Billy Wilder directs this first-time pairing of Jack Lemmon and Walter Matthau in a brilliant comedy in which a larcenous lawyer convinces his brother-in-law to perpetrate insurance fraud. Jack Lemmon portrays Harry Hinkle a TV cameraman who gets injured by a very considerate player while working a Cleveland Browns football game. Walter Matthau is the devious lawyer Willie Gingrich who encourages the expensive lawsuit. Co-written by Billy Wilder and I.A.L. Diamond the film garnered
Blood On The Moon
A reinvention of the original Oscar-winning hit film, "Fame" follows a talented group of dancers, singers, actors, and artists over four years at the New York City High School of Performing Arts.
A case of mistaken identity means that Tom Baker (David Tomlinson) Parliamentary Private Secretary to the First Sea Lord is piped aboard HMS Sherwood as the new Captain. Calamity rules as the 'Captain' causes a right old carry-on.
They just don't make musicals like this any more. There are some who would be grateful for that--the plot is but a flimsy excuse to string together song and dance numbers. Some of us, however, love big, splashy, overdone musical scenes, of which there are many. Glittering stage numbers showcase a commanding Barbra Streisand as Dolly Levy, a New York matchmaker who can find a mate for anyone. Anyone but herself, that is. Determined to marry wealthy Walter Matthau, she lures him out of Yonkers and sets about wooing him. Don't worry about the lack of a solid story or Gene Kelly's pedestrian direction. Watch instead for the musical numbers and the lavish costumes. Listen to Jerry Herman's score, and dance around the living room when a sequined Streisand arrives in a club as Louis Armstrong strikes up the title tune for her benefit. (Just pull the shades first.) Based on Thornton Wilder's play The Matchmaker, Hello, Dolly! won Academy Awards for best sound, art direction, and musical score. --Rochelle O'Gorman
Glittering stage numbers showcase a commanding Barbra Streisand as Dolly Levy a New York matchmaker who can find a mate for anyone. Anyone but herself that is. Determined to marry wealthy Walter Matthau she lures him out of Yonkers and sets about wooing him.
A Civil War tale based on the exploits of the notorious outlaw Quantrill. The Duke plays a U.S. Marshal out to stop the cutthroat raider and his band. Based on the novel by W.R. Burnett.
Triumph of the Will is one of the most important films ever made, not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force. Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!).Like the Fascists it monumentalises, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour, Amazon.com
The incredible true story of Ralph 'Papa' Thorson. He's not as fast as he used to be: that's what makes him human. He's a bounty hunter: that's what makes him dangerous. Ralph ""Papa"" Thorson is a modern day bounty hunter who spends his time traveling the country to capture various fugitives who have skipped bail. When he does make it home to California he has to contend with his live-in girlfriend Dotty who is in a state of advanced pregnancy and trying to get Thorson to take a mo
Arnold Schwarzenegger returns as Conan, the unconquerable warrior king in this thrilling tale of swords vs sorcery. This time he joins forces with a wizard (Mako), a warrior (NBA star Wilt Chamberlain), a runaway (Olivia D'Abo) and a renegade (Grace Jones) to defeat the evil Queen Taramis (Sarah Douglas). When Queen Taramis promises to bring Conan's beloved Valeria back from the dead, our hero must first bring before her highness a jewel-encrusted horn and a beautiful young princess. What Conan doesn't know is that the wicked queen plans to use the horn to awaken the demon god Dagoth and sacrifice the princess to him. Faced with enemies both mortal and supernatural, Conan must summon his super-human strength to battle Taramis and even Dagoth himself!
Burt Lancaster stars in an action-packed western based on a thrilling true story. After years of bloody fighting with settlers on the American frontier Apache Chief Geronimo is forced to submit to a humiliating surrender. But his fiercest warrior Massai refuses to accept defeat. With enormous strength and razor-sharp cunning Massai battles the relentless U.S. Cavalry struggling to stay one step ahead of the highly-trained soldiers who have sworn to track him down. The pride of hi
Cary Grant and Katherine Hepburn star in the classic screwball comedy of 1938.
In neutral Turkey during World War 2 the extremely efficient but ruthlessly ambitious valet to the British ambassador tires of his vocation and plans to sell sensitive documents to the Germans... Joseph L. Mankiewicz's taut thriller based on true events.
