Sergeant Tom Highway (Eastwood) a hardened veteran of Korea and Vietnam campaigns returns to the United States for his last tour of duty with the U.S. Marine Corps and has to shape up a ragtag band of soldiers ready for the onset of war...
Clint Eastwood plays Coogan an Arizona cop who is sent to New York to collect a prisoner. Things begin to go wrong when the prisoner escapes and Coogan is ordered home in disgrace. Too proud to return home empty handed Coogan sets out into the big city to recapture his prisoner.
Clint Eastwood's second film as a director (and his first Western) is a variation on the "man with no name" theme, starring Eastwood as the drifter known only as "the Stranger". He rides into the desert town of Lagos and is quickly attacked by three gunmen. Recovering with the aid of a local dwarf (a memorable role for Billy Curtis), the Stranger is hired by the intimidated townsfolk to fend off a band of violent ex-convicts. After teaching the citizens self-defence and instructing them to paint the entire town red and rename it "Hell", the Stranger vanishes. He reappears when the marauding criminals arrive, and delivers justice and teaches the townsfolk a harsh lesson about moral obligation. Is he a figure from their past or a kind of supernatural avenger? Combining humour with action, High Plains Drifter is both a serious and tongue-in-cheek tribute to the Westerns that made Eastwood a household name. --Jeff Shannon, Amazon.com
Ex-con and reformed sociopath Dylan Forrester is trying to quietly serve out his parole, with the help of a steady supply of antidepressants from his eccentric psychiatrist. However, when his brother dies under mysterious circumstances, Dylan breaks parole. With a determined FBI agent on his trail, Dylan goes to uncover the truth. Meanwhile, a band of armed mercenaries wants something Dylan's brother was hiding, and Dylan will need all his cunning and tactical skills as a former Navy SEAL to survive.
Scorned by reviewers when it came out, Where Eagles Dare has acquired a cult following over the years for its unashamed and highly concentrated dose of commando death-dealing to legions of Nazi machine-gun fodder. In 1968 Clint Eastwood was just getting used to the notion that he might be a world-class movie star; Richard Burton, whose image had been shaped equally by classical theatre and his headline-making romance with Elizabeth Taylor, was eager to try his hand at the action genre. Author Alistair MacLean's novel The Guns of Navarone had inspired the film that started the 1960s vogue for World War II military capers, so he was prevailed upon to write the screenplay (his first). The central location, an impregnable Alpine stronghold locked in ice and snow, is surpassing cool, but the plot and action are ultra-mechanical, and the switcheroo gamesmanship of just who is the undercover double (triple?) agent on the mission becomes aggressively silly. --Richard T Jameson
A rooftop sniper (Andy Robinson) calling himself Scorpio has killed twice and holds the city ransom with the threat of killing again. Harry Callahan (Clint Eastwood) is a tough streetwise San Francisco cop whom they call Dirty Harry will nail him one way or the other no matter what the 'system' prescribes. Filming on location director Don Siegel made the City by the Bay a vital part of Dirty Harry a practice continued in its four sequels. The original remains one of the most gripping police thrillers ever made.
After a nine-year break from the genre that made him an international star (the Western just before this one was The Outlaw Josey Wales, from 1976), Clint Eastwood returned in this gritty Western, crafted in the tradition of Shane and High Noon. Eastwood directed and stars as the nameless stranger known only as "Preacher" because he rides into a beleaguered mining town wearing a clerical collar. He's either an agent of death or an angel of mercy, and the echoes of Shane ring loud and clear when he comes to the aid of independent miners who are being terrorized by a local tycoon (Richard Dysart) and his ruthless band of hired guns. Befriended by a miner (Michael Moriarty) and idolized by the miner's wife and daughter (played by Carrie Snodgress and Sydney Penny, respectively), the "Pale Rider" sparks the defiant spirit of the underdog miners and takes after the bad guys with single-minded purpose. --Jeff Shannon
Clint Eastwood stars as retired FBI director Terry McCaleb who is hired to track down the killer of the woman whose heart he received in a transplant. Soon he begins to suspect the murderer is in fact the same serial killer that he trailed for years...
