Tom Selleck Steve Guttenberg and Ted Danson - three carefree bachelors turned doting dads - delighted audiences in the No. 1 box office smash 'Three Men And A Baby'! Now this handsome threesome is back in the critically acclaimed and equally charming encore! The fun and laughter reach new heights as the trio continues to bring up baby Mary who is now an adoringly curious 5-year-old. All is well until Mary's mother accepts a marriage proposal and moves to England permanently - tak
If you read the label on a box of chocolates you'll know exactly what you're gonna get. Life isn't like that in Forrest Gump, however, which is one of the reasons why this movie divided appreciative audiences from hard-hearted critics like few others before it. Audiences responded to the Frank Capra-style sentimentality of this warm-hearted tale of a good ol' American boy making his way in the world without ever losing his pure and simple innocence. Critics, however, were made uneasy by the apparently reactionary subtext to the parallel lives of Forrest and his girlfriend Jenny. Her fate, contrasted with his, suggests a triumph for plain ol' American values over dangerous freethinking hippies and liberals. Whether the movie is just unadulterated sentiment or right-wing propaganda, one thing at least was acknowledged by all: that Forrest Gump displays all the craftsmanship of one of Hollywood's most inventive directors and features a central performance from an actor renowned for his total commitment to every role. Thanks to Robert Zemeckis and Tom Hanks, even the most cynical critic will find it hard not to shed at least one tear by the end of this undeniably engrossing movie. The soundtrack is great, too. On the DVD: another good two-disc set gives fans of Gump and budding filmmakers alike plenty to enjoy. The anamorphic picture and Dolby Surround on Disc 1 do full justice to Zemeckis' vision, which is accompanied by two commentaries: one from the director, producer Steve Starkey and production designer Rick Carter, and another one from producer Wendy Finerman. Disc 2 has the usual making of documentary (30 mins), plus some neat featurettes on the production and sound design and the many special effects shots (including how they made Gary Sinise lose his legs). In addition there are some screen tests of Robin Wright and a very young Haley Joel (The Sixth Sense) Osment, plus trailers and a photo gallery. All in all this is a worthwhile package. --Mark Walker
Edward G Robinson (The Whole Town's Talking, Tight Spot) and John Lund (A Foreign Affair) lead the cast of this tense and disturbing thriller from director John Farrow (A Bullet Is Waiting). When clairvoyant John (Robinson) tells wealthy heiress Jean (Gail Russell, The Uninvited) that she will die within a week, her lover, Elliot (John Lund), is sceptical, believing John to be a con artist who is only after money. But, as the foretold night arrives, Jean waits in fear for her life... Based on a novel by Cornell Woolrich (Rear Window), Night Has a Thousand Eyes is a pioneering fusion of film noir and psychological horror. Product Features High Definition remaster Original mono audio Audio commentary with authors and critics Glenn Kenny and Farran Smith Nehme (2023) Tony Rayns on 'Night Has a Thousand Eyes' (2023): the writer and film programmer discusses the career of director John Farrow and his distinctive noirs Screen Directors Playhouse: 'Night Has a Thousand Eyes' (1948): radio play adaptation introduced and directed by Farrow, and starring Edward G Robinson and William Demarest, reprising their film roles Suspense: 'The Man Who Thought He Was Edward G. Robinson' (1946): playful original radio play tapping into Robinson's distinctive persona, starring the man himself Image gallery: promotional and publicity materials New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with a new essay by Jill Blake, archival interviews with actors John Lund and Gail Russell, an archival profile of screenwriter Jonathan Latimer, an overview of contemporary critical responses, and full film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All extras subject to change
Season 1 1876. The Black Hills Indian Cession, two weeks after Custer's last stand. Witness the birth of an American frontier townand the ruthless power struggle between its just and unjust pioneers. In an age of plunder and greed, the richest gold strike in American history draws a mob of restless misfits to an outlaw set tlement where everything and everyone has a price. The settlers, ranging from an ex-lawman to a scheming saloon owner to the legendary Wild Bill Hickok and Calamity Jane, share a constant restlessness of spirit, and survive by any means necessary. W elcome to Deadwood... a hell of a place to make your fortune. Season 2 1877. A new day is dawning in the Black Hills outlaw camp of Deadwood. F or better or worse, times are changing, and the transformation from camp to town is imminent. Unsavoury new arrivals looking to cash in on the lucrative anarchy and a government of outsiders usher in an era of hard decisions and brutal power struggles among the camp's founders. Seth Bullock is the new Sheriff and forced to stand his ground against two conniving brothel owners: cutthroat Al Swearengen, and his chief rival, the cunning Cy T olliver. The women of Deadwood prove their mettle as Calamity Jane, Alma Garret, T rixie and Joanie stake their claim in this dangerous town of scheming misfits, all learning the hard way fortune comes with a price Season 3 The lawless era in Deadwood is coming to an end. As the town's first elections approach, it becomes apparent that, like it or not, civilisation is on its way. But a civilised town is not necessarily a peaceful town, and the power struggles that determine the fate of Deadwood have never been more brutal. A ruthless newcomer, businessman George Hearst, threatens to reshape the town in his own image, forcing Deadwood's settlers including the steadfast lawman Seth Bullock and the cutthroat saloon owner Al Swearengen to form strategic alliances if they expect to thrive, and survive. While bloody conflicts change the face and fate of the town, the citizens of Deadwood come to the harsh realisation... some fortunes are better left unclaimed.
