An evil gang takes over an amusement park only to be foiled by three Ninja-trained brothers and a TV action star in 3 Ninjas: High Noon at Mega Mountain, a smartly-paced, if by-the-numbers, kiddie action flick. Medusa (Loni Anderson) and Lothar (Jim Varney) head up the gang with ransom money and mayhem on their minds. But they don't count on the young trio, taught by their Asian grandfather, and Dave Dragon (Hulk Hogan), making a live appearance at the park. What follows is campy humour, lots of Karate-style action and plenty of Home Alone-type boy vs foolish bad-guy high jinks. And girls aren't left out: the brothers' neighbour, a brainy techno girl, is on hand to hack into the computer and override the gang's murderous plans, while also providing 007-style gadgets for hand-to-hand combat. While there is plenty of gunplay in the 90-minute film, no one is killed or even significantly hurt, making it appropriate for ages five and up. --Kimberly Heinrichs, Amazon.com
Planet of the Apes (1968)Charlton Heston and Roddy McDowall star in this legendary science-fiction masterpiece. Astronaut Taylor (Heston) crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted his life in the hands of a benevolent chimpanzee scientist (McDowall). Winner of an honorary Academy Award for Outstanding Make-Up Achievement Planet of the Apes is grand entertainment from its visually arresting beginning to the chilling last moment. Rise of the Planet of the ApesOur greatest discovery will become the world's greatest threat when a scientist on the verge of a medical breakthrough begins testing on a young chimpanzee named Caesar. But when the chimp develops human-like intelligence and emotions an epic battle ensues to determine the dominant species of the planet!
This new release is a far superior experience to prior UK releases: presented for the 1st time in a superb, wide screen, anamorphic version, showcasing Brass' luscious photography and carefully choreographed set-pieces: showing off the spectacular, titanicaly proportioned, Serena Grandi, whose completely uninhibited, gleeful naturalness, permitted Brass to push explicit eroticism to the doors of hardcore.Based on the Carlo Goldoni play, Serena Grandi is Miranda, the landlady of an Italian taverna who has to choose between all the men who want to conquer and tame her.. so she tries before she buys! She lustfully juggles her assortment of lovers: a rich politician, a local gigolo and an American GI, while taking malicious pleasure in tormenting her barman, but the search for love will open her eyes to him once and for all.
The opera Carmen.
Dracula Prisoner Of Frankenstein (1972): Yesterday they were cold and dead. Today they're hot and bothered! When Dracula despatches another innocent victim Dr. Seward decides it's time to eradicate the evil count once and for all. However when Dr Frankenstein reanimates the lifeless Count in an attempt to create the perfect master race it's a three way battle between the man the vampire and the monster. Plus a werewolf thrown in for good measure! Curse Of Frankenstein
This new teen comedy is a contemporary reworking of the classic
Fellini's take on youth which directly influenced films like Mean Streets, American Graffiti, Diner and other coming of age movies. Leonard Maltin rates it as Fellini's absolute masterpiece, yet it has been rarely revived perhaps overshadowed by his epoch-making, harbinger of a generation lifestyle, his DOLCE VITA! When discovering Fellini's I VITELLONI ('young bucks'), fans will instead recognise the director's influence on many later films adopting its bunch-of-guys-hanging-out format. Close to their 30s, the film's, mostly unemployed, long-time pals are too old to be kids but still uncertain about settling down in their Italian seaside town I VITELLONI is also terribly funny!.. and even if rooted in Italian neo-realism, Fellini is already announcing his fantastical, carnivalesque cinema of weirdness.. The Felliniesque Cinema. Features: TBA: will include new Extras on Fellini's cinema
BIRGIT NILSSON:TurandotTannhauserMacbethGEORGE LONDON:OtelloFRANCO CORELLI AND LISA DELLA CASA:ToscaRENATA TEBALDI:ToscaAdriana LecouvreurCavalleria RusticanaLa GiocondaGIUSEPPE DI STEFANO AND TERESA STRATASManonREGINA RESNIK AND ROBERT MERRILL:CarmenNICOLAI GEDDA AND GIORGIO TOZI:The Cartered BridePHYLLIS CURTIN NICOLAI GEDDA AND THEODOR UPPMAN:Die FlaudermausTERESA BERGANZA:La CenerentolaANNA MOFFO AND GEORGE LONDON:Don GiovanniANNA MOFFO:La TraviataRICHARD TUCKER AND ROBERT MERRILLLa Forza del DestinoLEONTYNE PRICE:La Forza del DestinoIl TrovatoreAdriana Lecouvreur
Lee Calloway known by those who fear him as Sartana arranges a prison break for a notorious and deadly gang. In exchange Sartana wants half the haul of gold the gang has stolen from the army. However after cross and double-cross Sartana is lead from being the hunter to becoming the hunted...
