When a former member of the U.S. Army Special Forces (The Rock) returns to his small hometown and finds it besieged by drugs and violence, he becomes the sheriff to put things right.
In the tumultuous aftermath of the Civil War Union Cavalry officer John Henry Thomas (John Wayne) takes his heroic men West while Southerner James Langdon (Rock Hudson) takes his soldiers to Mexico. When their paths cross they forge an uneasy friendship that is quickly tested as they get caught between Mexican rebels and the Emperor's forces and find themselves fighting side by side.
Tommy Steele heads an exceptional line-up of pop talent in this highly successful comedy musical from the early 1960s. Featuring John Barry, Russ Conway, Marion Ryan, Geoff Love and Shane Fenton & the Fentones, It's All Happening is presented here as a High Definition transfer from original film elements in its original theatrical aspect ratio. Billy Bowles is unlucky in both love and work. An orphan himself, the news that the orphanage he visits is in danger of being closed prompts him to set up a star-studded benefit concert - with unforeseen results! Special Features: Theatrical trailer Image gallery PDF material
Eight-part crime drama starring John Turturro and Riz Ahmed. New York student Naz (Ahmed) embarks on a wild night out with a mysterious woman after picking her up in his dad's cab. The next morning he finds her stabbed to death in his bed. With no recollection of the previous night's events, Naz flees the scene but is quickly brought in by the city's police and identified as the main suspect for the victim's murder. After he is denied a legal representative, defence lawyer John Stone (Turturro) steps in to help Naz prove his innocence. As he awaits prosecution on Rikers Island, Naz adapts to the politics of life on the inside while his legal team try to piece together what happened on the night of the crime. The episodes are: 'The Beach', 'Subtle Beast', 'A Dark Crate', 'The Art of War', 'The Season of the Witch', 'Samson and Delilah', 'Ordinary Death' and 'The Call of the Wild'.
A wimpy remake of an already anaemic movie (the 1947 Rita Hayworth vehicle Down to Earth), this glitzy musical from 1980 improbably stars Olivia Newton-John as a heavenly muse sent here to help open a roller-derby disco. Gene Kelly is mixed up in this well-meaning but goofy effort to fuse nostalgia with late-70s glitter-ball trendiness, and he looks just plain silly. Directed by Robert Greenwald, the film doesn't even work as decent kitsch. --Tom Keogh, Amazon.com
Alistair Sim's Scrooge is an all-time favourite Christmas family film and a genuine classic of British cinema. Scrooge is also the definitive big screen adaptation of Charles Dickens' 'A Christmas Carol' one of the world's best loved Christmas stories
This was to be Pierce Brosnan's final outing as 007 and what a great Bond he was too! James Bond's newest mission begins with a spectacular high-speed hovercraft chase through a minefield in the demilitarized zone separating North and South Korea - and the action doesn't let up until the credits roll. From Hong Kong to Cuba to London Bond circles the world in his quest to unmask a traitor and prevent a war of catastrophic proportions. On his way he crosses paths with Jinx (Oscar ''-winner Halle Berry) and Miranda Frost (Rosamund Pike) who will play vital roles in his latest adventure. Hot on the trail of deadly megalomaniac Gustav Graves (Toby Stephens) and his ruthless right-hand man Zao (Rick Yune) Bond travels to Iceland into the villain's lair: a palace built entirely of ice. There he experiences firsthand the power of a new hi-tech weapon. Ultimately it all leads to an explosive confrontation - and an unforgettable conclusion - back in Korea where it all started.
Mr. Brian Stimpson ran his life -- and everyone else's -- by the clock. Then one day at 2:09 and 43 seconds... The clock decided to strike back. In this hilarious comedy hit written by Michael Frayn (Noises Off) John Cleese stars as the compulsively punctual headmaster of a British high school. But on the day Stimpson is to give a major speech at a posh teachers conference he finds himself in a frantic cross-country chase filled with missed trains confused cops strange monks odd old ladies and stolen clothes. Can Stimpson make up for precious lost time or is the entire world conspiring to make him late for the most important appointment of his life?
