It will have you sitting on the brink of eternity! One of the greatest anti-war thrillers ever Fail-Safe stars Henry Fonda Walter Matthau Dan O'Herlihy Larry Hagman and Fritz Weaver (in this film debut) as a group of military men on the verge of World War III. When a military computer error deploys a squadron of SAC bombers to destroy Moscow the American President (Fonda) tries to call them back. But their sophisticated fail-safe system prevents him from aborting
The Young Ones: Nicky and his friends find their youth club threatened by a property tycoon who intends to buy it and tear it down. Determined not to be beaten they sing and dance to raise the money to save the club. After all 'young ones shouldn't be afraid to live and love while the flame is strong or they may not be young ones very long!' (Dir. Sidney J. Furie 1961) Summer Holiday: Borrowing a double decker bus for a mobile home four young mechanics search for fun in the sun from London to Athens. Bachelor Boy Cliff Richard dons his Dancing Shoes and brings a beat to the beach in the breeziest 'Summer Holiday' on record! (Dir. Peter Yates 1963) Wonderful Life: Frustrated by shooting a movie with a stuffy veteran director who's not hip to the scene Cliff and the Shadows conspire to make their own musical version! (Dir. Sidney J. Furie 1964)
In the vein of Wedding Crashers, Bridesmaids and The Hangover and from the writer and director of Made in Dagenham. Raif (Rufus Hound) is a shambolic oaf with a unique sense of humour who is suddenly asked to be his brother's best man. He returns from abroad to meet brother Tim (Robert Webb) for the first time in years and his fianc� Saskia (Lucy Punch). His present to the happy couple, he decides, will be a video of their wedding.
Barbra Streisand is a knockout as Dolly Levi, the woman who arranges things...like furniture and daffodils and lives. The famed plot concerns Dolly, a young widow and professional matchmaker who sets her sights on conquering tight-fisted Yonkers merchant, Horace Vandergeider, beautifully played by Walter Matthau. Over $20,000,000 was spent on DOLLY and you can see and hear every penny. The painstakingly re-created streetcars, shops, skyscrapers and town itself (circa 1900), the magnificent Harmonia Gardens set, Irene Sharoff's colour splashed costumes, Jerry Herman's hummingly tuneful direction. So, spend a magical evening with the incomparable Barbra - and see what great musicals are all about.
The award-winning drama continues the story of two women with brutal pasts, addicted to each other but now trying desperately to live their lives without their drug of choice Season 1 Written by Phoebe Waller-Bridge, Killing Eve centers on two women; Eve is a bored, whip-smart, pay-grade MI5 security officer whose desk-bound job doesn't fulfil her fantasies of being a spy. Villanelle is a mercurial, talented killer who clings to the luxuries her violent job affords her. Killing Eve topples the typical spy-action thriller as these two fiercely intelligent women, equally obsessed with each other, go head to head in an epic game of cat and mouse. Season 2 Killing Eve is a story of two women, bound by a mutual obsession and one brutal act: Eve, an MI6 operative, and Villanelle, the beautiful, psychopathic assassin that she has been tasked to find. Season Two begins 30 seconds after the final episode of the first season; Eve is reeling and Villanelle has disappeared. Eve has no idea if the woman she stabbed is alive or dead, and now both of them are in deep trouble. Eve has to find Villanelle before someone else does, but unfortunately she's not the only person looking for her. Season 3 As the third season of the multi award-winning drama continues, Eve (Sandra Oh) and Villanelle (Jodie Comer) are desperately trying to live their lives without the other. Believing Eve is dead, Villanelle is bored and dangerously aimless; while Eve is hiding in plain sight trying to convince herself that she doesn't want Villanelle to discover her. When a shocking and personal death sets them on a collision course yet again, the journey back to each other will cost both of them friends, family, allegiances and perhaps a part of themselves.
Based on the unbelievable but true events, I, TONYA is a darkly comedic tale of American figure skater, Tonya Harding, and one of the most sensational scandals in sports history. Though Harding was the first American woman to complete a triple axel in competition, her legacy was forever defined by her association with an infamous, ill-conceived, and even more poorly executed attack on fellow Olympic competitor Nancy Kerrigan. Featuring an iconic turn by Margot Robbie as the fiery Harding I, TONYA is an absurd, irreverent, and piercing portrayal of Harding's life and career in all of its uncheckedand checkeredglory.
Clint Eastwood made his directorial debut with this contemporary thriller about psychotic obsession. Eastwood also takes the lead in the starring role as Dave Garver a popular radio disc jockey who repeatedly receives on-air phone requests from a sexy female fan to ""play Misty for me"". When the woman Evelyn Draper (Jessica Walter) orchestrates a rendezvous with Dave at his favorite nightspot the two begin a torrid affair But when Dave decides to end the relationship Evelyn's obsession turns to violence. Soon everything and everyone in Dave's life becomes a target for Evelyn's increasing deadly campaign of terror. Beautifully photographed on location in Eastwood's hometown of Carmel California 'Play Misty for Me' continues to be considered one of the great modern-day thrillers.
