Based on the French film, The Return of Martin Guerre (which itself was based on a famous court case), this 1993 film by director Jon Amiel recasts the same essential story in post-Civil War Tennessee, in a dirt-poor town suffering the effects of the South's loss. Jodie Foster plays Laurel Sommersby, a widow whose husband died in the Civil War--or so everyone thinks. Then one day, Jack Sommersby (Richard Gere) strolls back into town and back into Laurel's bed--seemingly a very changed man. Gone is the selfish, nasty guy no one much liked. In his place is a friendly, sensitive and resourceful new Jack who not only rekindles the long-dead fire of his marriage, but revives the entire town. Except for one small catch: he may not actually be Jack Sommersby at all. Beautifully shot by Amiel (with a great assist from cameraman Philippe Rousselot) from a script by Nicholas Meyer and Sarah Kernochan, the film features a sturdy, even flinty performance by Foster and a beguiling one by Gere. Though the ending will squeeze the tear ducts, the film earns those tears. --Marshall Fine, Amazon.com
Straight To Hell:A team of inept hitmen (Sy Richardson Joe Strummer and Dick Rude) oversleep on the day of their big job and find their target has already fled town. Fearing reprisals from their boss (Jim Jarmusch) they pull a bank job and escape into the desert with Richardson's pregnant girlfriend (Courtney Love). When their car breaks down they seek shelter in a ghost town inhabited by the McMahons (The Pogues Biff Yeager) a murderous and incestuous clan of gun-crazy coffee addicts.Death And The Compass:In a totalitarian metropolis of the future Erik Lonnrot (Peter Boyle) a gifted detective investigates a series of strange murders and disappearances that seem to implicate the insane crime lord Red Scarlach. Enlisting the help of Alonso Zunz (Christopher Eccleston) a principled journalist Lonnrot believes that he has uncovered a labyrinthine occult conspiracy. However has the investigator's brilliance merely precipitated his own destruction?
Before Harrison Ford assumed the mantle of playing Tom Clancy's Jack Ryan hero in Patriot Games, Alec Baldwin took a swing at the character in this John McTiernan film and hit one to the fence. If less instantly sympathetic than Ford, Baldwin is in some respects more interesting and nuanced as Ryan, and drawing comparisons between both actors' performances can make for some interesting post-movie discussion. That aside, The Hunt for Red October stands alone as a uniquely exciting adventure with a fantastic co-star: Sean Connery as a Russian nuclear submarine captain attempting to defect to the West on his ship. Ryan must figure out his true motives for approaching the US. McTiernan (Predator, Die Hard) made an exceptionally handsome movie here with action sequences that really do take one's breath away. --Tom Keogh
Rocketman is an epic musical story about Elton John's breakthrough years. The film follows the fantastical journey of transformation from shy piano prodigy Reginald Dwight into international superstar Elton John. This inspirational story set to Elton John's most beloved songs and performed by star Taron Egerton tells the universally relatable story of how a small-town boy became one of the most iconic figures in pop culture.
Poirot is at the French Open Tennis Championship when he witnesses an inebriated Lady Hornbury telling Mme Giselle that she has no more money. On the flight back from Paris Mme Giselle is killed with a poisoned dart. What seems like a straightforward case becomes complicated by the presence of Daniel Clancy a detective writer with a knowledge of blow pipes and by the sudden appearance of Mme Giselle's illegitimate daughter who arrives to claim her inheritance...
Kiss the Girls is a thriller about a collaboration between two serial killers, and, coming after The Silence of the Lambs and Seven, it feels like a pale attempt to cash in on the success of those earlier, better films. That's a pity, because this film certainly has its strengths--particularly in the central performances of Morgan Freeman as a forensic detective and Ashley Judd as a would-be victim who escaped from one of the killers. Director Gary Fleder demonstrates visual flair and maintains an involving undercurrent of tension, but as this adaptation of James Patterson's novel approaches its climax, familiar elements combine to form a chronic case of thriller déjà vu. It's altogether competent filmmaking in the service of a moribund story of competing psychopaths, and by the time the serial killers reach the home stretch of their twisted contest, the movie's dangerously close to Freddy Kruger territory, with a finale that could've been borrowed from any one of dozens of similar thrillers. --Jeff Shannon, Amazon.com
When advertising executive Bill Rago gets the chop he soon realises that he can't do anything else and is talked into teaching English grammar to a bunch of army recruits. The army wants him to be disciplined and do everything at the double; his pupils just want him to leave them alone...
