Titles Comprise: Daddy Day Camp: This hilarious sequel to the smash hit %3Ei%3EDaddy Day Care finds dads Charlie Hinton and Phil Ryerson in another kid harried adventure as they take over running a summer day camp. Armed with no knowledge of the great outdoors a dilapidated facility and a motley group of campers it doesn't take long before things get out of control. Up against threats of foreclosure and declining enrollment Charlie is forced to call on his estranged father to help bring the camp together and teach everyone about teamwork perseverance and the power of forgiveness. Are We There Yet?: Smooth operator Nick (Ice Cube) is interested in young attractive divorcee Suzanne (Nia Long) mother of a 7-year-old-boy and an 11-year-old-girl. Trying to get together with Suzanne Nick volunteers to bring her children to meet her out of town. Missing the plane they must make the long journey by car. What Nick doesn't know is that Suzanne's children think that no man is good enough for their mom and will do everything they can to make the trip a nightmare for him... Are We Done Yet?: Nick Persons (Cube) and his new wife Suzanne (Long) move into his tiny bachelor pad with her two loveable - but outspoken - kids. When Suzanne drops the bombshell that she is pregnant something has to give and the whole family move to a bigger house in the country. Their idea of a dream home is turned upside down by the local wildlife the amount of work that needs doing and the crazy contractor they hire to do it John C. McGinley (Wild Hogs TV's Scrubs) in a brilliant star turn as Chuck Mitchell Jr. the builder with a bizarre approach to home improvement. Will the Persons' family realise their dream and finish the house before the family expands? Are We Done Yet? is a hilarious slapstick comedy that proves a move to the country and a bigger house does not automatically mean an easier life!
Petty thefts are followed by brutal but mysterious murders at a student hostel in Hickory Road. Even the ingenious little grey cells of Poirot's mind find the circumstances difficult to comprehend. What is the significance of the slashed rucksack the stolen lightbulbs and the lethal morphine tartrate which is substituted for an unsuspecting student's sleeping powder?
Plymouth Express: A train journey ends in tragedy forcing Poirot to instigate an investigation. Wasps' Nest: Poirot visits a garden fete bumping into the son of an old friend and mysterious beautiful girlfriend...
Elvis: Films That Rock contains three of the King's early screen efforts: Love Me Tender (1956), Flaming Star (1960) and Wild in the Country (1961). It's pointless to suggest that they aren't among Elvis's best movies (you'll have to look elsewhere for King Creole and Jailhouse Rock, which probably are), partly because any fan's going to want them all anyway, but also because all three are interesting in their different ways. Love Me Tender, made in black and white in 1956, was Presley's first stab at acting, and this story of a family split by the American Civil War--one brother goes off to fight, the other doesn't--sees him short on screentime and being upstaged by pretty much everyone else. That said, it was a reasonably brave move for Presley to begin his movie career by dealing with this kind of subject matter, however sentimentalised. Four years later, Flaming Star took the steer by the horns with Presley portraying a young man of mixed parentage caught up in the ethnic conflict between Native Americans and the white race. Again, a brave choice of subject; this was a landmark movie insofar as it showed Presley certainly had enough acting ability to create a credible parallel career along the lines of, say, Sinatra. It wasn't to be, though, as even then his talents were being manipulated by others, which is why all his later movies--even the best ones--were little more than advertisements for his records. Wild in the Country, from the following year, saw Presley as a young tearaway who finds redemption in his talent for writing. It's pure melodrama, but the moralising is kept under control. This is a nice little collection, all in all, and an essential for any fan. On the DVD: Elvis: Films That Rock presents the three pictures in positively radiant transfers, which are absolutely gunge-free and make the very best of the beautifully stylised lighting and cinematography of the period, while the classic Cinemascope presentations translate perfectly into widescreen. Special features include trailers for all three movies. --Roger Thomas
It seems that Hercule Poirot's luxuriant lifestyle catches up with him when at the opening of his good friend Captain Hasting's new restaurant he suffers a minor heart-attack. He's overweight and has a poor diet and on doctors orders he's sent along with trusty Hastings to the island retreat Sandy Cove to aid his recovery. Upon their arrival Poirot is immediately struck by the eccentric characters already there in particular Arlena Stuart the famous yet scandalous socialite. Despite his orders to relax he observes Arlena openly flauting her affair in her front of her husband with a grief stricken younger man. As his little grey cells work over time he forsees tragedy...