Part fact and part fiction 'Zoot Suit' is the film version of Luis Valdez's critically acclaimed play based on the actual Sleepy Lagoon murder case and the zoot suit riots of 1940s Los Angeles. Henry Reyna (Daniel Valdez) is the leader of a group of Mexican-Americans being sent to San Quentin without substantial evidence for the death of a man at Sleepy Lagoon. As part of the defense committee Alice Bloomfield (Tyne Daly) and George Shearer (Charles Aidman) fight the blatant misc
On a snowy Christmas Eve in the nation's capital, a team of terrorists has seized a major International Airport, and now holds thousands of holiday travellers hostage. The terrorists, a renegade band of crack military commandos led by a murderous rogue officer (William Sadler), have come to rescue a drug lord from justice. They've prepared for every contingency, except one: John McClane, an off-duty cop seized by a feeling of deadly de-ja-vu. Bruce Willis returns as the heroic cop who battle...
Rudolph Valentino was the first male sexual icon of the modern media world. For 5 years from 1921 until 1926 other men watched with envy as Valentino the quintessential Latin screen lover made women swoon over the mere thought of his embrace. This romanticised film covers the career of Valentino from his arrival in Hollywood in 1917 and his emergence in 1921 as American cinema's first great lover.
Zeffirellis 1963 Milan production of La Boheme, preserved in this 1965 film, provides a richly satisfying take on Puccinis much-loved romantic tragedy. The staging is opulent, not least in the way Zeffirelli opens up the Cafe Momus and turns it into a warm, vibrant haven for the bohemians and their followers. But its the relationships which really matter here. Puccinis score--conducted with restrained passion by Herbert von Karajan--develops in a wonderfully linear way, with some of his most intensely moving arias and duets underpinning the evolution of the bohemian artists, particularly Rodolfo and Marcello, from immature egotists to rounded human beings, touched by tragedy. The film does look dated now--Mirella Frenis Mimi, sung with moving clarity, has the doe-eyed look of a 1960s pop star and the camera work is a tad unsophisticated--but the singing still puts the listener through the wringer. Gianni Raimondis Rodolfo ("Che gelida manina") struggles manfully to come to terms with his emotional shortcomings and Adriana Martino (Musetta) has some fine comic moments before playing her vital part in the overwhelming sadness of the final scenes. Soul food for the tragically inclined. On the DVD: La Boheme has no extras here, but excellent booklet notes accompany the disc. The PCM Stereo soundtrack has been digitally remastered to decent effect. The 4:3 picture format inevitably imposes some limitations and the 1960s video quality is a little dull, but after all, this is a product of its time and a vital record of one of Zeffirellis most successful productions.--Piers Ford
During World War II a small German squad was assigned to the task of carrying a shipment of Nazi gold across the African desert. Ambushed by Allied forces only one soldier survived the confrontation. Years later this American GI is murdered by a German treasure hunter intent on locating the stash. The soldier's erstwhile son swears revenge and heads to Africa to locate the killer and the loot. However both are soon terrified by the dangers that surround the gold...
