targets of the largest manhunt in Western history.
Vengeful bounty hunter Ben Brigade (Scott) captures the notorious, psychotic outlaw Billy (James Best), to trap the gunman's equally deranged brother Frank (Lee Van Cleef), the man who murdered Brigade's wife. He enlists the help of two other vigilantes (Pernell Roberts and a young James Coburn in an early screen role), but who have plans of their own for Billy... Dense, complex and wonderfully ambiguous, this suspenseful western drama is perhaps the most revered of the Boetticher/Scott collaborations, and has been cited as a major inspiration by filmmakers including Sergio Leone, Clint Eastwood and Martin Scorsese, and by critics as one of the finest American westerns of the 1950s. Extras: 2K restoration from the original negative Original mono audio Audio commentary with writer and film historian Jeremy Arnold The Guardian Interview with Budd Boetticher (1994, 95 mins): an extensive filmed interview conducted by film historian David Meeker at the National Film Theatre, London Martin Scorsese on Ride Lonesome' (2009, 6 mins): the renowned filmmaker discusses the influence of Boetticher's films Playing in the Open (2018, 14 mins): an audiovisual essay by Cristina Ãlvarez López Isolated music and effects track Original theatrical trailer John Sayles trailer commentary (2013, 3 mins): a short critical appreciation Image gallery: promotional stills and publicity material New and improved English subtitles for the deaf and hard-of-hearing
Four soldiers of fortune are hired by a wealthy Texan oil baron to rescue his kidnapped wife (Cardinale) who's been spirited across the Mexican border by a band of mercenaries led by Jesus Raza (Palance). The four rugged professionals each regarded as a specialist in his selected field - an expert marksman and tracker (Strode) the explosives master (Lancaster) horse handler (Ryan) and one skilled in tactics and weaponry (Marvin) - make their way across the treacherous landscape to retrieve the beautiful kidappee but discover all is not what it seems...
Billed as the first East meets West' Western and directed by Terence Young, cult classic RED SUN (1971) is based on a true story from the American Wild West of 1870. When an outlaw named Link (Charles Bronson) is betrayed by his gang during a train robbery, he is forced by the Japanese Ambassador to help recover a priceless sword stolen by Link's double-crossing partner Gauche (Alain Delon). Link and the Ambassador's bodyguard, Kuroda (Toshiro Mifune), travel the West in pursuit of Gauche, kidnapping his girlfriend (Ursula Andress) along the way to lure him out. Joined in an uneasy alliance, they have only seven days to find Gauche or Kuroda must follow his samurai code of honour and die by his own sword. Delve deeper into the STUDIOCANAL catalogue with the curated CULT CLASSICS collection. Discover eclectic, boundary pushing rarities, genre classics, and forgotten cinematic treasures.
Maniacal outlaws thirsting for blood! Corrupt capitalists profiting from the suffering of the common folk! Desperate people pushed to violent revenge! The Italian western has never been grittier than in this quartet of later-period cult classics, in which the trademark cynicism of the genre escalates into the radical pessimism of the late 1960s / early 1970s world. In Paolo Bianchini's I Want Him Dead (1968), American actor Craig Hill (The Bloodstained Shadow) stars as an ex-Confederate soldier who vows revenge after his sister is raped and murdered, in so doing setting him on a collision course with a dastardly plot to disrupt peace talks between the North and South. Next, in Edoardo Mulargia's El Puro (1969; a.k.a. The Reward's Yours... The Man's Mine), western icon Robert Woods (My Name is Pecos) gives arguably his greatest performance as a legendary gunfighter forced to emerge from hiding after the bounty hunters on his tail murder the tender-hearted barmaid (Rosalba Neri, Smile Before Death) who offered him a new life. Then, in Mario Camus' Wrath of the Wind (1970), genre superstar Terence Hill (They Call Me Trinity) shows his darker side as an assassin who finds his conscience when he and his brother (Mario Pardo, Knife of Ice) are hired by a ruthless landholder (Fernando Rey, The French Connection) to kill the leaders of a growing labor movement. Finally, Fabio Testi (What Have You Done to Solange?) and Tomas Milian (Don't Torture a Duckling) star in Lucio Fulci's Four of the Apocalypse (1975), in which a quartet of misfits go from sharing the same jail cell to embarking on a savage odyssey that will lead to torture, rape and cannibalism. Preyed upon by a ruthless bandit, the foursome fight for their lives - until the time comes for revenge. Four of the Italian western's hardest, cruelest, bloodiest classics erupt from the screen in this feature-packed box set from Arrow Films. Featuring dazzling High Definition restorations and a wealth of brand new bonus materials produced specially for this release, Savage Guns delivers - from both barrels! Product Features High Definition Blu-ray (1080p) presentations of all four films 2K restorations of all four films from the original 35mm camera negatives, with El Puro newly restored by Arrow Films for this release Italian and English front and end titles on all four films Restored original lossless mono Italian and English soundtracks on all four films English subtitles for the Italian soundtracks Optional English subtitles for the deaf and hard of hearing for the English soundtracks Brand new introductions to each film by journalist and critic Fabio Melelli Illustrated collector's booklet featuring new writing on the films by author and critic Howard Hughes Fold-out double-sided poster featuring newly commissioned artwork by Gilles Vranckx Limited edition packaging with reversible sleeves featuring original artwork and a slipcover featuring newly commissioned artwork by Gilles Vranckx DISC 1 - I WANT HIM DEAD Brand new audio commentary by critics Adrian J. Smith and David Flint The Man Who Hated Violence - brand new interview with director Paolo Bianchini Cut and Shot - brand new interview with editor Eugenio Alabiso Nico Unchained - archival interview with composer Nico Fidenco English theatrical trailer Image gallery DISC 2 - EL PURO Two versions of the film: the 98-minute cut, presented in Italian and English, and the longer, 108-minute version, assembled from the original camera negative and an archival print and presented in both Italian and a newly created hybrid English/Italian mix* Brand new audio commentary by critics Troy Howarth and Nathaniel Thompson Brand new interview with actor Robert Woods Brand new, in-depth appreciation of the soundtrack and its composer, Alessandro Alessandroni, by musician and disc collector Lovely Jon DISC 3 - WRATH OF THE WIND Alternate, 106-minute Spanish-language version of the film, featuring additional and extended scenes not found in the Italian or English versions Brand new audio commentary by author and critic Howard Hughes The Days of Wrath - brand new interview with camera operator Roberto D'Ettorre Piazzoli They Call It... Red Cemetery! - a short film from 2022 by filmmaker Francisco Lacerda, serving as a love letter to the spaghetti western genre Alternate Revenge of Trinity opening titles, newly restored for this release Image gallery DISC 4 - FOUR OF THE APOCALYPSE Brand new audio commentary by author and producer Kat Ellinger It Takes Four - previously unreleased interview with production manager Roberto Sbarigia Brand new, in-depth appreciation of the film by author, critic and Lucio Fulci scholar Stephen Thrower Brand new, in-depth appreciation of the soundtrack and its composers, Franco Bixio, Fabio Frizzi and Vince Tempera, by musician and disc collector Lovely Jon Newly restored theatrical trailer Image gallery * For some scenes and dialogue lines in the long version, the Italian audio is either lost or was never produced. These are presented in Spanish with English subtitles.
The John Wayne Westerns Collection
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