Robert Duvall and Beau Bridges star in the complete collection of 23 films.
Double bill of musical teen comedies following the fortunes of an all-girl a cappella singing group. In 'Pitch Perfect: Sing-along' (2014), Anna Kendrick stars as Beca, a freshman who is persuaded to join The Bellas, her university's all-female singing group. Raising their energy and expanding their repertoire, The Bellas have soon taken their music to a whole new level, culminating in a sing-off against their male counterparts in a campus-wide competition. In 'Pitch Perfect 2' (2015) The Barden Bellas enter an international singing competition that a group from the US have yet to win. Can they impress the judges enough to beat their competitors? The cast also includes Elizabeth Banks, Hailee Steinfeld, Brittany Snow and Katey Sagal.
Directed with a cool remove by Dominic Sena, Kalifornia falls somewhere between Badlands and Natural Born Killers. David Duchovny is a blocked author with a fascination for outlaw killers who hatches a plan to road trip through America's mass-murder landmarks to finish his book. He enlists the help of his frustrated photographer girlfriend Michelle Forbes, who desperately wants to leave the East Coast for LA, and they advertise for riding partners. Luckily for them, they wind up with a veteran killer, the greasy trailer-park ex-con Brad Pitt, who decides to skip parole with his cowering child-woman girlfriend Juliette Lewis. Duchovny is enamoured by gun-toting Pitt's recklessness and lawless disregard for, well, everything--simultaneously terrified and thrilled by Pitt's brutal beating of a barfly. Meanwhile, Pitt's leaving a trail of corpses in their wake. Pitt brings a ferocious magnetism to his part, but it's still hard to buy genial Duchovny's odd attraction; Juliette Lewis conveys a terrifying sense of victimization with her poor dumb creature. Despite the film's best efforts, it never really plumbs the psyche of Pitt's simmering psycho--he's just plain bad, you know--but it does fashion an effective little thriller out of the tensions brewing in the restless quartet. --Sean Axmaker, Amazon.com
California's San Fernando Valley, 1973. Gary Valentine (Cooper Hoffman) is a precocious high schooler and child star who meets - and is immediately besotted with - Alana (Alana Haim), a twenty-something photographer's assistant trying desperately to find herself. The two of them form an unlikely bond, and soon begin running around the Valley together taking part in Gary's many haphazard schemes.
This is the legendary story of four mop-topped scousers that changed the face of music in the 60's. Ron Nasty Dirk McQuickly Stig O'Hara and Barry Wom collectively The Rutles. From the Hamburg days where they found themselves 'far from home and far from talented' through the recording of their classic albums ('Sgt Rutter's Only Darts Club Band' 'Let it Rut)) to the experimentation with tea the artistic differences and the inevitable split. Relive the phenomenon of the pre-fab four who won over the world with their catchy tunes whacky humour and tight trousers. Relive Rutlemania!
