In 1936 'The Garden Of Allah' was billed as Selznick's showcase for Technicolour. It turned out to be a visually stunning film with vibrant colour realism seldom seen in pictures. Bizarrely the film was not nominated for Best Picture Oscar as the Academy felt that 'its natural beauty would outpoint conventional product'. Now fully restored and digitally re-mastered it still looks wonderful even by today's standards Marlene Dietrich is Domini a young heiress who journeys to t
Max Schmeling's fights against Joe Louis are listed in the best 10 ten fights of all times.
The Prince And The Pauper
On a secluded country estate artist Meneer Chrome (Ewan McGregor) has come to create a masterpiece. Hired by wealthy patron Thomas Smithers (Pete Postlethwaite) he plans to create an extravagant garden carved out of the wilderness. But Chrome's true aim is to bankrupt Smithers and allow evil Fitzmaurice (Richard E. Grant) control over his beautiful wife Juliana (Greta Scacchi)... before Smithers discovers Chrome's true purpose. But what Chrome didn't count on is his passion for their beautiful mysterious daughter. Now one man's passion and another's obsession are about to collide... with the force of nature!
Twenty years ago Alex Grant witnessed the brutal murder of her mother. Ever since she has been haunted by hallucinations and nightmares of the horrible crime and the killer Louis Seagram. Now her vividly surreal visions become terrifyingly and unmistakably real as Louis is back in her life and out for revenge. Dressed as the carnival clown Alex once knew him to be Louis slowly torments her by playing a diabolical game. It's a game of life or death; a game Louis intends to win!
A music teacher battles the system in underprivileged Harlem... The uplifting true story of violin teacher Roberta Guaspari (Streep) a woman who battled insurmountable odds to teach underprivileged children in East Harlem the gift of music. As Roberta struggles to convince a sceptical school board--as well as sceptical parents--that this music will help the children immensely she must conquer seemingly insurmountable odds to do just that. Eventually she does. Based on the document
The Lion finds himself in the enchanted Land Of Oz after a storm and encounters the Wicked Witch of the East. She forces the Lion on a mysterious journey in her quest for control.
Ten years into his small-town romance with Abby (Brea Grant, A Ghost Story), bartender Hank (Jeremy Gardner, Bliss) wakes up alone in an empty home with nothing but a cryptic parting note for company. As Hank drinks himself into heartbreak and depression, Abby's sudden departure soon becomes the least of his concerns as a mysterious monster starts clawing at his door on a nightly basis. As the threat outside his door intensifies, Hank calls on Abby's police officer brother Shane (Justin Benson, Synchronic) and best friend Wade (Henry Zebrowski, The Wolf of Wall Street) for help, but with no trace of the monster and his behaviour becoming more erratic his friends remain unconvinced of the creature lurking outside and Hank slips further into his own paranoia and loneliness. Expertly directed by Jeremy Gardner and Christian Stella (Tex Montana Will Survive!) and co-produced by the team behind Spring and The Endless, After Midnight is a twisted genre-bending gem with mesmerising performances and sublime cinematography about breaking up, moving on and facing your monsters both real and imaginary. Special Features High Definition Blu-ray⢠(1080p) presentation Original 5.1 and 2.0 Stereo PCM Uncompressed audio soundtracks Audio commentary with directors Christian Stella and Jeremy Gardner Lakeland Florida Q&A, featuring Stella, Gardner, actors Ashley Song, Nicola Masciotra and Taylor Zaudtke, script supervisor Elise Stella and 2nd assistant director Juan Ortiz Pitching Something Else', Stella and Gardner pitch the character of Wade to Henry Zebrowski. Featuring an intro by producer Aaron Moorhead Self-interview while self-quarantined during the coronavirus outbreak. Brand new interview with actor and producer Justin Benson Brea and Barak find Fantastic Fest Scooters. Actors Brea Grant and Barak Hardley hunt down scooters following the Fantastic Fest screening of After Midnight Behind-the-scenes Featurette Outtakes Behind-the-scenes image gallery Official international and UK trailers Reversible sleeve with a choice of artwork designs