Dan Aykroyd is running the asylum and ruling the airwaves as a mental patient turned talk-radio shrink in this Michael Ritchie comedy of loony proportions co-starring Charles Grodin Donna Dixon Walter Matthau and Chevy Chase. When asylum inmate John Burns (Aykroyd) intercepts a call to his psychiatrist he brashly impersonates the good doctor. And he does such a good job that he's given an offer to fill in for a stressed-out Beverly Hills celebrity psychologist (Grodin) as the hos
Calista Flockhart stars in this atmospheric ghost story from director Jaume Balaguero.
Tommy Lee Jones is Quint a shrewd and tough ""professional thief"" working for the government. He has hidden a computer disc containing vital evidence in a sleek fast prototype automobile which is stolen by a sophisticated car theft ring in Los Angeles. Quint the owners of the car and the killers who want the disc back are forced into a high-risk raid on the impenetrable fortress of the car thieves in this taut action-filled suspense adventure.
Meet Fox (Richard Moir), he is a young man who likes to live in the fast lane. He is one of the fastest street racers on the back streets of Sydney. His whole world is about to be turned upside down as his latest challenge could not only lose him his girl, but also his life! Living dangerously, living fast and winning at any cost is his obsession. The illegal street racers of down town Sydney don't turn back, they don't give in and they can never ask for help.Twenty years before The Fast and The Furious director John Clark's film truly encapsulates what it is to be a teenager on the streets of Sydney with a hot car and an even hotter girl in the early 1980's. For anyone who loves the rev of the engines and the smell of burning rubber on a hot summer's night Running on Empty is for you!
Remembered dimly as Peter Sellers' only venture into "serious" acting, Never Let Go has a lot of other things to recommend it, mostly because it manages to include a lot of the lurid elements that gained it an X certificate in 1960. It has a near-demented melodrama plot, as two desperate obsessives collide in a bizarre feud. Richard Todd, doing meek and put-upon, is a sales rep for smug Peter Jones' cosmetics firm whose life is turned upside-down when his Ford Anglia, bought on hire purchase and uninsured, is stolen by teddy boy Adam Faith. Looking like an inhabitant of Royston Vasey in The League of Gentlemen, Sellers plays a grinning, jumped-up spiv who runs a legitimate garage which is a front for the car thieves and is sugar daddy to teenage tartlet Carol White. Typical of Sellers' demonic rottenness is a scene in which he breaks down-and-out Melvyn Johns' heart by stamping on his beloved terrapin. "Peanut" Todd's crusade to get back his motor (catchphrase "what about my car?") brings trouble too: he gets repeatedly beaten up, abandoned by his wife (Elizabeth Sellars) and dragged to the edge of madness for a final punch-up in a garage. With a delightfully sleazy, jazzy John Barry score, lots of local colour in the caffs and gaffs of criminal London circa 1960 and a parade of welcome character actors (John le Mesurier, David Lodge, Noel Willman, Nigel Stock), this has its soapy spells, but it's a fascinating relic. On the DVD: Never Let Go's menu plays under Faith's theme song ("When Johnny Comes Marching Home Again--Oh Yeah Oh Yeah!"). The print is slightly letterboxed but looks a few generations away from the master with some careless transfer work that greys shadows and overexposes some scenes. --Kim Newman
1924: the Boundary Commission is deciding on the new territorial line between Northern Ireland and the Irish Republic... After months of haggling over every inch of territory the commissioners are forced to finish the job by hand after a bicycle incident destroys the surveyor's equipment. With all the participants holding down the pencil and much pushing and shoving the border finds its way down the middle of Puckoon dividing house from outhouse man from wife pub chairs from bar
As The Flamingo Kid amply demonstrates, there's always room for one more rites of passage film if it's made with care and affection. Garry Marshall's 1984 study of a young Brooklyn poker player who thinks the grass is greener at a Long Island beach club, nails the bad guy, realises he got it wrong and returns to the bosom of his "humble" family certainly satisfies on both counts. It also has a strong cast: Matt Dillon as Jeffrey, whose niggling aspirations create the inevitable barrier between himself and his parents; Richard Crenna as his prospective role model who turns out to have feet of clay; and Hector Elizondo as his bemused father. But Jessica Walter (Clint Eastwood's stalker from hell in Play Misty for Me) almost steals the show as an acid-tongued beach-club wife. If the whole thing lacks the depth and warmth of, say, Neil Simon's Brighton Beach Memoirs, it succeeds on its own merits as an homage to a more innocent time when a young man didn't need to stray far from his own tenement block in order to find himself, with the help of a suitably nostalgic early-1960s soundtrack of course. On the DVD: As far as extras go, this is a budget offering. There are detailed actor biographies but precious little on the film itself, apart from the snippet that Richard Crenna earned a Golden Globe award nomination. There is an adequate scene index and, for those who want to study Dillon in detail, a reasonable stills gallery. The picture is presented in standard format, and hardly distinguishable from ordinary VHS or telecast quality, but the stereo audio certainly helps pump out the period soundtrack. --Piers Ford
Poirot joins Sir Henry Angkatell and fellow guests at Sir Henry's country retreat The Hollow. When the handsome doctor John Christow is found dead Poirot investigates and in doing so uncovers a love triangle. A crime of passion or a pack of lies? Confused by the different stories told by the family and guests Poirot starts to believe that he is deliberately being kept from the truth.