Written and directed by Bruce Robinson (Withnail and I), this fast-moving potboiler finds its creator getting about as far from Withnail's fine wines and London and Lake District settings as it's possible to get, and into the world of bloody homicides, narrative red herrings and emotionally damaged policemen. John Berlin (Andy Garcia) is a big-city cop and, yes, that means he drinks a lot of coffee and has a terrible personal life (in this case, signified by a wife who just can't stop cheating on him). Leaving town to visit his understanding brother-in law and fellow detective Freddy Ross (Lance Henriksen), he promptly finds himself embroiled in the hunt for a serial killer with a grisly modus operandi for murdering blind women. As you might expect, it's not long before he's bumbling his way into a number of confrontations with the hick cops around him and an affair with Helena (Uma Thurman), the blind room-mate of one of the killer's victims. Slick and pacey, Jennifer 8 throws out so many plot that it eventually winds up falling over them in its haste to get to the overblown climax. Nothing here makes a great deal of sense and yet, despite its inherent cosmic silliness, Robinson handles the suspense-and-relief routine with a flashy aplomb, and the cast do well in the face of the material's shortcomings. (John Malkovich's brief appearance is a redemptive highlight, even if you do have to wait almost 90 minutes for it). --Danny Leigh
A Fish Called Wanda was the blockbuster which proved that John Cleese could be a movie star in his own right. Directed by the Veteran Charles Crichton, who made the 1951 Ealing Comedies classic The Lavender Hill Mob, Wanda combined Ealing-comedy capers and Basil Fawlty-esque farce with contemporary big-screen swearing and black comedy. The plot develops in classic film noir style as Cleese's lawyer, Archie Leech, gets sucked into the double-crossing aftermath of a London diamond heist. For sound box-office reasons, British comedies often sport an American star and here Cleese delivers not only Jamie Lee Curtis as a smooth operating femme fatale, but Kevin Kline as her idiotic, and insanely jealous lover (for which he won a Best Supporting Actor Oscar). Pushing the limits of bad taste is Michael Palin's animal-loving Ken, who in the film's best running gag attempts to murder an old lady, only to slay her beloved pet dogs. Other highlights include Palin as a man with two chips up his nose and Cleese showing the world a different sort of "Full Monty". One of the funniest British films ever made, A Fish Called Wanda was followed by Fierce Creatures (1997), which reunited the lead cast and claimed to be an "equal" not a "sequel", but sadly wasn't. --Gary S Dalkin
In 1987, almost 100 years after its first production, the romantic story of Cyrano de Bergerac found new life in a winsome film written by Steve Martin. Roxanne updates the tale with a smart 80s' spin, yet writer-star Martin stays close to the old-fashioned heart of the matter. He plays a small-town fireman named CD Bales, whose otherwise unremarkable existence is crowned by an amazingly long nose. He falls for the world's most beautiful astronomer (Daryl Hannah), but he is embarrassed by the size of his proboscis and prefers to stay on the sidelines. Like Cyrano, the shy CD instead helps a handsome friend (Rick Rossovich) woo the fair lady by providing flowery sentiments and soulful poetry. Not only does the story still work, but director Fred Schepisi captures a dreamy grace in his visual design for the film (some of which will be lost without the widescreen format). Set in Washington State, but filmed in the hilly ski resort of Nelson, British Columbia, the location seems like a fairy-tale town, nearly as unreal as Steve Martin's nose. --Robert Horton, Amazon.com
Directed and written by legendary rock promoter Simon Napier-Bell, manager of The Yardbirds, T Rex and George Michael, and created to coincide with the 50 anniversary of the partial decriminalisation of homosexuality, this is an engaging journey through the subsequent years of how those changes affected LGBT lives. It features interview with leading activists and cultural commentators including Ian McKellen, Elton John, Matt Lucas, Derek Jacobi and Simon Callow.
Although it eventually runs out of smart ideas and resorts to a typically explosive finale, this above-average thriller rises above its formulaic limitations on the strength of powerful performances by Samuel L Jackson and Kevin Spacey. Both play Chicago police negotiators with hotshot reputations, but when Jackson's character finds himself falsely accused of embezzling funds from a police pension fund, he's so thoroughly framed that he must take extreme measures to prove his innocence. He takes hostages in police headquarters to buy time and plan his strategy, demanding that Spacey be brought in to mediate with him as an army of cops threatens to attack, and a media circus ensues. Both negotiators know how to get into the other man's thoughts, and this intellectual showdown allows both Spacey and Jackson to ignite the screen with a burst of volatile intensity. Director F Gary Gray is disadvantaged by an otherwise predictable screenplay, but he has a knack for building suspense and is generous to a fine supporting cast, including Paul Giamatti as one of Jackson's high-strung hostages, and the late JT Walsh in what would sadly be his final big-screen role. The Negotiator should have trusted its compelling characters a little more, probing their psyches more intensely to give the suspense a deeper dramatic foundation, but it's good enough to give two great actors a chance to strut their stuff. --Jeff Shannon
New York, 1941. Socially conscious script writer Barton Fink (John Turturro) has been a big hit on Broadway. Now Tinsel Town is taking notice. Hired by Hollywood to write a wrestling picture, Barton quits the city smog for movie stardom. L.A. has got the Barton Fink feeling. Barton Fink has got writer's block. Enlisting the help of able assistant Audrey (Judy Davis), and amiable neighbour Charlie Meadows (John Goodman), Fink finds the real-life inspiration he seeks comes from the most sinister of sources. From master movie makers the Coen Brothers (Blood Simple, No Country For Old Men), comes the unanimously acclaimed Barton Fink. The biting, offbeat story of Hollywood heartache, faceless movie moguls and headless corpses.