This special two-disc DVD set features two classic Spaghetti Westerns starring the inimitable Franco Nero in Enzo G. Castellari's seminal and highly acclaimed masterpiece 'Keoma' and Ferdinando Baldi's rarely-seen gem 'Texas Adios'.
Spider-Man (Dir. Sam Raimi 2002): Peter Parker (Maguire) was a shy quite nerdy teenager...until he was bitten by a genetically altered spider. Now with the heightened senses and incredible strengths and abilities of a spider Parker has become the amazing Spider-Man! Hellboy (Dir. Guillermo del Toro 2004): In the final days of World War II the Nazis attempt to use black magic to aid their dying cause. The Allies raid the camp where an occult ceremony is taking place but not before a demon Hellboy has already been conjured. Joining the Allied forces Hellboy (Perlman) eventually grows to adulthood under the supervision of his adopted 'father' Trevor Bruttenholm (Hurt) serving the cause of good rather than evil. When the powerful and evil Nazi figure who unleashed Hellboy suddenly reappears in modern times he discovers that Hellboy is now working as a paranormal investigator at a secret U.S. government agency dedicated to protecting humanity from the forces of darkness. Now Hellboy must fight to prevent the destruction of mankind... Dark Horse Comic's popular cult superhero Hellboy makes the leap from the comic book pages to the big screen with Ron Perlman the only actor considered charismatic enough to carry the role of the blood-red demon cutting a cigar-chomping dash aided by the prosthetic work of 6-time Oscar winning make-up artist Rick Baker. The Hulk (Dir. Ang Lee 2003): Scientist Bruce Banner (Eric Bana) has to put it mildly anger management issues. His quiet life as a brilliant researcher working with cutting edge genetic technology conceals a nearly forgotten and painful past. His ex-girlfriend and equally brilliant fellow researcher Betty Ross (Jennifer Connelly) has tired of Bruce's cordoned off emotional terrain and resigns herself to remaining an interested onlooker to his quiet life. Which is exactly where Betty finds herself during one of the early trials in Banner's groundbreaking research. A simple oversight leads to an explosive situation and Bruce makes a split-second decision; his heroic impulse saves a life and leaves him apparently unscathed-his body absorbing a normally deadly dose of gamma radiation. Acclaimed Oscar-winning filmmaker Ang Lee turns his masterful eye to adapting the classic Marvel Comics character for the big screen. Setting out to faithfully transfer the Hulk comic book character from four-color paneled page to motion picture screen Lee combines all the elements of a blockbuster visual effects-intensive superhero movie with the brooding romance and tragedy of Universal's classic horror films. Staying true to the early subversive spirit of the Hulk as envisioned by its creators (Stan Lee and Jack Kirby) while also tuning the tale to current dangerous times Lee presents a portrait of a man at war with himself and the world both a superhero and a monster a means of wish fulfillment and a nightmare...
Actor James Franco wrote and directed this independent drama about two siblings who are by turns raised up and brought down by the bonds of family. Max (James Franco) boasts a genius level IQ, and his brother Adam (Matt Bell) is nearly as bright, but while Adam has the common sense and ambition to make something of his gifts, Max's greatest talent seems to be getting into scrapes and disappointing those around him. Adam has a successful practice as a doctor in New York City, but when Max foolishly tries to swindle some well-connected drug dealers, he has to leave the Big Apple, and somehow persuades his brother to take him to California. On the West Coast, Adam is able to use his medical background to get a lucrative new job, and Max fast talks his way onto the staff of a computer firm. However, Max's inability to stay on the straight and narrow and face his responsibilities quickly resurfaces, and when he starts using crystal meth, he loses his job. Adam also experiences a stretch of bad luck and loses his job, and as a sense of desperation takes hold, he starts joining Max in his drug fueled excesses, leading both down a road to destruction.
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