It takes a village to hide a secret.
The Bill went from strength to strength in 1988 when it was restructured into the half-hour format that stormed to the top of the ITV ratings, and the show remained a Top Ten UK drama for over two decades becoming the longest-running police procedural drama ever screened on British television.Starring fan favourites Sgt. Cryer (Eric Richard), WPC Ackland (Trudie Goodwin), DS Ted Roach (Tony Scannell), DC Lines (Kevin Lloyd) and the irascible DI Burnside (Christopher Ellison), this set contains 48 consecutive episodes originally screened in 1990.
When young businessman Bob Lessing (Dean Cain - Superman) lends his BMW to his brother he inadvertently becomes the target for Vic Haddock (Eric Roberts) a ruthless and psychotic criminal who mistakes Bob for the petty thief who accidentally made off with a large cache of his drug money. In an effort to reclaim his property Vic sends his young and beautiful protegee Camille (Lexa Doig) to seduce Bob - leading to a tale of lust violence and a revelation too painful to bear...
You'll finding yourself rooting for this movie to take off in a sustained flight of comic inspiration, but it seldom does. It's too bad that it doesn't, given the casting, because both leads (Eric Idle and Robbie Coltrane) are capable of extreme funniness. Idle and Coltrane play a couple of low-level crooks who decide to get a piece of the action for themselves and abscond with the loot from a big score. But they're discovered before they can getaway and their only avenue of egress is into a convent. So they don habits and hide out by pretending to be nuns, teaching parochial school to budding young girls. Now think about the possibilities in that premise and anything you can think of is in the film (though Coltrane remains one of the funniest men alive). --Marshall Fine
This dramatic story of the life of composer Edward Grieg set in his native Norway includes abridged versions of his best music and highlights of his personal life.
Available for the first time on DVD! Errant brain-dead millionaire twins Stew and Phil Deedle are sent by their father from the paradise of the North Shore to the woebegone wilderness of Camp Broken Spirit where their tender malleable selves will be transformed from ""surf bums"" into corporate-friendly high achievers. Heinous! They bail but a case of mistaken identity soon finds our heroes saving Old Faithful from a disgruntled Ranger's plan to re-route the geyser's flow onto his
Jackie Collins' sweeping story of passion power greed and betrayal spans over 40 years from the tough streets of depression bit New York to the glitz and glamour of Hollywood and Las Vegas.
The Bill went from strength to strength in 1988 when it was restructured into the half-hour format that stormed to the top of the ITV ratings and the show remained a Top Ten UK drama for over two decades – becoming the longest- running police procedural drama ever screened on British television. Starring fan favourites Sgt. Cryer (Eric Richard) WPC Ackland (Trudie Goodwin) DS Ted Roach (Tony Scannell) DC Lines (Kevin Lloyd) and the ever irascible DI Burnside (Christopher Ellison) this set contains 48 consecutive episodes – originally screened in 1989.
John Adams' 'Doctor Atomic', performed by the Netherlands Philharmonic Orchestra and conducted by Lawrence Renes.
Be very very afraid... Martin Brundle (Stoltz) son of 'The Fly' continues his father's work on the teleporters for Bartok Industries. He is ignorant of his father's true identity and believes himself to have a growth disease. When Martin falls in love with Beth his life changes. As he loses his innocence he also learns the full horror...