PROBLEM CHILD- Ben Healy (John Ritter) and his social climbing wife Flo adopt Junior a fun-loving seven year old. But they soon discover he's a little monster as he turns a camping trip, a birthday party and even a baseball game into comic nightmares. PROBELM CHILD 2- Junior the monster is now back as him and Ben, his adoptive father, move to Mortville, 'the world's capital of divorce'. There, Ben falls in love with a beautiful but mean-minded rich woman, Lawanda Dumore, who wants to marry him and eliminate Junior. PROBLEM CHILD 3- That little devil Junior is back once more and he's just as naughty as ever! In this, the third edition in the hilarious Problem Child series, Junior is persuaded to join in with other children in various fun activities - including dancing.
Blade's back and this time he's facing the greatest vampire of them in with just Jessica Alba and Ryan Reynolds for back up.
Films comprise: 1. I Was Monty's Double (Dir. John Guillermin 1958) 2. Ice Cold In Alex (Dir. J. Lee Thompson 1958) 3. Went The Day Well? (Dir. Alberto Cavalcanti 1942)
An unemployed dock worker discovers over a million dollars and a whole load of trouble...
Leslie Banks stars alongside Alastair Sim, John Mills and a very young George Cole in this thrilling wartime espionage drama from award-winning director Anthony Asquith. Adapted from Geoffrey Kerr's smash West End play (which also starred Banks, Sim and Cole), Cottage to Let is presented here as a brand-new High Definition transfer from original film elements in its original theatrical aspect ratio. Working in secret for the Air Ministry at his remote country house laboratory, John Barrington is key to the ongoing war effort against the Nazis. Barrington's household, however, has been infiltrated by enemy agents - who plan to take him back to Berlin as prisoner. Special Features: Image gallery
Russell Crowe stars as Terry Thorne, a K&R (kidnap and rescue) expert called in by the wife of an American engineer (played by Meg Ryan) when her husband is kidnapped in South America.
A 1991 comedy, Delirious stars John Candy as the head writer on a soap opera set in the fictional small town of Ashford Falls, whose naff power dressing and power wrangling is distinctly reminiscent of Dynasty. Candy has a crush on the somewhat imperious and Joan Collins-esque star of the show, played by Emma Samms, although waiting in the wings to be written into the show is the more wholesome and unaffected actress Mariel Hemingway. Delirious takes a turn when Candy is felled in an accident and awakes, supernaturally, to find himself in the very world of his own soap, with Ashford Falls a real town and its fictional characters, including Samms, now real people. Candy discovers, however, that in this world he has the power to "write" situations as they suit him--in this case, by casting himself as a dashing, wealthy and mysterious Wall Street hero, able to sweep Samms off her feet. The film is in some ways a precursor of Pleasantville (in which two teens are sucked into the world of a "Honey, I'm home" black and white 1950s sitcom). However, between them the star, writers and director (Tom Mankiewicz) make a ham fist of Delirious. The parody of soap mores is quite well done but quickly palls in its obviousness; Candy's performance is misjudged, as if trying too hard to make the best of a bad job; while overall, the film feels cheap, tacky and broad, once again raising the question why in the 1980s and 90s America produced such great sitcoms but such poor film comedies. On the DVD: Delirious is presented in 1.85:1 anamorphic widescreen. It's a decent enough edition but looks its age in places, in terms of colour definition in particular. The only extra is the original trailer. --David Stubbs
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