If Eddie Murphy's comic tone turns on a dime, Martin Lawrence can perhaps be described as sauntering around the dime, looking around to see if anyone else has seen it, then picking the dime up, pocketing it, and casually walking off. He lazily indicates his humour, as if it's too much trouble to actually make the joke--and that distance is what makes him funny. At his best, Lawrence describes a kind of comic space and wanders around in it, claiming it for himself the way a dog might mark his territory, suggesting that what you think is funny doesn't matter to him; he just happens to be where the jokes are, and if you aren't laughing, that's your problem. In Blue Streak, Lawrence plays a jewel thief who plants a stolen diamond in the ventilation duct of a building under construction. When he's released from prison a few years later, he discovers that the building is now a Los Angeles police station. His solution: he impersonates a detective. Of course, everyone believes his disguise. Not only that, using his inside knowledge, he solves several crimes and earns the general admiration of the force. It's a standard fish-out-of-water setup and the plot doesn't take any chances with the formula, but Lawrence wears his role like a loose suit and does a little low-key boogie whenever he can, drawing you into the absurdity with a cock of his head and a roll of his eyes. --Bret Fetzer, Amazon.com
With a well-established framework of back-story and an increasing list of adversaries, the third series of Stargate SG-1 was the place where casual viewers began to fall away. Unless you were taking notes it was becoming ever harder to stay on top of the Goa'uld history and their constant scheming. Fortunately by now a solid fanbase had appeared worldwide--with clubs, conventions and Web sites galore--so the ratings didn't slip even while ancient gods kept appearing and reappearing. Daniel Jackson could always be trusted to illuminate any relevant myth or legend (or find them in five minutes on the internet), while Carter's memory download from last year supplied the necessary ties with the rebellious Tok'ra. Away from the story arc the show's all-important stand-alone tales gave some thorny old subjects a new SF spin, including organised religion, the use of children in the passing on of knowledge, and leading an alternative life. O'Neill's sarcastic wit went into overdrive this year and Teal'c could be relied upon for a sneer or fish-out-of-water joke. Further comic relief came from Sam "Flash Gordon" Jones and Dom DeLuise, but perhaps the funniest thing of all was the wig Carter would apparently be wearing in an alternate universe. --Paul Tonks
It now seems clear that year five of Stargate will be remembered as the one where something went awry with Daniel Jackson. Lots of behind-the-scenes rumours fuelled the idea of cast tension, but whatever the problem, his sudden departure from the show was obviously via a hastily contrived scenario. In retrospect, there must have been a problem for some while before the weird penultimate episode ("Meridian"). Michael Shanks looks frequently bored in his rare moments of individual screen time as he infiltrates a Goa'uld meeting and even when making friends with a creature everyone else wants dead. In fact, there's only one point when everyone really seems to be having fun, and that's in the spoof 100th episode "Wormhole X-treme!" Most shows go through a run-around, skin-of-their-teeth period awaiting renewal and it certainly seems to have affected storylines this year. For example, a next generation of younger SG teams is introduced. Replacements? The most unfortunate aspect of things however was that not a single episode managed to stand alone on its own merits. Every single story was dependent on a part of the greater interwoven warring species threads. Some of the one-off tales were terrific in and of themselves, but it was as if the writers fell into the trap of having to refer to as much backstory as possible, perhaps to ensure loose ends could be easily wrapped up? Ultimately none of this mattered since the show went on for quite a while. --Paul Tonks
The cult classic about two unemployed actors returns ot the big screens some twenty years after it's debut.
The year is 2047. Years earlier the pioneering research vessel Event Horizon vanished without a trace. Now a signal from it has been detected and the United States Aerospace Command responds. Hurtling toward the signal's source are a fearless captain (Laurence Fishburne) his elite crew and the lost ship's designer (Sam Neill). Their mission: find and salvage the state-of-the-art spacecraft. What they find is state-of-the-art interstellar terror. What they must salvage are their own lives because someone or something is ready to ensnare them in a new dimension of unimaginable fear.
Dubbed The King of Cocaine , Narcos traces Pablo Escobar s rise to power between 1977 and 1992, a time in which he was responsible for smuggling 80 per cent of the cocaine supply into the United States, making himself a billionaire in the process. This is the next box-set that you absolutely have to own and binge watch, taking its rightful place in your collection alongside iconic series such as The Sopranos, The Wire, Breaking Bad and House of Cards.
The legendary computer game comes to life in this all-action sci-fi adventure.
The West's most violent story... The West's most valiant hour! John Ford's criminally overlooked western (the first collaboration between Ford and James Stewart) finally makes its way to DVD for the first time! A group of children are held captive by the Indians. A Lieutenant enlists the help of a Texas Marshall in a rescue attempt. Based on the novel by Will Cook.
Colin Farrel stars as a slick publicist trapped in a New York City phone booth. After he picks up the ringing receiver a sniper warns him that if he hangs up he dies.
Three bodies are found. Beside each lies a copy of the ABC Railway Guide. The police are baffled. But the killer has made one mistake; he has challenged Hercule Poirot to unmask him...
Set after the events in Terminator 2 Sarah Connor (Lena Headey) and her son John (Thomas Dekker) now find themselves alone in a very dangerous complicated world. Fugitives from the law they are confronted with the reality that more enemies from the future and the present could attack at any moment.
More intriguing investigations for Agatha Christie's famed Belgian detective... Yellow Iris: A new French restaurant is opening in London. Poirot is reminded of an unsolved case that occured at a restaurant with the same name in Buenos Aires where the wife of an oil tycoon died mysteriously. When the London restaurant opens events appear to be repeating themselves but this time Poirot is determined not to fail. The Case Of The Missing Will: Poirot and Hastings are in Cambridge attending a Union Society debate. Poirot's old friend Andrew Marsh is one of the speakers. Marsh is in poor health and later at his home announces that he intends to change his will the next day. When on the following morning he is found dead in the nearby wood Poirot becomes involved in a case of infedelity illegitimacy and inheritance.
In this sequel to Hope and Glory (1987), Bill Rohan has grown up and is drafted into the army, where he and his eccentric best mate, Percy, battle their snooty superiors on the base and look for love in town.
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