Gottfried Reinhardt directs this grim courtroom drama set in West Germany. Four American GIs are accused of raping a German girl, but their wily defence lawyers seek to get them all acquitted. The cast includes Kirk Douglas, Robert Blake, Frank Sutton and Christine Kaufmann.
Bruce Willis's awful, 1991 vanity piece is an abuse of audience goodwill and a waste of a good cast and director (Michael Lehmann of Heathers). The story of Hudson Hawk, cowritten by Willis, concerns a cat burglar pressured into stealing precious art, including some from the Vatican. But the script is just a convenience upon which Willis piles his vaguely boorish brand of hip irony, assuming his audience will stay with him every step of the way. Certain, self-congratulatory scenes induce cringing--Willis and Danny Aiello, for instance, sing "Side by Side" (to brassy accompaniment on the soundtrack) every time they're working a job--but the overall effect is more irritating and baffling. Keep a good thought for Willis (an underrated actor better than the summer junk we usually see him in) by checking out his superior work in Pulp Fiction and his small but memorable role in Billy Bathgate. --Tom Keogh
Set in 1920s Vienna, this a tale of a little girl, whose godfather gives her a special doll one Christmas Eve.
The fifth season was the last series of Ally McBeal, and probably the least satisfying. While always at least slightly entertaining, it was troubled by two conflicting imperatives: first, to steer its neurotic characters and multiplicity of sub-plots towards a coherent and credible resolution; second, to sustain another series of a programme which had, by now, exhausted all the plot possibilities that were remotely believable. The result is a bemusing onslaught of new characters (Ally's Mini-Me Jenny and a barely distinguishable phalanx of lantern-jawed male leads), celebrity cameos (Edna Everage, Christina Ricci, Barry White, Matthew Perry, Jon Bon Jovi), several storylines that would test the credulity of any of the curiously indulgent judges before whom Ally's firm practises (notably the arrival of a 10-year-old daughter that Ally didn't know she had) and one misbegotten attempt to anchor the programme to the real world (the "Nine One One" episode, an unwatchably mawkish allegory about the 9/11 terrorist attacks on the United States). Granted that Ally McBeal was never intended to be realistic drama, but when the programme spirals entirely off into the realms of the surreal, any possibility of the sort of identification with the characters on which the programme once relied is lost. Though not without its moments, the sudden redemption of Fish, always the best-written character, is deftly handled. Series Five will be of chief interest to adherents who stuck with it through the first four and so wanted to see how it all ends; in keeping with the central character's defining motifs of solipsism and self-pity, it does so with a whimper. On the DVD: Ally McBeal has episode selector on each disc, and a scene selector within each of those. The final disc contains two short and desultory documentaries on the series billed, somewhat hopefully, as "Special Features". A French audio soundtrack is available, as are subtitles in English, French and Dutch. -Andrew Mueller
It's the summer of 1983 in Italy, and Elio (Timotheé Chalamet), a precocious 17yearold, spends his days in his family's villa transcribing and playing classical music, reading and flirting with his fried Marzia. One day, Oliver (Armie Hammer), a charming American scholar, arrives as the annual summer intern tasked with helping Elio's father, an eminent professor. Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever. Features: Snapshots of Italy: The Making of Call Me By Your Name featurette In Conversation With Armie Hammer, Timothée Chalamet, Michael Stuhlbarg & Luca Guadagnino Commentary With Timothée Chalamet & Michael Stuhlbarg Commentary With Luca Guadagnino Mystery of Love by Sufjan Stevens Music Video
Based on Neil Simon's own play, 1967's Barefoot in the Park is a perennially joyous film starring carefree Jane Fonda and staid lawyer Robert Redford as young newlyweds setting up home in Greenwich Village. Although the opening credits are fragrantly idyllic (aided by Neal Hefti's soundtrack, you can almost smell the blossom in Central Park), the film doesn't idealise apartment living in New York, à la Friends, far from it: Fonda and Redford's apartment is up several flights of stairs; there's a hole in the skylight and the bedroom is the size of a cupboard. All of this puts some strain on the marriage. When Fonda introduces fellow free spirit and ageing, behind-on-the-rent Lothario (Charles Boyer) to her somewhat inhibited mother (Mildred Natwick), the hapless Redford in particular is forced to come to terms with his own inhibitions. Although the second half of the film moves at a less cracking pace than the first, Barefoot in the Park is as exhilarating as a romantic weekend city break. Directo r Gene Saks, scriptwriter Neil Simon and composer Hefti would regroup in 1968 to make the similarly wonderful The Odd Couple. On the DVD: With the aid of filtering, the DVD recaptures the almost unreal colour quality common to films of this period, while the sound is faithful to the nuances of Hefti's soundtrack. The special features are miserly--subtitles, a choice of languages and the original trailer, though this at least conveys the engaging naiveté of the period--("The rarest, unsquarest, happiest motion picture in many a year!"). --David Stubbs
From legendary filmmaker Paul Verhoeven (Robocop, Basic Instinct) and screenwriter Gerald Soeteman (Soldier of Orange) comes an explosive, fast-paced and thrilling coming-of-age drama. Raw, intense and unabashedly sexual, Spetters is a wild ride that will knock the unsuspecting for a loop. Stuck in a dead-end town on the outskirts of Rotterdam, three young friends Rien, Eef and Hans have one thing in common, their passion for motorcycle racing, which each sees as his ticket to a better life. But a deeper passion will soon rule each of their lives, when a sexy, ambitious blonde (Renée Soutendijk, The Fourth Man) comes between them and provokes a series of unforeseen events. The film also co-stars the late great Rutger Hauer ( Blade Runner) and Jeroen Krabbé (The Fugitive).