Neil Simon's classic stage comedy made an effortless transition to the big screen in 1967, when The Odd Couple provided Jack Lemmon and Walter Matthau with a tailor-made mid-career affirmation of their status as two of cinema's greatest funny men. Lemmon is Felix, manically obsessed with cleanliness and housekeeping, struggling to understand why his wife wants a divorce. Matthau is Oscar, his slovenly poker-playing buddy who invites him to take the spare room and lives to regret it as they rapidly and comically come to grief like an old, totally incompatible, married couple, revealing exactly why their respective wives have had enough. "I don't think two single men living alone in a big eight-room apartment should have a cleaner house than my mother", Matthau wails, trying to make sense of the disintegrating situation. The pair devour Simon's typically sharp and witty script in a frenzy of classic one-liners that allow Lemmon's trademark twitchy neurosis and Matthau's baleful cussedness to flourish. Great as they are, though, they are nearly eclipsed in the funniest scene of the film by Monica Evans and Carole Shelly as a couple of British expatriate sisters from the apartment upstairs. Carry On innuendo briefly meets Manhattan repartee and the screen crackles with brilliance. It's a comic masterclass. On the DVD: The Odd Couple on disc has no extras apart from the original cinema trailer, but the film, presented in 2.35:1 anamorphic widescreen, with Dolby Digital 5.1 Surround, is pristine, Neal Hefti's score providing that instantly identifiable flavour of sophisticated 1960s American comedy. --Piers Ford
There is a bomb in Centennial Park. You have thirty minutes. The world is first introduced to Richard Jewell as the security guard who reports finding the device at the 1996 Atlanta bombinghis report making him a hero whose swift actions save countless lives. But within days, the law enforcement wannabe becomes the FBI's number one suspect, vilified by press and public alike, his life ripped apart. Reaching out to independent, anti-establishment attorney Watson Bryant, Jewell staunchly professes his innocence. But Bryant finds he is out of his depth as he fights the combined powers of the FBI, GBI and APD to clear his client's name, while keeping Richard from trusting the very people trying to destroy him.
Experience The Blues Brothers in 4K Ultra HD with HDR. This newly-remastered 40th Anniversary edition includes both the Theatrical and Extended versions of the movie, as well as bonus features in 4K Ultra HD: Stories Behind The Making Of The Blues Brothers Transposing The Music Remembering John Comedy icons John Belushi and Dan Aykroyd star in the outrageously funny musical comedy The Blues Brothers. After the release of Jake Blues (Belushi) from prison, he and brother Elwood (Aykroyd) take their blues band back on the road in an attempt to raise money for the orphanage where they were raised. Havoc ensues as the brothers seek redemption on their mission from God. Directed by John Landis (National Lampoon's® Animal House), the soul-stirring comedy classic features musical performances by blues legends Ray Charles, James Brown, Aretha Franklin and Cab Calloway.
Set in 1940 during the battle of the Atlantic this is the true story of how the crew of the petrol tanker 'San Demetrio' was left with a near impossible task when she was torpedoed by the Germans. After the ship was torpedoed the crew abandoned ship in three lifeboats. Two are picked up by other ships in the convoy but the third drifts for days until its crew spies the burning 'San Demetrio' on... the horizon. Do they board the ship try to put out its fires and get it back to English shores or do they stay in the drifting lifeboat in the hope of being rescued?
Latino heartthrob Gael Garcia Bernal stars as the young Che Guevara in this road movie with a difference.
The swashbuckler genre bumped into science fiction in 1954 for one of Hollywood's great entertainments, 20,000 Leagues Under the Sea. The Jules Verne story of adventure under the sea was Walt Disney's magnificent debut into live-action films. A professor (Paul Lukas) seeks the truth about a legendary sea monster in the years just after the Civil War. When his ship is sunk, he, his aide (Peter Lorre), and a harpoon master (Kirk Douglas) survive to discover that the monster is actually a metal submarine run by Captain Nemo (James Mason). Along with the rollicking adventure, it's fun to see the future technology that Verne dreamed up in his novel, including diving equipment and sea farming. The film's physical prowess is anchored by the Nautilus, an impressive full-scale gothic submarine complete with red carpet and pipe organ. In the era of big sets, 20,000 Leagues set a precedent for films shot on the water and deservedly won Oscars for art direction and special effects. Lost in the inventiveness of the film and great set pieces including a giant squid attack are two great performances. Mason is the perfect Nemo, taut and private, clothed in dark fabric that counters the Technicolor dreamboat that is the beaming red-and-white-stripe-shirted Kirk Douglas as the heroic Ned Land. The film works as peerless family adventure nearly half a century later. --Doug Thomas
The Awful Truth (Dir. Leo McCarey 1937): Love is a comic battlefield especially when presided over by two superbly-matched sparring partners Cary Grant and Irene Dunne. A classic screwball Hollywood romp! Bringing Up Baby (Dir. Howard Hawks 1938): A dog belonging to an eccentric heiress (Hepburn) steals a dinosaur bone from David (Grant) an absent-minded Zoology professor. David follows the heiress to her home and all hell breaks loose when he loses his pet leopard
Based on a real life series of murders in 1970’s Pennsylvania AT CLOSE RANGE is a chilling portrayal of a family’s life of crime. Starring CHRISTOPHER WALKEN (Catch Me If You Can True Romance) and SEAN PENN (The Thin Red Line Dead Man Walking). When young Brad Whitewood Jr’s (PENN) wayward father wanders back into his life he is attracted by his dangerous dad’s criminal activities. Soon Brad Jr and his half brother (played by Penn’s real life broth
Few films have defined a generation as much as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chic has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley, Amazon.com
Released the same year as Sergio Leone's The Good, the Bad and the Ugly and Sergio Corbucci's Django, The Big Gundown (La resa di conti) is a classic spaghetti western. Directed by the great Sergio Sollima (Face to Face, Violent City) this brutal film elevated western regular Lee Van Cleef (Ride Lonesome) to his first ever starring role. When bounty hunter Jonathan Corbett (Van Cleef) is hired to track down a Mexican peasant (Tomas Milian, in a career-defining role) who has been accused of an appalling crime, he is initially outwitted by the wily bandit. However, the relationship between the two men soon takes an unexpected turn and they team up to take on railroad baron Brockton (Walter Barnes). With its rousing score by legendary composer Ennio Morricone, and its politically charged screenplay by Sergio Donati (Once Upon a Time in the West) and Franco Solinas (The Battle of Algiers), The Big Gundown has earned its reputation as one of the greatest and most influential Italian westerns.