One of the big Elizabethan-era films of 1998, Shekhar Kapur's Elizabeth serves up a brimming goblet of religious tension, political conspiracy, sex, violence and war. England in 1554 is in financial and religious turmoil as the ailing Queen "Bloody" Mary attempts to restore Catholicism as the national faith. She has no heir, and her greatest fear--that her Protestant half-sister Elizabeth will assume the throne after her death--is realised. Still, the late Queen Mary has her loyalists. The newly crowned Elizabeth finds herself knee-deep in dethroning schemes while also dodging assassination attempts. Her advisers (including Sir William Cecil, superbly played by Richard Attenborough) beg her to marry any one of her would-be suitors to stabilise England's empire. No matter that she already has a lover. The passionate Robert Dudley (Joseph Fiennes) is married, however, and shows he cannot stand up to the growing strength of the Queen. With the help of her aide Walsingham (Geoffrey Rush), Elizabeth strikes against her enemies before they get to her first. But her rise ultimately entails rejecting love and marriage to redefine herself as the indisputable Virgin Queen. Cate Blanchett's Oscar-nominated performance as the naive and vibrant princess who becomes the stubborn and knowing queen is both severe and sympathetic. Her ethereal, pale beauty is equal parts fire and ice, her delivery of such lines as "There will be only one mistress here and no master!" expressed with command rather than hysterics. As striking as Blanchett's performance is the film's lavish and dramatic production design. The cold, dark sets paired with the lush costuming show the golden age of England's monarchy emerging from the Middle Ages. Rich velvet brushes over the dank stones while power is achieved at any price, and with such attention to physical detail, Elizabeth fully immerses you into its compelling chronicle of pioneering feminism and revisionist history. --Shannon Gee
Written by David Leland and directed by Alan Clarke, Made in Britain is a slice of horrible but not inaccurate life from 1982. It holds a terrific early performance from Tim Roth as a skinhead with a swastika caste-mark tattoo, who constantly bares shark-like teeth as he spits embittered, articulate defiance at caring social workers and truncheon-wielding policemen alike. Sixteen-year-old Trevor (Roth) is remanded to an assessment centre before sentencing, but remains determined to disobey the rules imposed on him by any authority figures and spends the whole 73-minute play challenging the system to smack him back down, by vandalising the Job Centre, using his case-file as a toilet, stealing cars, victimising members of the "immigrant community" and shouting bile at people. The cycle that will lead him to an adult life in prison is explained to him with blackboard diagrams, but he believes he's better off keeping his hatred burning than toeing the line to end up as a no-hoper in a society that prizes obedience over conscience. It was originally televised as one of four Leland-filmed dramas about different aspects of the British education system, which made it seem less monomaniacal in its focus on an extreme case. There's no denying that it's an honest portrait of a monster calculated to terrify even the most concerned liberals which still manages to celebrate his self-destructive defiance. A film for television rather than a TV play, it has very strong language but the violence is all in Roth's face.On the DVD: No extra features here, but it does come with optional English sub-titles, and the theme song by the Exploited over the menu. --Kim Newman
Bijou is a beautiful man-eating cabaret singer in the South Seas who travels from one island saloon to another - usually wreaking havoc on the female-starved clientele. Then she falls in love with dashing and unsuspecting Naval officer Dan Brent. As their romance blossoms Dan proposes marriage to Bijou. The Navy brass knowing Bijou's disreputable past try to convince her to reconsider marrying Dan to save his promising career.
Broderick Crawford (The Undercover Man) goes up against the Mob in this exposé of underworld involvement in America's docklands. After failing to apprehend a cop-killer, Detective Johnny Damico must rescue his reputation by going undercover on the waterfront. Disguising himself as a thug, he infiltrates the mobsters that are controlling the docks in order to uncover the identity of the mysterious boss. Acting as a precursor to On the Waterfront, The Mob is a shocking thriller helmed by Robert Parrish (Cry Danger) and written by William Bowers (Larceny), and with acting support from Richard Kiley (The Sniper) and Ernest Borgnine (Bad Day at Black Rock). Product Features High Definition presentation Original mono audio Audio commentary with filmmaker and writer Gina Telaroli (2021) The Guardian Interview with Ernest Borgnine (2001, 79 mins): archival audio recording of the much-loved character actor in conversation with Clyde Jeavons at the National Film Theatre, London Ernest Borgnine in Conversation (2009, 49 mins): archival video recording of the actor discussing his eventful career with Adrian Wootton at the BFI Southbank, London Hot Stuff (1956, 16 mins): a trio of law enforcers, played by the Three Stooges, go undercover and assume blue-collar jobs in order to thwart criminal activities Original theatrical trailer Image gallery: publicity and promotional material New and improved English subtitles for the deaf and hard of hearing
Some people don't give a damn about your daughter's welfare.... Broderick Crawford takes the role of Augusto in this finely sculpted drama about an ageing con man and his two young sidekicks Roberto and Picasso who swindle the local's out of their money. But Augusto's young accomplices have dreams dreams that are far removed from the lives they lead now. Augusto however still sees his future as a petty theif swindling enough to pay for his nightlife and a better lifestyle. Little could he know though that his own existance would take an unexpected twist as he accidentally bumps into his daughter someone he hasn't seen for some time and who he discovers is having a tough time trying to make ends meet to finish her studies. Surprisingly he finds his attitude changing as it becomes apparent that for the first time in his life his daughter needs his help and maybe he can do something for someone else! In the absence of his partners in crime he joins another group of swindlers but events turn sour and his new partners prove less than charitable toward Augusto when their money goes missing and in retribution leave him a broken and beaten man....