From Executive Producers Taylor Sheridan (1883) and David Oyelowo (Selma) comes the untold story of the most legendary lawman in the Old West: Bass Reeves. LAWMEN: BASS REEVES follows the journey of Reeves (Oyelowo) and his rise from enslavement to law enforcement as one of the first Black U.S. Deputy Marshals west of the Mississippi. Despite arresting over 3,000 outlaws during his career, the weight of the badge was heavy, and he wrestled with its moral and spiritual cost to his beloved family. This release features over two hours of special features, including an exclusive interview with Production Designer Wynn Thomas (Malcolm X, Hidden Figures).
In this sequel to Hope and Glory (1987), Bill Rohan has grown up and is drafted into the army, where he and his eccentric best mate, Percy, battle their snooty superiors on the base and look for love in town.
Talented young ballerina Marie (Nilsson) falls in love with wealthy young college student Henrik Malmsten). After spending the summer together Henrik suffers a tragic accident and as a result his death continues to shape Marie's actions throughout her life...
Oscar-winners Denzel Washington and Russell Crowe clash in this true life gangster story set in 1970s Harlem.
Darkman: Dr Peyton Westlake (Liam Neeson) is on the verge of realising a major breakthrough in synthetic skin when a gang led by the sadistic Robert G Durant (Larry Drake) obliterates his laboratory. Burned beyond recognition and altered by an experimental medical procedure Westlake attempts to rebuild his laboratory and re-establish ties with his former girlfriend Julie (Frances McDormand). But his most challenging task lies within himself. Torn between his desire to create a new life with Julie and his quest for revenge the man known as Darkman begins to assume alternate identities in this stunning fast-paced action thriller from director Sam Raimi. (Dir. Sami Raimi 1990) Darkman 2: Dr Peyton Westlake alias the crime-fighting master of disguise Darkman is still trying to find a way of healing his disfigured features. But a tragic turn of events causes him to re-live the nightmare that disfigured him... (Dir. Bradford May 1994) Darkman 3: The Darkman pits himself against a drug dealer as he attempts to protect his research and his team. (Dir. Bradford May 1996)
When veteran detective, Danny Frater (played by James Nesbitt), turns up at a hospital mortuary for what he thinks is a routine ID check on a young woman's body, he gets a devastating shock; the corpse turns out to be his estranged daughter, Christina (played by Imogen King). Danny is traumatized by the news that according to the post-mortem report, she's taken her own life. Danny and Christina had a complicated father-daughter relationship in recent years, but he refuses to accept that she would have ended her own life. He sets out on a mission for the truth, retracing her last days and hours, in an agonising crusade to discover what really happened to his only child.
After their failed attempt to take over the Federation war fleet, John Worthy and General Gustav are sentenced to death but they are rescued by Worthy's girlfriend, Jolli, who has control of a new Starship, The Deliverance. Meanwhile, The Overseer, Ruler of the Federation, wants to enslave the rebellious worlds with an ancient alien Nano-Virus that turns humans into mindless slaves. Starship Deliverance, Worthy and his team are all that stand in the way of total slavery of the entire human race.
Christian Bale headlines this dark drama about a tortured lathe operator who is blamed for an accident.
If you dare enter this world you had better tread carefully. Such is the advice of Sugar the heroine of the hit BBC2 sexually charged thriller The Crimson Petal and The White. A compelling Victorian tale of revenge The Crimson Petal & The White tells the story of Sugar an alluring and intelligent young prostitute. Sugar longs for a better life and when she secures the patronage of successful businessman William Rackham she begins to hatch a scheme that will free her from her life in the slums. However as their worlds become more entwined Sugar's plans set in motion a series of events that will change both their lives forever. It is an engrossing drama with a twist that viewers will want to watch again and again.
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