This is a John Wayne Western double-bill featuring The Comancheros (1961) and The Undefeated (1969). Nobody made a fuss about The Comancheros when it came out, yet it has proved to be among the most enduringly entertaining of John Wayne's later Westerns. The Duke, just beginning to crease and thicken toward Rooster Cogburn proportions, plays a veteran Texas Ranger named Jake Cutter who joins forces with a New Orleans dandy (Stuart Whitman) to subdue rampaging Indians and the evil white men behind their uprising. The Comancheros was the last credit for Michael Curtiz (Casablanca), who, ravaged by cancer, ceded much of the direction to Wayne (uncredited) and action specialist Cliff Lyons. With support from Wayne stalwarts James Edward Grant (co-screenplay) and William Clothier (camera), the first of many rousing Elmer Bernstein scores for a Wayne picture and a big, flavourful cast including Lee Marvin (the once and future Liberty Valance), Nehemiah Persoff, Bruce Cabot, and Guinn "Big Boy" Williams (in his last movie), they made a broad, cheerfully bloodthirsty adventure movie for red-meat-eating audiences of all ages. In The Undefeated Wayne and Rock Hudson each play a Civil War commander who, after the ceasefire, lead a community of folks into Mexico to make a fresh start. Hudson is a Southern gentleman; Wayne commanded the Yankee cavalry at Shiloh, where Hudson's brother died. Nevertheless, Rock, with his extended family, and Duke, with his troop of cowboys and 3,000 horses to sell to Emperor Maximilian, soon join forces to outgun banditos and beam paternally over the budding romance between their respective daughter and son. Lingering North-South animosities are celebrated in an obligatory communal fistfight, and the showdown with both Maximilian's lancers and the rebel Juaristas is disconcertingly perfunctory. --Richard T Jameson
Edwina has moved into the neighbourhood known as 'Widows' Peak' so called due to the prevalent maritial status of the residents. The residents are all curious about their new neighbour Edwina including Mrs Counihan the residents leader whose son is busy wooing Edwina. Miss O'Hare and Edwina have an immediate dislike for each other and some accidential encounters look like Edwina is trying to ruin her new rival.
For anyone who travels the congested roads of Britain these days the utterly delightful Genevieve will provoke a wistful, nostalgic sigh of regret for times gone by when there were no motorways, traffic jams were almost non-existent and friendly police motorcyclists riding classic Nortons (without helmets) cheerfully let people driving vintage cars race each other along country lanes. Even in 1953, Henry Cornelius gentle comedy must have seemed pleasingly old-fashioned, concerned as it is with the antics of two obsessive enthusiasts on the annual London to Brighton classic car rally. The principal quartet could hardly be bettered: though John Gregson is something of a cold fish as Genevieves proud owner, the radiant warmth of Dinah Sheridan as his long-suffering wife more than compensates. Kenneth More is ideally cast in the role of boastful rival enthusiast and Kay Kendall has possibly the best comic moment of all when she astonishes everyone with her drunken trumpet playing. Cornelius also directed Ealings Passport to Pimlico, so his sure eye for gently mocking and celebrating British eccentricities is never in doubt. The screenplay by (American writer) William Rose now seems like an elegy to a way of life long disappeared: the pivotal moment when Gregson stops to humour a passing old buffer about his love of classic cars comes from a vanished era of politeness before road rage; as does the priceless exchange between hotel owner Joyce Grenfell and her aged resident: "No ones ever complained before", says the mystified Grenfell after Gregson and Sheridan moan about the facilities, "Are they Americans?" asks the old lady, unable to conceive that anyone British could say such things. Genevieve is both a wonderful period comedy and a nostalgic portrait of England the way it used to be. On the DVD: the "Special Edition" version of Genevieve has a decent new documentary with reminiscences from Dinah Sheridan (still radiant), the director of photography and the films editor, who talk about the challenges of filming on location. Most treasurable of all, though, is legendary harmonica player Larry Adler, who remembers his distinctive score with much fondness and is not at all embittered by his Hollywood blacklisting, which meant he was denied an Academy Award nomination. Theres also a short piece on some of the locations used (which for economic reasons were mostly in the lanes around Pinewood studios), cast biographies and a gallery of stills. The 4:3 ratio colour picture looks pretty good for its age and the mono sound is adequate. --Mark Walker
In Season 3 of Tom Clancy's Jack Ryan, Jack (John Krasinski) is working as a CIA case officer in Rome when he is tipped off that the Sokol Project, a secret plan to restore the Soviet Empire, is being resurrected more than 50 years after it was thought to have been shut down. Jack embarks on a mission to confirm the intelligence, but things quickly go awry, and he is wrongly implicated in a larger conspiracy. Crisscrossing Europe, he races against the clock to stop the cascade of destabilising conflicts from leading to global catastrophe. Also starring Wendell Pierce (The Wire), Nina Hoss (The Contractor), Betty Gabriel (Get Out), and Emmy® Award nominee Michael Kelly (House of Cards). This 2-disc collection includes every thrilling episode along with exclusive deleted scenes. Includes exclusive deleted scenes!