The Living Daylights, new boy Timothy Dalton's first Bond outing, gets off to a rocking start with a pre-credits sequence on Gibraltar, and culminates in a witty final showdown with Joe Don Baker's arms dealer, set on a model battlefield full of toy soldiers. While the Aston Martin model whizzing through the car chase has been updated for the late 1980s--including lethal lasers and other deadly gizmos--the plot is pretty standard issue, maybe a little more cluttered and unfocused than usual, involving arms, drugs and diamond smuggling. Nevertheless, the action-formula firmly in place, this one rehearses the moves with ease and throws in some fine acting. Maryam d'Abo, playing a cellist-cum-spy, is the classy main squeeze for 007 (uncharacteristically chaste for once). Dalton, with his wolfish, intelligent features, was a perfectly serviceable secret agent, but never caught on with the viewers, perhaps because everyone was hoping for a presence as charismatic as Sean Connery's in the franchise's glory days.--Leslie Felperin On the DVD: Casting the new Bond takes up much of the "making-of" documentary: first Sam Neill was in the running, but vetoed by Cubby Broccoli, who wanted Timothy Dalton and had considered him as far back as On Her Majesty's Secret Service (but Dalton felt he was just too young at the time). When Dalton proved unavailable, Pierce Brosnan was hired. Then, at the last minute, Brosnan's Remington Steele contract was renewed and he had to drop out. Dalton came back in, on the proviso that he could give Bond a harder, more realistic edge after the action-lite of the Roger Moore years. The second documentary attempts to profile the enigmatic Ian Fleming, who was apparently as mysterious and chameleon-like as his alter ego. The commentary is a miscellaneous selection of edited interviews from various members of the cast and crew. There's also Ah-Ha's "Living Daylights" video, and a "making-of" featurette about it. A brief deleted scene (comic relief--wisely dropped) and trailers complete another strong package. --Mark Walker
This 1956 pop adaptation of Shakespeare's The Tempest is one of the best, most influential science fiction movies ever made. Its space explorers are the models for the crew of Star Trek's Enterprise, and the film's robot is clearly the prototype for Robby in Lost in Space. Walter Pidgeon is the Prospero figure, presiding over a paradisiacal world with his lovely young daughter and their servile droid. When the crew of a spaceship lands on the planet, they become aware of a sinister invisible force that threatens to destroy them. Great special effects and a bizarre electronic score help make Forbidden Planet as fresh, imaginative and fun as it was when first released.
It must be stressed that despite the fact that it was produced in 1973 and stars both Christopher Lee and Britt Ekland, The Wicker Man is not a Hammer Horror film. There is no blood, very little gore and the titular Wicker Man is not a monster made out of sticks that runs around killing people by weaving them into raffia work. Edward Woodward plays Sergeant Howie, a virginal, Christian policeman sent from the Scottish mainland to investigate the disappearance of young girl on the remote island of Summer Isle. The intelligent script by Anthony Schaffer, who also wrote the detective mystery Sleuth (a film with which The Wicker Man shares many traits), derives its horror from the increasing isolation, confusion and humiliation experienced by the naïve Howie as he encounters the island community's hostility and sexual pagan rituals, manifested most immediately in the enthusiastic advances of local landlord's daughter Willow (Britt Ekland). Howie's intriguing search, made all the more authentic by the film's atmospheric locations and folkish soundtrack, gradually takes us deeper and deeper into the bizarre pagan community living under the guidance of the charming Laird of Summer Isle (Lee, minus fangs) as the film builds to a terrifying climax with a twist to rival that of The Sixth Sense or Fight Club. --Paul Philpott
Please wait. Loading...
This site uses cookies.
More details in our privacy policy