In this classic Agatha Christie detective story, former diplomat Charles Hayward has returned from Cairo to London to become a private detective. When Aristide Leonides, a wealthy and ruthless tycoon, is poisoned in his own bed, Detective Hayward is invited to solve the crime. As the investigation deepens he must confront the shocking realisation that one of the key suspects is Aristede's beautiful granddaughter, his employer and former lover; and must keep a clear head to navigate the sultry Sophia and the rest of her hostile family. Written by one of the world's greatest writers of all time, adapted for screen by writer Julian Fellows (Downtown Abbey, Gosford Park) and featuring a star-studded cast including Glenn Close (Fatal Attraction, Guardians of the Galaxy), Terence Stamp (Big Eyes, Song for Marion), Gillian Anderson (The X-Files, The Fall, Bleak House), Amanda Abbington (Sherlock, Mr Selfridge), and Christina Hendricks (Mad Men, Drive), Crooked House is a whodunit that cannot be missed.
Headstrong and passionate Bathsheba Everdene (Julie Christie) unexpectedly inherits a large farm in rural Dorset. Struggling to manage the farm herself, she captivates the hearts and minds of three very different men: an honest and hardworking sheep farmer (Alan Bates), a wealthy but tortured landowner (Peter Finch), and a reckless and violent swordsman (Terence Stamp). But as emotions become entangled, free spirited and innocent folly soon leads to devastating tragedy. The restoration process of Far From the Madding Crowd was overseen by the film's cinematographer and acclaimed director, Nicolas Roeg. The Digital Film restoration was funded by STUDIOCANAL in collaboration the BFI's Unlocking Film Heritage programme, Awarding funds from the National Lottery. Extras: New Interview with Terence Stamp New Interview with Frederic Raphael New Interview with Nic Roeg New featurette Devizes, then and now Original Location featurette
The great Hollywood director William Wyler (Jezebel, Wuthering Heights, The Heiress, Ben-Hur) took John Fowles' celebrated novel and turned it into one of the finest and most controversial psychological thrillers of the 1960s. A lonely, unbalanced young butterfly collector (Terence Stamp, Far from the Madding Crowd, The Mind of Mr. Soames, Superman II) stalks and abducts a young art student (Samantha Eggar, Psyche 59, The Brood), keeping her imprisoned in a stone cellar as if she were one of his specimens. Stamp and Eggar won Best Actor prizes for their roles at the 1965 Cannes Film Festival, and the film remains a surprising and often shocking depiction of psychotic obsession. Extras: 2K restoration Original mono audio The Guardian Interview with William Wyler (1981, 83 mins): archival audio recording of the celebrated filmmaker in conversation with Adrian Turner at London's National Film Theatre The Guardian Interview with Terence Stamp (1989, 92 mins): archival audio recording of the award-winning actor in conversation with Tony Sloman at the National Film Theatre Selected scenes commentary with author and film historian Neil Sinyard Angel to Devil (2018, 13 mins): new and exclusive interview in which Terence Stamp remembers working with Wyler Nothing But Death (2018, 16 mins): Award-winning actor Samantha Eggar recalls her work on the film in this new and exclusive interview The Look of Stardom (1965, 3 mins): promotional film about the casting of Samantha Eggar The Location Collector (2018, 8 mins): identifying the places where The Collector's exteriors were filmed Richard Combs on The Collector' (2018, 9 mins): a new appreciation by the renowned critic, lecturer and broadcaster Original theatrical trailer Original teaser trailers Image gallery: promotional photography and publicity material New and improved English subtitles for the deaf and hard-of-hearin
The History Of Football - The Beautful Game succesfully combines the world's most popular sport with exclusive interviews and unparalleled footage to create an invaluable offering for fans of football. Every aspect of the sport is investigated with icons of the past and present revealing insights into why football generates more excitement passion and wealth across the world than any other sport. The complete 13 hour series is here presented in a special limited editio