Christian Wolff (Affleck) is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world's most dangerous criminal organizations. With the Treasury Department's Crime Enforcement Division, run by Ray King (J.K. Simmons), starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk (Anna Kendrick) has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise.Click Images to Enlarge
Every one of your favourite moments, including Michael's (Steve Carrell) infamous encounter with a breakfast grill, Dwight's (Rainn Wilson) power plays, Jim's (John Krasinski) pranks, Andy's (Ed Helms) struggles with anger management, and of course Pam (Jenna Fischer) and Jim's evolving romance. Developed for American television by Primetime Emmy® Award Winner Greg Daniels, The Office: The Complete Series includes every single episode plus bonus materials that are guaranteed to leave you satisfied and smiling, that's what she said
Like Sylvester Stallone's Rocky and Rambo the hero of Cobra is another original: Lt. Marion Cobretti a one-man assault force whose laser-mount submachine gun and pearl-handled Colt 45 spit pure crime-stopping venom. Rambo: First Blood Part II director George P Cosmatos rejoins Stallone for this thriller pitting Cobretti against a merciless serial killer. The trail leads to not one murderer but to a ""New Order"" - and killing the inadvertent witness (Brigette Nielsen) to their late
Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck: kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy (notably in the TV series My Three Sons and the movie The Shaggy Dog), is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a longburied secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.
Robin Askwith (Britannia Hospital) stars in THE COMPLETE CONFESSIONS, 1974-1977, the definitive collection of the celebrated British sex-comedy series. Based on the pseudonymous Timothy Lea novels by screenwriter Christopher Wood (The Spy Who Loved Me), each instalment follows the fortunes of the feckless and accident-prone - yet seemingly irresistible - Timmy (Askwith) as he gets embroiled in the money-making schemes of his brother-in-law Sidney Noggett (Anthony Booth, Corruption). The fun starts in Confessions of a Window Cleaner, as Timmy must satisfy the demands of a clientele of lonely housewives whilst attempting to woo police officer Liz (Linda Hayden, The Blood on Satan's Claw). In Confessions of a Pop Performer, Timmy endures the ups and downs (and ins and outs) of the music business when he joins a band managed by Sid. With Confessions of a Driving Instructor, Timmy finds his female students fumbling for his gearstick. Finally, in Confessions from a Holiday Camp, entertainment officer Timmy struggles to organise a beauty contest under the watchful eye of the camp's tyrannical new manager. Directed by Val Guest (The Full Treatment) and Norman Cohen (Stand Up, Virgin Soldiers), this classic quartet features a supporting cast of British comedy greats, including Bill Maynard (Oh No It's Selwyn Froggitt), Doris Hare (On the Buses), Windsor Davies (Endless Night), John Le Mesurier (The Wrong Box), and Liz Fraser (Adventures of a Taxi Driver). As beloved by audiences as they were reviled by critics, the Confessions series sparked a string of imitators, and stand as a time capsule of the fashions and attitudes of 1970s Britain. Along with an array of new commentaries and interviews, this Blu-ray premiere collection also includes producer Greg Smith's follow-up feature film, Rosie Dixon - Night Nurse, which was adapted from Christopher Wood's Confessions of a Night Nurse. INDICATOR LIMITED EDITION 4 x BLU-RAY BOX SET SPECIAL FEATURES High Definition presentations of Confessions of a Window Cleaner, Confessions of a Pop Performer, Confessions of a Driving Instructor, and Confessions from a Holiday CampStandard Definition presentation of Rosie Dixon - Night NurseOriginal mono audioAll-new audio commentaries on all four Confessions film by the much-loved star of the series, Robin Askwith (2024)Confessions of a Film Composer (2024): interview with prolific film and TV composer Ed Welch, the man responsible for scoring three Confessions movies, and Rosie Dixon - Night NurseHey, Judy! (2024): cult film actress Judy Matheson recalls working alongside veteran director Val Guest, and co-star Robin