There have been many film and TV adaptations of Oliver Twist but this 1948 production from director David Lean remains the definitive screen interpretation of the Charles Dickens classic. From the ominous symbolism of its opening storm sequence (in which Oliver's pregnant, ill-fated mother struggles to reach shelter before childbirth) to the mob-scene climax that provokes Bill Sikes's dreadful comeuppance, this breathtaking black-and-white film remains loyal to Dickens while distilling the story into its purest cinematic essence.Every detail is perfect--Lean even includes a coffin-shaped snuffbox for the cruel Mr. Sowerberry--and as young Oliver, eight-year-old John Howard Davies (who would later produce Monty Python's Flying Circus for the BBC) perfectly expresses the orphan's boyish wonderment, stern determination and waifish vulnerability. Best of all is Alec Guinness as Fagin, so devious and yet so delightfully appealing under his beak-nosed (and, at the time, highly controversial) make-up. (Many complained that Fagin's huge nose and greedy demeanour presented an anti-Semitic stereotype, even though Lean never identifies Fagin as Jewish; for this reason, the film wasn't shown in the US until three years after its British release.) Likewise, young Anthony Newley is artfully dodgy as Fagin's loyal accomplice, the Artful Dodger. Guinness's performance would later provide strong inspiration for Ron Moody's equally splendid portrayal of Fagin in the Oscar-winning Oliver! and while that 1968 musical remains wonderfully entertaining, it is Lean's film that hews closest to Dickens' vision. The authentic recreation of 19th-century London is marvellous to behold; Guy Green's cinematography is so shadowy and stylised that it almost qualifies as Dickensian film noir. Lean is surprisingly blunt in conveying Dickens's theme of cruelty but his film never loses sight of the warmth and humanity that Oliver embodies. --Jeff Shannon
From the producers of '300', Immortals is a visually stunning and bloody retelling of the epic Greek legend of Theseus in awesome 3D. The ruthless King Hyperion (Mickey Rourke) leads his bloodthirsty army on a murderous rampage across Greece to find a deadly weapon that can kill the Gods themselves. Only Theseus (Henry Cavill), a mortal chosen by Zeus, King of the Gods, can lead the fight against Hyperion and his evil army with the fate of mankind and the Gods at stake. Special Features: It's No Myth Carravaggio Meets Fight Club (Tarsem's Vision, A Matter of Persepctive, Immortal Warriors, Settling a Score) Alternative Opening Scene - Young Theseus Alternative Endings - This Is Our Last Embrace and Theseus Kills Hyperion Excerpt from Immortals: Gods & Heroes Comic Book (50-60 Still Images) Deleted Scenes Theatrical Trailer
After Wyatt Earp's (Henry Fonda) brother James is murdered by cattle rustlers the frontier legend becomes Tombstone's marshal and sets out to avenge the younger man's death. Torn between his badge and his fury Earp confronts the likely killers the notorious lawless family of Old Man Clanton (Walter Brennan) setting the for the famed shootout at the O.K. Corral. Along the way Earp falls in love with a schoolteacher named Clementine (Cathy Downs) which also pits him against the can
For nearly four decades Benny Hill reigned supreme as the king of bawdy humour on British television. Of his body of work it is the shows that he did for Thames television in the 1970's for which he is best remembered with their combination of farce risque jokes and beautiful ladies. It is these shows that made him a global superstar - topping the ratings in the US also. With his 'three stooges': Henry McGee Bob Todd and Jack Wright Benny Hill produced a handful of 'specials' every year - all of which were critically acclaimed ratings toppers. This fantastic compendium brings together each of the annuals through out the '70's and is a must for any hardened fan of the great man.
Joan and Eddie are in love but he is a career criminal. She uses her influence to get him out of prison and after their marriage he vows to go straight. However things don't go according to plan and they both go off the rails...
On the night of the strangest wedding in cinema history, a grotesque gang boss hires a stone cold killer to bring him the finger of a fading, drug-addicted jazz legend.
With stunning action special effects this is an exhilarating retelling of the greatest sea-faring adventure classic of all time....
Mission Impossible (Dir. Brian De Palma 1996): Tom Cruise ignites the screen in this runaway smash hit. Cruise stars as Ethan Hunt a secret agent framed for the deaths of his espionage team. Fleeing from government assassins breaking into the CIA's most impenetrable vault clinging to the roof of a speeding bullet train Hunt races like a burning fuse to stay one step ahead of his pursuers...and draw one step closer to discovering the shocking truth. Mission Impossible 2 (Dir. John Woo 2000): Tom Cruise returns as Ethan Hunt in this thrilling sequel and leads his team in a attempt to re-capture and destroy the deadly German-manufactured Chimera virus before it falls into the wrong hands. Mission Impossible 3 (Dir. J.J. Abrams 2006): Tom Cruise blasts back into action as IMF agent Ethan Hunt who with a little help from old friend Luther Stickell (Ving Rhames) must take on a deadly new adversary in the shape of Owen Davian (Philip Seymour Hoffman)... This third instalment is written and directed by J.J. Abrams personally selected by Tom Cruise following his work on creating series such as Alias and Lost!