The globe-spanning conflict between otherworldly monsters of mass destruction and the human-piloted super-machines built to vanquish them was only a prelude to the all-out assault on humanity in Pacific Rim Uprising. John Boyega (Star Wars: The Force Awakens) stars as the rebellious Jake Pentecost, a once-promising Jaeger pilot whose legendary father gave his life to secure humanity's victory against the monstrous Kaiju. Jake has since abandoned his training only to become caught up in a criminal underworld. But when an even more unstoppable threat is unleashed to tear through our cities and bring the world to its knees, he is given one last chance to live up to his father's legacy by his estranged sister, Mako Mori (Rinko Kikuchi)who is leading a brave new generation of pilots that have grown up in the shadow of war. As they seek justice for the fallen, their only hope is to unite together in a global uprising against the forces of extinction. Jake is joined by gifted rival pilot Lambert (The Fate of the Furious' Scott Eastwood) and 15-year-old Jaeger hacker Amara (newcomer Cailee Spaeny), as the heroes of the PPDC become the only family he has left. Rising up to become the most powerful defense force to ever walk the earth, they will set course for a spectacular all-new adventure on a towering scale.
Actor, Director, Icon. In 1964, Clint Eastwood starred in his first feature, A Fistful of Dollars, and by 1971 he had stepped behind the camera to direct his first feature, Play Misty for Me. Over the next five decades Clint Eastwood's work continues to inspire and influence filmmakers and film fans alike resulting in over 150 acting and directing awards and nominations for his work during his magnificent career. Together for the first time, own all 61 films Starring or Directed by Clint Eastwood in one beautiful collection. This limited-edition signature collection boxset contains 63 discs; 61 feature-length films and two behind-the-scenes documentaries, as well as a collection of posters, art cards, and stills offering a closer look at some of Clint Eastwood's most iconic roles. Each boxset is individually numbered and contains an introductory foreword from Clint Eastwood. **Please note that this is a Blu-ray collection but 7 films below are DVD discs as they are not available on Blu-ray**: Paint Your Wagon (1969), Thunderbolt and Lightfoot (1974), Bronco Billy (1980), Honkytonk Man (1982), Bird (1988), Pink Cadillac (1989), and White Hunter Black Heart (1990).
A Fistful Of Dollars: - Languages: English (Dolby Digital Mono) ; Subtitles: English Clint Eastwood's stunning Spaghetti Western debut. When the Man With No Name rides into town the rival gangs of the Baxters and the Rojos soon find themselves fighting each other. As the lean cold-eyed cobra-quick gunfighter Clint became the first of the Western's anti-herores. The cynical enigmatic loner with a clouded past is the same character Eastwood fans have been savouring ever since. 'A Fistful Of Dollars' is the western taken to the extreme - with unremitting violence gritty realism and tongue-in-cheek humour. Leone's direction is taut and stylish and the visuals are striking - from the breathtaking panoramas (in Spain) to the extreme close-ups of quivering lips and darting eyes before the shoot-out begins. And all are accentuated by renowned composer Ennio Morricone's quirky haunting score. For A Few Dollars More - Languages: English and French (Dolby Digital Mono) ; Subtitles: English Dutch French Clint Eastwood had proven so successful in his first foray into European Westerns with 'A Fistful Of Dollars' that a follow up sequel was inevitable. Superbly scripted by Luciano Vincenzoni featuring an unforgettable alliance between ruthless gun-slingers to track down the notorious bandit El Indio played by Gian Maria Volonte. The film is also noted for its array of weaponry a veritable arsenal of rifles that became so startingly influential in future westerns. Sergio Leone's direction is both violent and operatic and Ennio Morricone's atmospheric score keeps the tension taut as the action moves from jail breaks and hold ups to spectacular gun battles. The Good The Bad And The Ugly - Languages: English (Dolby Digital Mono) ; Subtitles: English Dutch By far the most ambitious unflinchingly graphic and stylistically influential western ever attempted 'The Good the Bad and the Ugly' is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns for a final appearance as the invincible Man With No Name this time teaming with two gunslingers (Eli Wallach and Lee Van Cleef) to pursue a cache of 0 000 - and letting no one not even warring factions in a civil war stand in their way. From sun-drenched panoramas to bold hard closeups exceptional camera work captures the beauty and cruelty of the barren landscape and the hardened characters who stride unwaveringly through it. Forging a vibrant and yet detached style of action that had not been seen before and has never been matched since 'The Good the Bad and the Ugly' shatters the western in true Clint Eastwood style. The complex plot of bloodshed and betrayal winds its way through the American Civil War filmed to resemble the French battlefields of WW1 to end in a climactic Dance of Death. Arguably the quintessential Italian Western this 1966 film boasts a fine Ennio Morricone score featuring a main theme that reached No.1 in the world's pop charts.