Askwith, during the production of Confessions of a Window CleanerInterview with David Hamilton (2024): the veteran broadcaster recalls his cameo appearance in Confessions of a Pop PerformerInterview with Esta Charkham (2024): the prolific casting director discusses Rosie Dixon - Night Nurse and the unique job of casting a British sex comedyThe BEHP Interview with Val Guest (1988): archival audio recording of the Confessions of a Window Cleaner director in conversation with Roy FowlerThe BEHP Interview with Geoffrey Foot (1988): archival audio recording of the editor of three Confessions films, and Rosie Dixon - Night Nurse, in conversation with Sidney Cole and Alan LawsonSuper 8 version of Confessions of a Driving Instructor: two-part cutdown home-cinema presentationOriginal theatrical trailersImage galleries: promotional and publicity materialsNew and improved English subtitles for the deaf and hard of hearingLimited edition exclusive 120-page book with a new essay by Simon Sheridan, archival interviews and articles, and film creditsWorld premieres on Blu-rayLimited edition box set of 5,000 individually numbered units for the UK All extras subject to change
Robin Williams won the Oscar for Best Supporting Actor, and actors Matt Damon and Ben Affleck nabbed one for Best Original Screenplay, but the feel-good hit Good Will Hunting triumphs because of its gifted director, Gus Van Sant. The unconventional director (My Own Private Idaho, Drugstore Cowboy) saves a script marred by vanity and clunky character development by yanking soulful, touching performances out of his entire cast (amazingly, even one by Williams that's relatively schtick-free). Van Sant pulls off the equivalent of what George Cukor accomplished for women's melodrama in the 1930s and 40s: He's crafted an intelligent, unabashedly emotional male weepie about men trying to find inner-wisdom. Matt Damon stars as Will Hunting, a closet maths genius who ignores his gift in favour of nightly boozing and fighting with South Boston buddies (co-writer Ben Affleck among them). While working as a university janitor, he solves an impossible calculus problem scribbled on a hallway blackboard and reluctantly becomes the prodigy of an arrogant MIT professor (Stellan Skarsgård). Damon only avoids prison by agreeing to see psychiatrists, all of whom he mocks or psychologically destroys until he meets his match in the professor's former childhood friend, played by Williams. Both doctor and patient are haunted by the past and, as mutual respect develops, the healing process begins. The film's beauty lies not with grand climaxes, but with small, quiet moments. Scenes such as Affleck's clumsy pep talk to Damon while they drink beer after work, or any number of therapy session between Williams and Damon offer poignant looks at the awkward ways men show affection and feeling for one another. --Dave McCoy
Whether or not you can sympathise with its fascistic/vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of an American cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorising the city by the Bay. As the psychopath's trail grows hotter, Harry becomes increasingly impatient and intolerant of the frustrating obstacles (departmental red tape, individuals' civil rights) that he feels are keeping him from doing his job. A characteristically taut and tense piece of filmmaking from Siegel (Invasion of the Body Snatchers, The Shootist, Escape from Alcatraz), it also remains a fascinating slice of American pop culture. It was a big hit (followed by four sequels) that obviously reflected--or exploited--the almost obsessive or paranoid fears and frustrations many Americans felt about crime in the streets. At a time when "law and order" was a familiar slogan for political candidates, Harry Callahan may have represented neither, but from his point of view his job was simple: stop criminals. To him that end justified any means he deemed necessary. --Jim Emerson
So you're interested in the beginnings of Sherlock Holmes? Well then its elementary my dear Watson that you start here with 'The Dark Beginnings'... This BBC drama provides a fascinating insight into the fictional beginnings of Sherlock Holmes and Dr Watson the tale based on the real-life relationship between Arthur Conan Doyle and Doctor Joseph Bell his tutor at Edinburgh University.