Caitlin Rose wants to be part of the 'in' crowd at Lockhart High School and will do anything to achieve this. She is not prepared however for rape and when she accuses her attacker her friends turn against her. She is regarded as an outcast by the school and town but she begins a long fight to clear her name...
Poirot's dentist Morley is found dead in surgery. It appears to be a simple case of suicide but why has Morley's secretary received a hoax phone call claiming her Aunt was ill? And who is the woman with the broken shoe buckle masquerading as Miss Sainsbury Seale? When a Mr Amberiotis is found dead in his hotel room with an overdose of Novocaine Poirot begins to assemble the evidence...
Allan Quatermain and the Lost City of Gold had the task of bettering its hilarious predecessor, King Solomon's Mines. It failed. Looking back from the age of slick computer graphics, it's painfully distracting to spot obvious back-projection, shoddy miniatures and some of the worst wire-work ever. Instead one must concentrate on the easy chemistry between Richard Chamberlain and Sharon Stone reprising their roles, this time in a quest for Quatermain's lost brother. Together they traipse across Africa, encountering all the usual pitfalls (literally) as well as jungle animals, restless native tribes and fast-flowing rivers and so on. James Earl Jones takes the money and runs through his wooden dialogue, all the time backed by endless repetitions of Jerry Goldsmith's sub-Indiana Jones hero theme. Taken on its own it's pretty atrocious viewing, but played back-to-back with the first movie The Lost City of Gold's surreal self-contained universe of hilarious adventure movie clichés is a lot of fun. Sharon Stone's hair remains perfect throughout, of course. On the DVD: Allan Quatermain and the Lost City of Gold, like King Solomon's Mines, is presented on disc in a surprisingly pristine print, and in 2.35:1 widescreen. Also like its predecessor, the sound is in Dolby 2.0, which again reflects the limited number of spot effects layered into the soundtrack. The original trailer is the only extra feature. --Paul Tonks
Muhammad Ali - Through the Eyes Of the World' is a unique account of one of the great icons of the 20th century featuring interviews with members of Ali's entourage actors fellow sportsmen and ordinary people from the inhabitants of mountain top villages in the Andes to those living in teeming cities in Africa. These recollections and anecdotes are combined with Ali's personal memorabilia rare footage fight archive and specially shot film of Ali today to produce the most complete account ever of this extraordinary man. Many celebrities give their own personal accounts of Ali including Henry Cooper Mickey Duff Tom Jones & Linford Christie.
Harrison Tyler is a struggling pulp fiction writer who just can't find love. When an ex-girlfriend shows up at his door asking him to take care of her six-year-old daughter for a month Harrison ends up with more than he bargained for: a little girl determined to play matchmaker for him. The youngster manages to find Harrison a girlfriend but when her mother shows up to claim her Harrison finds that his life isn't the same without the six-year-old and he must fight for the little girl that has changed his life.
David Suchet and Hugh Fraser team up again as the great detective Hercule Poirot and trusty Captain Hastings for more engaging adventures in Double Sin / The Adventure of the Cheap Flat. The Adventure of the Cheap Flat blends international intrigue with the gentle comic relief of a foolish American FBI agent. Double Sin contains a novel twist: Poirot announces his retirement and Hastings is left to solve the case by himself. The cast has the easy rapport of old friends and as always Philip Jackson as Chief Inspector Japp and Pauline Moran as the remarkable Miss Lemon are welcome companions. Brew some tea, check it for arsenic and get ready for a thoroughly entertaining evening. --Ali Davis
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