One of Clint Eastwood's two most important filmmaking mentors was Don Siegel (the other was Sergio Leone), who directed Eastwood in Dirty Harry, Coogan's Bluff, Two Mules for Sister Sara and this enigmatic, 1979 drama based on a true story about an escape from the island prison of Alcatraz. Eastwood plays a new convict who enters into a kind of mind game with the chilly warden (Patrick McGoohan) and organises a break leading into the treacherous waters off San Francisco. As jailbird movies go, this isn't just a grotty, unpleasant experience but a character-driven work with some haunting twists. --Tom Keogh
Classic westerns collection of 3 Blu-ray discs starring Clint Eastwood in 1080p High Definition.
This smart, tautly directed thriller from Wolfgang Petersen is about the cat-and-mouse games between a Secret Service agent named Horrigan (Clint Eastwood) and the brilliant, psychopathic assassin (John Malkovich) who's itching to get the President in his cross hairs. In the Line of Fire's back-story--Horrigan is haunted by his inability to prevent John Kennedy's assassination (Eastwood is computer-generated into archival footage)--is more than a little hokey, but the plotting itself is smartly, even ingeniously, constructed. Petersen manages a vice-like grip on the tension and Eastwood even gets to deliver an ever-more-timely lecture on the diminished nature of the office of President. Eastwood's as gruff and as infuriating to the by-the-book Powers That Be as ever and Malkovich oozes delightful menace. Rene Russo capably co-stars as a colleague with whom Horrigan gets friendly. --David Kronke
Set in Wyoming in 1881 during the sunset years of the Wild West, 1992's Unforgiven was directed by and starred Clint Eastwood, and is generally considered to be the towering achievement of his twilight years. Eastwood plays William Munny, once a vicious, whisky-swilling bounty hunter, brought to heel by his marriage to a good woman. When she dies, he must raise two children and run a hog farm alone, something which we see him make a comically poor fist of doing. Then, in a twist of fate, a young outlaw called the Schofield Kid trots up to his farm and invites him to collect on a $1,000 reward raised by a group of prostitutes. However, Clint must not only face up to his own somewhat rusty skills as a gunslinger, but also to genial-but-psychopathic lawman Little Bill Daggett (Gene Hackman in superb form). Unforgiven ultimately conforms to the expectations of the genre, while subverting quite a few of them on the way. There's brooding on the consequences of violence ("It's a hell of a thing to kill a man"), as Munny's ineptitude with a rifle is matched by his feelings of penitence for his younger wrongdoings. Finally, however, Eastwood casts aside age and inhibition in a chillingly ruthless shootout, his powers miraculously (improbably?) restored, in what could also be seen as an assertion on the part of the ageing Eastwood of his own potency as a major player in Hollywood. --David Stubbs
The Man with no Name Trilogy A Fistful of DollarsFor a Few Dollars MoreWhen two rival bounty hunters (Oscar Winner Clint Eastwood and Lee Van Cleef) learn they're both after the same murderous bandit they join forces in hopes of bringing him to justice. But all is not as it seems in the hard-hitting second installment of Sergio Leone's trilogy starring Eastwood as the famed Man With No Name. Special Features: The Christopher Frayling Archives: For a few Dollars More Feature Commentary by Noted Film Historian - Sir Christopher Frayling A New Standard (Frayling on For a Few Dollars More) Back for More (Clint Eastwood remembers For a Few Dollars More) Tre Voci: For a few Dollars More For a Few Dollars More: The Original American Release Version Location Comparisons 12 Radio spots Original Theatrical Trailer The Good the Bad and the Ugly
Whether or not you can sympathise with its fascistic/vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of an American cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorising the city by the Bay. As the psychopath's trail grows hotter, Harry becomes increasingly impatient and intolerant of the frustrating obstacles (departmental red tape, individuals' civil rights) that he feels are keeping him from doing his job. A characteristically taut and tense piece of filmmaking from Siegel (Invasion of the Body Snatchers, The Shootist, Escape from Alcatraz), it also remains a fascinating slice of American pop culture. It was a big hit (followed by four sequels) that obviously reflected--or exploited--the almost obsessive or paranoid fears and frustrations many Americans felt about crime in the streets. At a time when "law and order" was a familiar slogan for political candidates, Harry Callahan may have represented neither, but from his point of view his job was simple: stop criminals. To him that end justified any means he deemed necessary. --Jim Emerson
Based in vulnerable terrain just 14 miles from the Pakistani border, a small unit of U.S. soldiers must hold their base as a force of Taliban fighters launch a co-ordinated attack. Starring Scott Eastwood, Caleb Landry Jones and Orlando Bloom, THE OUTPOST is based on the true story of one of the United States' deadliest battles during the war in Afghanistan - The Battle of Kamdesh.
NSA employee Edward Snowden leaks thousands of classified documents to the press.
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