From the books of Peter Tinniswood comes one of television's greatest comedy families The Brandons. There's miserable pessimist Uncle Mort his sharp-tongued sister Annie who is constantly arguing with husband Les their laid-back son Carter and his not so laid-back fianc Pat and finally old Uncle Stavely who carries his friend's ashes around his neck in a box and only enters the constant bickering with a cry of 'I 'eard that! Pardon?' Pat is desperately trying to turn reluctant
Presented in a brand-new digital transfer Allan Moyle's cult feature of 1980 is a paean to teenage rebellion telling the story of two girls who meet in a New York psychiatric unit and bonding through a shared sense of alienation go on the run together in spectacular fashion! Volatile streetwise Nicky (Robin Johnson) is an aspiring rocker while Pamela (Trini Alvarado) is a timid isolated girl whose wealthy father is currently campaigning to clean up the city's famous square; Johnny DeGuardia (Tim Curry) is the sympathetic late-night DJ who promotes their newly formed punk outfit 'The Sleez Sisters'. Times Square explores themes revisited in Moyles' Pump Up the Volume a decade later and allusions to lesbian love have ensured repeat screenings at LGBT film festivals worldwide. In addition to gloriously gritty scenes of early-'80s New York and pre-cleanup Times Square the film also boasts a now-legendary rock 'n' roll soundtrack featuring songs by The Ramones Lou Reed Roxy Music The Cure Talking Heads and others alongside specially composed numbers including XTC rarity Take This Town and Flowers of the City co-written by ex-New York Doll David Johansen. SPECIAL FEATURES [] Original Theatrical Trailer [] Image Gallery
From director Chris Columbus comes this original funny and heart-warming film. When Richard Martin (Sam Neill) introduced a robot named Andrew (Robin Williams) to the family nobody expects anything more than an ordinary household appliance. But this is no ordinary robot! Andrew is a unique machine with real emotions a sense of humour and a burning curiosity to discover what it means to be human. Over the course of his service with the Martins spanning two hundred years and several
Samuel's life he thinks is perfect. That is until he finds out his girlfriend is pregnant and has nine months to come to terms with being a father for the first time!
The new series of Doctor Who features Christopher Eccleston as the re-incarnated Doctor and Billie Piper as Rose his trusty sidekick. Episodes comprise: 11. Boom Town: The TARDIS crew take a holiday but the Doctor encounters an enemy he thought long since dead. A plan to build a nuclear power station in Cardiff City disguises an alien plot to rip the world apart. And when the Doctor dines with monsters he discovers traps within traps. 12. Bad Wolf: The Doct
M Night Shyamalan's breakout third feature, The Sixth Sense sets itself up as a thriller poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. --Mark Englehart M Night Shyamalan reunites with Bruce Willis in Unbreakable for another story of everyday folk baffled by the supernatural (or at least unknown-to-science). This time around, Willis has paranormal, possibly superhuman abilities, and a superbly un-typecast Samuel L Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. Throughout, the film refers to comic-book imagery, while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers may find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness off-putting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman After tackling ghosts and superheroes, M Night Shyamalan brings his distinctive, oblique approach to aliens in Signs. With Mel Gibson replacing Bruce Willis as the traditional Shyamalan hero--a family man traumatised by loss--and leaving urban Philadelphia for the Pennsylvania sticks, the film starts with crop circles showing up on the property Gibson shares with his ex-ballplayer brother (Joaquin Phoenix) and his two troubled pre-teen kids. Though the world outside is undergoing a crisis of Independence Day-sized proportions, Shyamalan limits the focus to this family, who retreat into their cellar when "intruders" arrive from lights in the sky and set out to "harvest" them. The tone is less certain than the earlier films--some of the laughs seem unintentional and Gibson's performance isn't quite on a level with Willis's commitment--but Shyamalan still directs the suspense and shock dramas better than anyone else. --Kim Newman
JOHNNY ON THE RUN | HIDE AND SEEK | TERRY ON THE FENCE For Over 30 years the Children’s Film Foundation produced quality entertainment for young audiences employing the cream of British filmmaking talent. Newly transferred from the best available elements held in the BFI National Archive these much-loved and fondly remembered films finally return to the screen after many years out of distribution in this specially curated DVD release from the BFI. Johnny on the Run a superb early work by illustrious British director Lewis Gilbert (You Only Live Twice Education Rita Alfie) follows orphaned Polish refugee Janek who runs into trouble in the shape of two scheming thieves. Starring Sydney Tafler (Carve Her Name with Pride The Spy Who Loved Me) as a cunning spiv and featuring an appearance from John Laurie (The 39 Steps Dad’s Army) Johnny on the Run is an action-packed adventure with a remarkable performance from its young lead. Hide and Seek stars a teenage Gary Kemp (The Krays) as do-gooding Chris who becomes entangled with a borstal escapee known locally as the Deptford Dodger. With friend Bev Chris traces the ungrateful Dodger’s disreputable dad. With Roy Dotrice and Robin Askwith in supporting roles this thriller is among the best of the Foundation’s 1970s output. In Terry on the Fence when our 11-year-old protagionist runs away from home he only intends to put the wind up his parents. But a gang of older bullies led by tough-nut Les soon draw him into their daunting world of break-ins and stolen goods. Based on the book by author Bernard Ashley Terry on the Fence goes far beyond the concept of goodies and baddies to the ambiguity at the heart of Terry’s moral dilemma.
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