Robert Redford, usually a pretty good judge of material, got snookered badly in Legal Eagles, an Ivan Reitman comedy which also stars Debra Winger and Daryl Hannah. Redford is a rising assistant D.A. who is prosecuting a woman (Hannah) for theft of a painting by her father. Before he knows whats hit him, hes involved romantically both with the defendant and with her scattered lawyer (Winger). Redford is as good as he can be, given the circumstances but this is a film that doesnt know where its going. Originally intended as a serious film about the legal wrangling over the estate of the late Mark Rothko, this film quickly degenerated when the script was turned over to Jim Cash and Jack Epps Jr, whose sparkling oeuvre includes Turner and Hooch. --Marshall Fine, Amazon.com
Titles Comprise:Wanted (2008): Based upon Mark Millar's explosive graphic novel series and helmed by stunning visualist director Timur Bekmambetov - creator of the most successful Russian film franchise in history, the Night Watch series - Wanted tells the tale of one apathetic nobody's transformation into an unparalleled enforcer of justice.25-year-old Wes (James McAvoy) was the most disaffected, cube-dwelling drone the planet had ever known. His boss chewed him out hourly, his girlfriend ignored him routinely and his life plodded on interminably. Everyone was certain this disengaged slacker would amount to nothing. There was little else for Wes to do but wile away the days and die in his slow, clock punching rut. Until he met a woman named Fox (Angelina Jolie).After his estranged father is murdered, the deadly sexy Fox recruits Wes into the Fraternity, a secret society that trains Wes to avenge his dad's death by unlocking his dormant powers. As she teaches him how to develop lightning-quick reflexes and phenomenal agility, Wes discovers this team lives by an ancient, unbreakable code: carry out the death orders given by fate itself.With wickedly brilliant tutors - including the Fraternity's enigmatic leader, Sloan (Morgan Freeman) - Wes grows to enjoy all the strength he ever wanted. But, slowly, he begins to realize there is more to his dangerous associates than meets the eye. And as he wavers between newfound heroism and vengeance, Wes will come to learn what no one could ever teach him: he alone controls his destiny.KickAss: When Dave Lizewski, an ordinary teenager, sets about trying to become the no-power vigilante Kick-Ass, he soon discovers he's not alone. But he's out of his depth - a fearless and highly trained father-daughter crime-fighting duo, Big Daddy and Hit Girl, have declared war on New-York mafioso, Frank D'Amico. As Kick-Ass and his new found friend, Red Mist, get drawn into their no-holds-barred world of bullets and blood, the stage is set for a final showdown - in which the DIY hero will have to live up to his name... or die trying.Scott Pilgrim Vs. The World: Hot Fuzz' helmsman Edgar Wright takes the reins on this epic adaptation of the cult comic book about a loveable loser who must prove his love by battling his girlfriend's seven evil exes. Fast-paced and frenetic fun for the videogame generation, this pop-culture spectacular really is the Bob-omb! Meet charming and jobless Scott Pilgrim (Michael Cera). A bass guitarist for totally average garage band Sex Bob-omb, the 22-year-old has just met the girl of his dreams... literally. The only catch to winning Ramona Flowers (Mary Elizabeth Winstead) Her seven evil exes are coming to kill him. Genre-smashing filmmaker Edgar Wright (Hot Fuzz, Shaun of the Dead) tells the amazing story of one romantic slacker's quest to power up with love in Scott Pilgrim vs. the World.Hellboy 2: With a signature blend of action, humour and character-based spectacle, the saga of the world's toughest, kitten-loving hero from Hell continues to unfold in Hellboy 2: The Golden Army. Bigger muscle, badder weapons and more ungodly villains arrive in an epic vision of imagination from Oscar nominated director Guillermo del Toro (Pan's Labyrinth, Hellboy).After an ancient truce existing between humankind and the invisible realm of the fantastic is broken, hell on Earth is ready to erupt. A ruthless leader who treads the world above and the one below defies his bloodline and awakens an unstoppable army of creatures. Now, it's up to the planet's toughest, roughest superhero to battle the merciless dictator a
Straight from the pages of Peter O'Donnell's newspaper comic strip Monica Vitti is Modesty Blaise - the world's deadliest female agent.