Mission: Impossible was one of the best action blockbusters of the 1990s, deriving a quality unique among its peers from the tension between Brian De Palma's directorial stylisation and the overriding presence of its star and producer, Tom Cruise. The original 1960s television series provides not only the wonderful musical motif, but also the layered complexity of false realities and masked identities, which are revealed with the playful conjuring of a Russian doll. De Palma's trademark set pieces include a giant exploding fishtank in Prague, a helicopter chase through the Channel Tunnel, and, most notably, a break-in to steal a vital disc from CIA headquarters in Langley. The moment in the latter when, in almost complete silence, Cruise dangles precariously from a cable is as sublimely exhilarating as any in American movies of recent years. --Steve NapletonVisually stunning, and a likely must for John Woo aficionados, the second Mission: Impossible outing from megastar Tom Cruise suffers from an inconsistent tone and tired plot devices--not only recycled from other films, but also repeated throughout the film. Despite remarkable cinematography and awe-inspiring, trademark Woo photography, the movie offers a tepid story from legendary screenwriter-director Robert Towne (Chinatown) and a host of other writers, most uncredited. Woo's famed mythic film-making is far from subtle, with heroic Hunt frequently slow-motion walking through fire, smoke or other similar devices, replete with a white dove among pigeons to signal his presence. The emphasis on romance is an attempt to develop character and a more human side to superspy Hunt, but still the story proves a distraction from the exciting action sequences. --NF Mendoza, Amazon.com
Miles Pope (Lenny Henry) is a struggling black actor whose life takes a hilarious turn for the worse when he unwittingly discovers a ruthless mobster's most guarded secret. To save his neck Miles enlists the help of an eccentric makeup whiz who concocts a brilliant disguise to conceal his 'true identity'...
The Sorcerers, the second film directed by the lost "wunderkind" of British cinema Michael Reeves, may not have the scope and visceral impact of his masterpiece, Witchfinder General (1968), but there's enough fierce originality here to show what a tragic loss it was when he died from a drugs overdose aged only 24. The film also shows the effective use he made of minimal resources, working here on a derisory budget of less than £50,000--of which £11,000 went to the film's sole "named" star, Boris Karloff. Karloff plays an elderly scientist living with his devoted wife in shabby poverty in London, dreaming of the brilliant breakthrough in hypnotic technique that will restore him to fame and fortune. Seeking a guinea-pig, he hits on Mike, a disaffected young man-about-town (Ian Ogilvy, who starred in all three of Reeves' films). But the technique has an unlooked-for side effect--not only can he and his wife make Mike do their bidding, they can vicariously experience everything that he feels. At which point, it turns out that the wife has urges and desires that her husband never suspected. Karloff, then almost at the end of his long career, brings a melancholy dignity to his role; but the revelation is the veteran actress Catherine Lacey as the seemingly sweet old lady, turning terrifyingly avid and venomous as she realises her power. The portrayal of Swinging London, with its mini-skirted dollybirds thronging nightclubs where the strongest stimulant seems to be Coke rather than coke, has an almost touching innocence, but Reeves invests it with a dream-like quality, extending it into scenes of violent death in labyrinthine dark alleys. By this stage, some ten years after it started, the British horror cycle was winding down in lazy self-parody. Reeves had the exceptional talent and vision to revive it, had he only lived. On the DVD: The Sorcerers DVD has original trailers for both this film and Witchfinder General (both woefully clumsy); filmographies for Reeves, Karloff and Ogilvy; an "image gallery" (a grab-bag of posters, stills and lobby cards); detailed written production notes by horror-movie expert Kim Newman; and an excellent 25-minute documentary on Reeves, "Blood Beast", dating from 1999. The transfer is letterboxed full-width, with acceptable sound. --Philip Kemp
Horror legend Tod Slaughter on a maniacal murder spree in this sinister thriller from 1946. Tod Slaughter gives his most maniacal performance ever in this adaptation of Maurice Sandoz's famous stage play Spring-Heeled Jack. Philip Wraydon (Tod Slaughter), a murderous Napoleonic spy previously exiled in France, returns to England and becomes a crazed inventor with a hatred of all things British. He embarks on a killing spree, seeking revenge on his brother's family. His nephew, young captai...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy