Star racecar Lightning McQueen and the incomparable tow truck Mater take their friendship to exciting new places in Cars 2 when they head overseas to compete in the first-ever World Grand Prix to determine the world's fastest car.
Cabaret is one of those film musicals whose cultural and stylistic influence extend well beyond the cinema. It confirmed Bob Fosse's status as one of the boldest choreographers of the 20th century and gave Liza Minnelli an early peak in a film career which would never scale such heights again. Minnelli is both the film's strength--on its own merits her performance is an Oscar-winning tour de force--and weakness. The real Sally Bowles was a third-rate performer and just one of a rich gallery of characters; here, the constant allowances for Minnelli's star turns and mannerisms ultimately throw the story off balance. But the source material is impeccable: Kander and Ebb's stage show, based on the autobiographical stories of Christopher Isherwood, has long since been acknowledged a classic. The songs, augmented by some new numbers in the film, are ageless. Joel Grey from the original Broadway production is the Emcee, the master of ceremonies who, with his Kit Kat Klub girls, provides a depraved Greek chorus satirising the rise of the Nazi regime and the lazy complacency of the 1930s Berlin cabaret-goers. The "divine decadence" tag is only part of the story, though. Cabaret still works a sinister, uncomfortable magic which sets it apart as a uniquely powerful film musical. On the DVD: Cabaret's 30th Anniversary Special Edition is packed with extras which include a scratchy "making of" documentary from 1972 and a retrospective from 1997, the latter featuring reminiscences from the cast. Theres also the original theatrical trailer, though in the absence of the late director Fosse the lack of some kind of commentary is a disappointment. The picture itself, presented in widescreen 16:9 letterbox format with a Dolby Digital 2.0 stereo soundtrack, gleams as sharply, visually and aurally, as it did on its first release. --Piers Ford
Although at first glance it looks like a movie dreamed up by a marketing committee (and in some respects it probably was), Space Jam actually defies the odds against it to become a dazzling display of family entertainment. There's a kind of demented genius to the idea of casting NBA superstar Michael Jordan in a live-action and animated movie co-starring the beloved characters from Warner Bros' Looney Tunes cartoons. They play off each other like seasoned veterans of vaudeville, and Jordan never falls into the kind of awkward, amateurish showmanship that you might expect from a sports idol. He's comfortable in the cartoon land of his co-stars, who include Bugs Bunny and sexy newcomer Lola Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Sylvester & Tweety, Speedy Gonzalez, the Tazmanian Devil, Foghorn Leghorn, and Yosemite Sam. They've all been hijacked to an outer-space amusement park run by the Nerdlucks, who strike a Faustian bargain with the Warners' heroes: if Bugs and Co. can defeat the Nerdluck "Monstars" in a basketball game, they'll win back their freedom; if they lose, they'll be doomed to stay there forever as enslaved entertainers. So they kidnap Jordan as their coach and "secret weapon" while the nefarious Nerdlucks suck out the basketball skills from such stellar victims as Charles Barkley and Patrick Ewing. It all leads to reckless abandon on the basketball court, and Bill Murray pops in for some hilarious support. Combining traditional animation and computer-generated Nerdlucks with its live-action cast, Space Jam was made in the anarchic spirit of the original cartoons, where anything goes as long as it's funny and off-the-wall (or the ceiling, or the door, or the floor...). Technically astounding, it's also witty enough to entertain adults and kids alike. --Jeff Shannon, Amazon.com
Given the presence of both Steve Martin and John Candy, one would expect this John Hughes comedy to be much, much funnier than it is. Certainly it's not for lack of effort on the part of its stars. Martin is an uptight businessman trying to get home from New York for the holidays. But one thing after another gets in his way--most of it having to do with Candy, a boorish but well-meaning boob who takes a liking to him. Together they travel all over the map; no matter how hard Martin tries to shake him, he can't. But Hughes's writing is never as sharp as it should be and this film winds up being only intermittently humorous. --Marshall Fine
Including the Songs: Outside ; Fast Love ; Spinning The Wheel ; Freedom 90 ; Killer / Papa Was A Rollin' Stone ; Too Funky ; Faith ; I Want Your Sex ; Jesus To A Child ; Waltz Away Dreaming (with Toby Bourke) ; Father Figure ; Older ; Don't Let The Sun Go Down On Me (with Elton John) ; Kissing A Fool ; I Knew You Were Waiting (For Me) (with Aretha Franklin) ; Somebody To Love (with Queen) ; Monkey ; One More Try ; Star People 97 ; I Can't Make You Love Me ; A Different Corner ; You Have Been Loved ; Careless Whisper.
The Incredible true story of an epic bid for freedom. For one soldier the end of the war was just the beginning. Based on the bestselling novel this powerful epic tells the incredible true story of Clemens Forell a German soldier imprisoned in a Siberian labour camp at the end of World War Two. Following four years of brutal treatment he escapes but beyond the barbed wire of the camp lies one of the most hostile environments on earth. Across 8000 miles of unforgiving terrain freezing temperatures and constant danger he battles on. The years continue to pass and he fights to survive digging deep within his soul in the hope of finally one day being reunited with his wife and child. As Far As Me Feet Will Carry Me grips from beginning to end never letting up as it takes the viewer on an incredible journey celebrating the power of the human spirit.
Halle Berry plays the famous feline femme fatale who must tackle Sharon Stone's despotic cosmetics boss while juggling a few love life problems of her own.
Narcotics cops Mike and Marcus are back - this time investigating the flow of ecstasy into Miami and a dangerous criminal kingpin whose plan to control the city's drug traffic has touched off an underground war.
Featuring an acclaimed ensemble cast led by James Franco and Maggie Gyllenhaal, and executive produced by David Simon, George Pelecanos, Nina K. Noble and Franco, Season 2 of The Deuce finds its protagonists living at the apex of the Golden Age of Porn: when the dream of a mainstream X-rated film business is a credible reality, and the free-for-all sex trade of Times Square is at its gaudy, unrestrained height. Picking up in late 1977 (five years after S1), the Deuce's backroom massage parlors and SRO hotels have exploded into sprawling sex emporiums featuring nude girls, live sex shows and peep booths for every imaginable fetish. The NY Mafia's grip on the porn business is beginning to slip as talent migrates to the West Coast but for now, the city is flush with movies, music and art as the drug-fueled party rages around the clock. Season 2 of The Deuce captures the disco era in all its excesses before developers, crack cocaine, AIDS and videotapes conspire to end the debauched glory of Times Square.
Lars Von Trier is considered one of world cinema's great auteurs. His reputation has been built upon controversial and experimental films such as The Idiots Dancer In The Dark and Dogville that often divide audiences. However he found his own unique voice with three early projects which have come to be known as the E-Trilogy: Element of Crime Epidemic and Europa - all dramas concerned with the nature of identity. Element Of Crime (1984
Under the stark white lights of an empty Broadway theatre, a stream of hopefuls audition before Zach, the harsh and critical director of a new musical. There is tension in the air as sixteen are singled out for further auditioning, and as the director and his assistant put the dancers through their paces, they begin to relay their lives into word and song. Suddenly an unexpected latecomer arrives. It is Cassie, a beautiful and talented dancer who used to be a star, returned to ask Zach, her former lover, for a job. Passions run high, but he allows her to audition. Over the course of the day, the dancers, all desperate for the job, reveal more and more about themselves to the ever watchful director, as he searches for his chosen Chorus Line. Starring Michael Douglas, and directed by Richard Attenborough, A CHORUS LINE is based on the hugely successful and award winning Broadway musical of the same name.
Bad Boys: When $100 million of seized heroin is stolen from the Miami Police lock-up, Detectives Lowrey and Burnett, Miami's most mismatched cops, are called upon to solve the case before the FBI close their department. Julie is their only lead to the case, but will only speak to Lowrey. As Lowrey is not around when she calls, Burnett impersonates his cool slick partner. A hilarious role reversal begins .. Bad Boys II: The action and comedy never stop when superstars Martin Lawrence and Will Smith reunite as out-of-control trash-talking buddy cops. Bullets fly, cars crash, and laughs explode as they pursue a whacked-out drug lord from the streets of Miami to the barrios of Cuba. But the real fireworks result when Lawrence discovers that playboy Smith is secretly romancing his sexy sister, Gabrielle Union (Bring it On). Director Michael Bay (Transformers) and producer Jerry Bruckheimer (Pirates of the Caribbean, Black Hawk Down) deliver a high-speed, high-octane blockbuster that will blow you away. Bad Boys For Life: The Bad Boys Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) are back together for one last ride in the highly anticipated Bad Boys for Life.
A young African-American travels across the U.S. in the 1950s in search of his missing father.
The behind the scenes chaos at a hugely fashionable Italian New York restaurant, complete with gourmet food, a high-flying chef, and some truly obnoxious customers!
Picking up one week after the emergency response team stormed Litchfield Penitentiary, the ladies of Litch have been torn apart, literally and figuratively, as they enter a new facility in the sixth season of Orange Is the New Black. Now newbies starting at the bottom, they must navigate new rules and power dynamics while getting hazed by inmates and tortured by guards. Friendships will be tested and new allegiances formed some by choice, others by circumstance as the women face a slew of charges from the riot. Will they take plea deals and turn on each other, or band together and keep their bonds intact?
From JENJI KOHAN, the creator of Weeds, Orange Is the New Black is a thought-provoking, funny, and evocative show about life in a women's prison. Based on the best-selling memoir by PIPER KERMAN, the newest season of Orange Is the New Black delves into the racial and economic tensions that run rampant in the halls of Litchfield. Overrun with new inmates and overseen by inexperienced guards, the prison undergoes an unprecedented culture war. Special features: Gag Reel Visitation: Set Tour Commentaries with Cast and Crew
With all episodes newly remastered from the best available sources available, this Blu-ray box set also contains extensive and exclusive special features including: Extended Episode 1 of Claws of Axos: 90 minute omnibus edition of The Daemons (specially edited for the repeat screening at Christmas 1971 and not seen since) Behind the Sofa: New episodes with Katy Manning and Stewart Bevan, plus companions Janet Fielding and Sarah Sutton and from the Jodie-Whittaker-era Sacha Dhawan and Anjli Mohindra. In Conversation: Matthew Sweet chats to companion Katy Manning. A Devils Weekend: Actors Katy Manning and John Levene take a very personal trip back to the picturesque village of Aldbourne, 50 years after they recorded the Doctor Who story The Daemons there. The Direct Route: Doctor Who directors Michael Briant, Graeme Harper and Tim Combe take an epic road trip to all the filming locations from Season 8 as they discuss directing the show in the early 1970s. Terrance and Me: Lifelong Doctor Who fan, Frank Skinner sets out to meet the family, friends and colleagues of the late, much-loved writer, Terrance Dicks. Special Features Immersive 5.1 surround sound on Terror of the Autons and The Daemons Optional updated special effects and CSO clean-up on Terror of the Autons Blu-Ray trailer A specially shot mini-episode Unseen studio footage Rare archive treats Convention footage HD photo galleries Scripts, costume designs, rare BBC production files and other gems from our PDF archive
All marriages are a mystery to outsiders they say and Franois Ozon's new film succeeds in shining a light on one such mystery while somehow keeping its essential core of unknowability intact. 5x2 shows five scenes from a modern marriage in reverse order like Pinter's Betrayal. We see its disintegration from the final calamity to its genesis and gain a stunning insight into an ordinary middle-class relationship: that of Marion (Valeria Bruni Tedeschi) and Gilles (Stphane F
An Army-base comedy about soldiers "with nothing to kill except time", Buffalo Soldiers invites casual comparison to Catch-22 and M*A*S*H. It's 1989: the Berlin Wall is falling, completing the Cold War's thaw and Ray Elwood (Joaquin Phoenix)--a clerk with the 317th Supply Battalion, stationed in west Germany--combats boredom with a variety of black-market schemes, from cooking heroin for the base's corrupt MPs to dealing stolen arms to the highest bidder, in addition to having a shallow affair with the two-timing wife (Elizabeth McGovern) of his outgoing commander (Ed Harris). Elwood's new CO (Scott Glenn) clamps down on his illegal activities while protecting his daughter (Anna Paquin) from Elwood's advances. Fine casting and positive buzz couldn't prevent this movie's ironic fate: acquired by Miramax one day before the terrorist attacks of September 11, 2001, Buffalo Soldiers was shelved for nearly two years, by which time this dark and defiantly amusing exercise in political incorrectness--based on the novel by Robert O'Connor--had been overshadowed by world events. --Jeff Shannon
Billy Pilgrim (Michael Sacks) has a problem with time: he keeps jumping about in his own life, principally between three key scenes. The "present" is a kind of glowing suburban bliss involving a dutiful wife, large house, and presidency of the local Lions; the "past" is being a prisoner of World War II and experiencing the firebombing of Dresden from the wrong side; the "future" takes place in a glass dome on the planet Tralfamadore, to which Billy has been mysteriously spirited along with the woman of his fantasies (Montana Wildhack, played by Valerie Perrine). It isn't meant to make too much sense, since the point is to represent a man (and a century) that has witnessed things too unbearable for a wholly sane person to make sense of. In fact author Kurt Vonnegut's anguished cry on the insanity of war is one of those completely unfilmable books, so director George Roy Hill gets points even for trying. The whole package is thought provoking in a wholly Vonnegutian way. All this, and Glenn Gould playing Bach as well. --Richard Farr
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