Film-makers often remark that it's just so hard to make a bad picture that few would take on the challenge if they weren't so naive. Steve Martin's Bobby Bowfinger is cut from that pattern, one of those sweet, indomitable operators of Hollywood who seem to be descended directly from Ed Wood (of Plan 9 from Outer Space infamy). To resurrect his ramshackle existence, Bowfinger opts to film his accountant's sci-fi spectacular,Chubby Rain, about aliens invading in raindrops. The snag is he needs to attach action megastar Kit Ramsey (Eddie Murphy), an actor so paranoid he counts the occurrences of the letter "k" in scripts to uncover possible Ku Klux Klan influences. When his effort fails, Bowfinger hits on an ingenious scheme to film Ramsey without his knowledge, throwing his actors at the hapless star whenever he appears in public. Only Kit begins to believe he's being hounded by aliens for real, and runs hysterically to his guru (Terence Stamp) at a Scientology-clone group called MindHead, where people walk around in fine suits wearing white pyramids on their heads. Deprived of his star, yet not to be undone, Bowfinger hires a look-alike, Jiff (also Eddie Murphy), to fill in. The tone of the picture is sometimes flat, rather than deadpan, but that's nitpicking. The farce is quick and engrossing, and populated with terrific performances, especially by Eddie Murphy, whose dual role as Kit and Jiff showcases his character-building gift, and by Martin, whose Bowfinger, part con man and part would-be visionary, manages to capture your sympathies. Heather Graham's would-be actress cheerfully sleeps her way to the top like she knows she's supposed to, and Christine Baranski plays her shopworn method actor with myopic self-absorption. --Jim Gay, Amazon.com
This wonderfully inventive and incomparably funny Australian film about three drag performers braving the vast, rugged outback won the 1994 Academy Award for Costume Design. Featuring fabulous and heartfelt performances from Terence Stamp (Star Wars Episode I: The Phantom Menace), Hugo Weaving (The Matrix) and Guy Pearce (Memento), this is one of the wildest movies ever made (The New York Observer)! They came. They conquered. They looked fabulous! With a contract to perform a drag show way out in the Australian desert, Tick (Weaving), Adam (Pearce) and Bernadette (Stamp) each has his own reason for wanting to leave the safety of Sydney. Christening their battered, pink tour bus Priscilla, this wickedly funny and high-drama trio heads for the outback... and into crazy adventures in even crazier outfits. You go, girls!
The Pasolini collection brings together six controversial films by the legendary Italian filmmaker, including his bawdy 'Trilogy of Life' films (The Decameron, Canterbury Tales and Arabian Nights), all of which feature scores by the Academy Award winning composer Ennio Morricone. Also included is Pasolini's brutal adaptation of Euripedes' Medea, starring opera sensation Maria Callas in her only film role, the scandalous modern drama Theorem, featuring a youthful Terence Stamp, and Pasolini's final, shocking film, Salò, or the 120 Days of Sodom, based on the writings of the infamous Marquis De Sade. These intense, shocking and often extreme films challenged audiences and critics upon their original release, and they continue to do so today. Pasolini's legacy can be felt in the raw and energetic cinema of independent filmmakers such as Miike Takashi (whose Visitor Q is a re-interpretation of Theorem) and Abel Ferrara (whose latest film explores Pasolini's final days, with Willem Dafoe (The Last Temptation of Christ) playing the great director).
Tom Cruise stars as a high ranking German officer, who along with a small group of peers hatches a plot to assassinate Adolf Hitler in an attempt to end the war.
In the all-new action comedy "Get Smart" Maxwell Smart (Steve Carell) is on a mission to thwart the latest plot for world domination by the evil crime syndicate known as KAOS.
An adaptation of Thomas Hardy's classic novel set in the 19th century of Bathsheba Everdene and the three very different men who come to love her...
Superman The Movie: The movie that makes a legend come to life. You know the story. The planet Krypton is doomed. Only one man Jor-El knows it and rockets his infant son to refuge on a distant world called Earth. As Jor-El''s son grows to manhood he learns he possesses super-powers he must hide from ordinary mortals around him. It takes a big movie to contain the considerable talents of Marlon Brando Gene Hackman Jackie Cooper Glen Ford Margot Kidder Valerie Perrine and at its heart the most human portrayal of the Man of Steel Christopher Reeve. Superman an Academy Award winner (1978) for special achievement in visual effects is more than big enough. Directed by Richard Donner Superman: The Movie makes us believe this epic story all over again. Superman II: A nuclear explosion in outer space has freed rebel General Zod and his evil cohorts from their captivity in a fragment of Kryptonite. Having been banished from Krypton for their treachery against Jor-El they now plot revenge on his son - Superman. Arch villian Lex Luthor offers his services to Zod meanwhile Lois Lane has discovered Clark Kent''s identity. Will Superman surrender his superhuman powers to marry her or will he save the city of Metropolis? Original cast members from Superman create a blend of thrills humour and humanity that makes this sequel great fun for the whole family. Superman III: After Superman: The Movie's epic storytelling and Superman II's awesome battles how could the first two hits be topped? In Superman III meet Gus Gorman (Richard Pryor) a half-witted computer programming natural. For him a keyboard is a weapon and Superman faces the microelectronic menace of his life. Christopher Reeve reprises his most beloved role deepening his character's human side as Clark Kent reunites with an old flame (Annette O'Toole) at a Smallville High class reunion. And when Superman becomes his own worst enemy after Kryptonite exposure Reeve pulls off both roles with dazzling conviction. Incredible visual effects abound - but above all it has heart heroism and high-flying humor. All in superabundance of course. Superman IV: Christopher Reeve not only dons the hero's cape for the fourth time in Superman IV: The Quest For Peace but also helped develop the film's provocative theme: nuclear disarmament. For me it's the most personal of the entire series Reeve says. It directly reflects what Superman should be and should be doing. Superman does a lot this time around. To make the world safe for nuclear arms merchants archvillain Lex Luthor (Gene Hackman) creates a new being to challenge the Man of Steel: the radiation-charged Nuclear Man (Mark Pillow). The two foes clash in an explosive extravaganza that sees Superman save the Statue of Liberty plug a volcanic eruption of Mount Etna and rebuild the demolished Great Wall of China. Your quest for superheroic excitement is over!