MONTY PYTHON'S FLYING CIRCUS FULLY RESTORED IN HIGH DEFINITION FOR THE FIRST TIME! To celebrate the 50th anniversary of a genuinely iconic series, we present Monty Python's Flying Circus as nature intended! This ground-up restoration has been produced from the best available materials, painstakingly restored, and garnished with larks' vomit... Previously edited sketches have been returned to their original length while filmed sketch sequences and Terry Gilliam's animations have been newly scanned in High Definition, adding unimaginable depth and clarity to some classic moments. From the archive come genuine rarities including previously unseen studio outtakes and extended versions of filmed sketch material, making this the ultimate in television restoration and a must-have for every generation of Python fan! SERIES ONE FEATURES: Sex and Violence: reinstated content, studio outtakes Full Frontal Nudity: studio outtakes The Ant, an Introduction: studio outtakes Untitled: extended Ron Obvious filmed material and clean end titles footage
World War Two thriller starring John Mills. While out on routine patrol, the Royal Navy submarine Trojan accidentally strikes an electronically-operated drifting mine, and plunges immediately to the sea bed. As time - and air - start to run out, the Captain, Lt Cmdr Armstrong (Mills) gathers the handful of survivors together and tries to figure out the best means of escape. Richard Attenborough and Nigel Patrick co-star.
Conceived by Dr Who's Terry Nation 'Survivors' is a groundbreaking and startlingly realistic television drama series. First aired in 1975 at the height of the Cold War the post-apocalyptic storylines immediately gripped the imagination of the British public and remains compelling viewing to this day. This digitally remastered DVD release includes all eleven hours of the first series. Episode titles: The Fourth Horseman Genesis Gone Away Corn Dolly Gone to the Angels Garland's
A group of teens win a contest to spend a night in Michael Myers' childhood home to be broadcast live on the internet. But things go frightfully wrong and the game turns into a struggle to make it out of the house alive.
How a legend was born! Ruthless. Shameless. Clueless! Celebrity interviewer Jiminy Glick (Martin Short) tackles the big screen with his first feature film: a wildly irreverent laugh-till-it-hurts movie experience. Hungry for an A-list interview that could launch him into the gossip-page stratosphere the small-time journalist with big aspirations and an even bigger appetite drags his wife and kids across the country to the star-studded Toronto Film Festival. But in between t
Originally hatched in 1978 as a short film parody, The Rutles was later expanded into a 70-minute mockumentary about a trend-setting quartet of British mop-tops and became one of Eric Idle's better projects outside Monty Python. Taking the career (and hagiography) of The Beatles and inverting them quite nicely, Idle conjures up four doppelgangers who offer the familiar mannerisms but practically none of the intelligence of their models. If that sounds like the same gag that powered This is Spinal Tap (which emerged six years later), it is, with the crucial difference that Idle's lampoon is precise where Tap was consciously generic. In telling the saga of the Rutles, Idle (who doubles as earnest narrator and McCartney-esque Rutle Dirk McQuigley) works from a rich and immediately familiar trove of pop lore, and he has a ball revisiting and reinventing milestones from the Fab Four's fabled history. The attention to period detail helps elevate the gags further, but Idle's real secret weapon is Neil Innes, standing in as Ron Nasty, the Rutles' answer to John Lennon: it's Innes who serves as the musical architect for the wonderful Beatles parodies that give All You Need is Cash a delicious kick, and Innes--a one-time principal in the legendary Bonzo Dog Band--is gifted enough to capture the band's lyricism and energy as well as their shifting sense of style. With the blessing and on-camera participation of George Harrison, and wry cameos from Mick Jagger and Paul Simon, All You Need is Cash is a perfect companion to the Beatles' own glorious screen comedies and a great antidote to sanctimonious pop documentaries. --Sam Sutherland, Amazon.com
Brian De Palma's 1998 thriller is largely an exercise in airing out his orchestral, oversized visual style (think of his Blowout, Body Double or Raising Cain) for the heck of it. The far-fetched story featuresNicolasCage as a crooked police detective attending a championship boxing match at which the Secretary of Defence is assassinated. The unfortunate Secretary's right-hand man (Gary Sinise) happens to be Cage's old friend, a fact that complicates the cop's efforts to reconstruct the crime from conflicting accounts--a directorial strategy bearing similarities to Kurosawa's Rashomon. The outrageousness of the scenario essentially gives DePalma permission to construct a baroque cathedral of spectacular camera stunts, which (he well knows) are inevitably more interesting than the hoary conspiracy plot. (The opening scene alone, which runs on for a number of minutes and consists of one, unbroken shot that moves in from the street, following Cage up and down stairs and in and out of rooms until finally ending ringside at the match, is breathtaking.) The shifting points of view--based on the contradictory statements of witnesses--also give De Palma licence to get creative with camera angles and scene rearrangements. The script bogs down in the third act but De Palma is just revving up for a big, operatic finish that is absolutely gratuitous but undeniably impressive. Yes, it's style over substance in Snake Eyes but what style you're talking about.--Tom Keogh
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