Posing as the fabulously glamorous Countess Tanya Vronsky, a poor young ballet dancer (Vera Zorina) and her twoaccomplices (Peter Lorre, Erich von Stroheim) are really a team of skilled con artists! They mingle with Europe's highsociety, always looking for the next wealthy victim to fleece with their fake jewellery scam...Then Tanya meets the dashing young Paul Vernay (Richard Greene). At first she wants to rob him. Then she decides shewants to marry him - and to leave her criminal past behind her. Her accomplices agree - but only if she'll join them inone last, big swindle...
Baryshnikov, Harvey and Don Quixote is a combination which could hardly fail to be a crowd-pleaser, but in an era when armchair ballet audiences have a huge selection of sure-fire winners to choose from it's worth reflecting on just why this production is so good. This is the 1983 Quixote from the New York Metropolitan Opera House, full-length and, indeed, full of merit. The staging is traditional and over-designed in the best possible way, with Brian Large's video direction capturing the whole apparatus with consummate skill (this is one of the few canned ballets which won't have you fretting over there being too many or not enough close-ups, tracking shots, wide-angle panoramas and so on--they're all there, and they're all uncannily where they should be) and with the cast seemingly having an enormous amount of fun, particularly Baryshnikov himself, whose twinkly eyed Basil is totally engaging. The most intriguing performance, however, falls to Richard Schafer as Quixote. Rather than allow the character to degenerate into buffoonery, Schafer depicts the elderly knight as mysterious and, indeed, almost mystical in his delusions; here, Quixote is not so much a clown but a seer, bearing a strange dignity which contrasts poignantly with the rumbustiousness around him--an elegant twist within an already very pleasing interpretation. --Roger Thomas
A remake of one of Conan Doyle's most famous and popular Sherlock Holmes stories. Is Sir Charles Baskerville's strange death the result of demonic forces and a family curse? Sherlock Holmes searches for a more earthly explanation when Sir Henry Baskerville receives a death threat upon his arrival from America. In this eerie mystery hounds are howling on the moors... a killer is on the loose... and Holmes is on the case.
Years on the Northern cabaret circuit enabled Tommy Cannon and Bobby Ball to hone their act for this ratings-winning show, making the comedians household names beloved by millions. A mixture of sketches, spectacular variety entertainment and a wealth of big-name guest stars ensured this hugely popular series ran for many years.Enjoy more good-natured comedy capers with the dynamic duo in this fifth series, with guests including Diana Dors, Cliff Richard, Robin Gibb, The Three Degrees, Una Stubbs, Windsor Davies, Status Quo, Sarah Brightman and Shakin' Stevens. The set also includes an Easter Special in which the boys are joined by Eric Sykes, Jill Gascoine, Mari Wilson, and pop duo Rene and Renato.
In The Square Peg Norman Wisdom plays one of a pair of council workmen who, while repairing the road outside an army base, come to illustrate the oxymoronic nature of the phrase "military intelligence". Finding themselves drafted, the workmen are sent to repair the roads ahead of the Allied advance through war-torn Europe by the sergeant they previously embarrassed. Norman finds himself behind the German lines, joins up with French Resistance, gets captured then sets out to rescue British prisoners from a German military HQ by impersonating General Schreiber. Of course Wisdom plays Schreiber too. The Square Peg is the film that introduced Norman Wisdom's famous catch-phrase, "Mr. Grimsdale!". Also here Hattie Jacques gets to sing a remarkable duet with Wisdom, and a pre-Goldfinger Honor Blackman provides the love interest. Following his rising star was just what Norman Wisdom's audience had been doing all through the 1950s and, by 1959, and after six films with director John Paddy Carstairs, it was time for a change. Hence Robert Asher made his directorial debut with Follow a Star. The plot is a comedy version of A Star is Born (1954), with Norman yet again playing a dreaming shop worker, this time aspiring to singing stardom. Vernon Carew (played by Wisdom regular Jerry Desmonde) is the fading singer who schemes to use Wisdom's talent to sustain his own rapidly failing career, while the girl is overlooked starlette June Laverick. Norman is surrounded by a particularly strong supporting cast, with Hattie Jacques returning from The Square Peg (1958), Richard Wattis, John Le Mesurier, Fenella Fielding, Ron Moody and, uncredited, future Bond villain Charles Grey. --Gary S Dalkin
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