Helle (Anna Demetriou) is the only child of King Asmund and Queen Alva and the one true heir to the Viking kingdom of Volsung. Yet she is unaware of her true lineage, for Helle was switched at birth with her cousin, her evil uncle Bard having convinced King Asmund that a female heir would weaken the kingdom. As Helle grows into womanhood, the King realises his mistake. She is strong, brave and good, and the best choice to succeed Asmund on the throne. However, Bard has designs on the throne himself and has Asmund killed before the truth is revealed. On the run and framed for the murder of the King, Helle seeks guidance from the god Odin (Terence Stamp) to gain the training and wisdom she needs to take back Volsung and fulfil her destiny.
"I fell in the family way when I was 18 and I got married to a right bastard". Ken Loach's debut feature tells the story of Joy, a young mother (Carol White) whose chauvinistic thug of a husband is thrown into prison. She takes up with one of his friends, lovable, kind-hearted burglar Terence Stamp, but he too ends up in jail.It's intriguing to compare Poor Cow with Cathy Come Home, which Loach made for TV with the same actress at around the same time. Both are about mums trying to make a go of their lives in adverse circumstances. Cathy Come Home, shot in black and white, is an altogether tougher film. Poor Cow, with its Donovan music, gaudy colour photography, star names, and incongruously bawdy humour, seems lightweight by comparison. Certain sequences--Joy making love in the hay or posing half-naked for lecherous amateur photographers--must surely make Loach grimace now. There are some powerful moments--Joy desperately looking for her son who has wandered off, unattended, onto a building site, or trying to escape from her abusive husband--which anticipate such later Loach films as Ladybird, Ladybird or Raining Stones. The scenes between Joy and Stamp are played with real tenderness and humour. Don't be surprised if you think you've seen them before--some of the footage of Stamp was used in Steven Soderbergh's recent thriller, The Limey. --Geoffrey Macnab
"I fell in the family way when I was 18 and I got married to a right bastard". Ken Loach's debut feature tells the story of Joy, a young mother (Carol White) whose chauvinistic thug of a husband is thrown into prison. She takes up with one of his friends, lovable, kind-hearted burglar Terence Stamp, but he too ends up in jail.It's intriguing to compare Poor Cow with Cathy Come Home, which Loach made for TV with the same actress at around the same time. Both are about mums trying to make a go of their lives in adverse circumstances. Cathy Come Home, shot in black and white, is an altogether tougher film. Poor Cow, with its Donovan music, gaudy colour photography, star names, and incongruously bawdy humour, seems lightweight by comparison. Certain sequences--Joy making love in the hay or posing half-naked for lecherous amateur photographers--must surely make Loach grimace now. There are some powerful moments--Joy desperately looking for her son who has wandered off, unattended, onto a building site, or trying to escape from her abusive husband--which anticipate such later Loach films as Ladybird, Ladybird or Raining Stones. The scenes between Joy and Stamp are played with real tenderness and humour. Don't be surprised if you think you've seen them before--some of the footage of Stamp was used in Steven Soderbergh's recent thriller, The Limey. --Geoffrey Macnab
"Wanted" tells the tale of one apathetic nobody's transformation into an unparalleled enforcer of justice. In 2008, the world will be introduced to a hero for a new generation: Wesley Gibson (James McAvoy).
The Limey follows Wilson (Terence Stamp), a tough English ex-con who travels to Los Angeles to avenge his daughter's death.
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