On his way to Australia a frontier opportunist stumbles into a small gold-rush town and decides to earn a little extra pocket money by accepting a temporary assignment as their sheriff. Happily applying himself to his new position McCullough manages to turn the town derelict into his deputy outsmart the dreaded Danby clan and fend off the lusty advances of the mayor's daughter - all without breaking a sweat or dirtying his shiny black boots!
It must be stressed that, despite the fact that it was produced in 1973 and stars Christopher Lee, The Wicker Man is not a Hammer Horror film. There is no blood, very little gore and the titular Wicker Man is not a monster made out of sticks that runs around killing people by weaving them into raffia work. Edward Woodward plays Sergeant Howie, a virginal, Christian policeman sent from the Scottish mainland to investigate the disappearance of a young girl on the remote island of Summerisle. The intelligent script by Anthony Schaffer, who also wrote the detective mystery Sleuth (a film with which The Wicker Man shares many traits), derives its horror from the increasing isolation, confusion and humiliation experienced by the naïve Howie as he encounters the island community's hostility and sexual pagan rituals, manifested most immediately in the enthusiastic advances of local landlord's daughter Willow (Britt Ekland). Howie's intriguing search, made all the more authentic by the film's atmospheric locations and folkish soundtrack, gradually takes us deeper and deeper into the bizarre pagan community living under the guidance of the charming Laird (Lee, minus fangs) as the film builds to a terrifying climax with a twist to rival that of The Sixth Sense or Fight Club. --Paul Philpott On the DVD: The Wicker Man can finally be seen in its glorious entirety on DVD, thanks to the restoration of some 15 minutes of previously lost material. Since the original negative long ago disappeared (apparently dumped beneath the M3 motorway) the picture quality for the added scenes is dubious, but what's much more important is the regained richness in the depiction of Summerisle's society (including a wonderful deflowering ritual set to music) and the added depth to Howie's character. Almost redundantly this excellent two-disc package provides the butchered theatrical cut as well, which comes with a good new documentary explaining both the genesis of the film and its turbulent history. Christopher Lee and director Robin Hardy pop up in an archival interview from the 1970s and are also reunited with Edward Woodward in the brand-new and first-rate commentary track for the director's cut: Lee in particular remains passionate about the movie and still angry about its shabby treatment. Both versions of the film are widescreen 1.85:1; the theatrical cut is in remastered Dolby 5.1, but the director's cut remains in mono. --Mark Walker
Charley Varrick (Walter Matthau) is a former stunt-pilot who makes his living robbing small banks in the American Southwest. His latest heist sees him unwittingly steal from the local mafia, setting a psychotic hit-man on his trail and unleashing a maelstrom of violence and destruction. Directed by the great Don Siegel (Invasion of the Body Snatchers, Dirty Harry), Charley Varrick is one of the best thrillers of the 70s: action-packed, memorably lurid and gleefully unsentimental. INDICATOR EDITION SPECIAL FEATURES: High Definition remaster Original mono audio Last of the Independents: Don Siegel and the Making of Charley Varrick (2015, 75 mins): feature-length documentary containing interviews with actors Andy Robinson and Jacqueline Scott, stunt driver Craig R. Baxley and Siegel's son, Kristoffer Tabori The John Player Lecture with Don Siegel (1973, 75 mins): archival audio recording of an interview conducted at London's National Film Theatre The Guardian Lecture with Walter Matthau (1988, 89 mins): archival audio recording of an interview conducted by Tony Sloman at London's National Film Theatre Super 8 version (18 mins): original 'Universal Eight' cut-down home cinema presentation Original theatrical trailer Josh Olson and Howard Rodman trailer commentary (2013, 6 mins): a short critical appreciation Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing UK premiere on Blu-ray
There is no conspiracy. Just twelve people dead. Alan J. Pakula's The Parallax View a superb conspiracy thriller about one man's paranoia that turns out to be total incredible fact ranks among the best movies of its kind. Warren Beatty is a news reporter who aong with seven others witnesses the assassination of a political candidate. When the other seven die in ""accidents"" the newsman begins to doubt the offiical position: that the lone madman was responsible for the crime. He imagines a sophisticated network of highly trained murderers. But his nightmares pale against the bizarre truth he uncovers.
When an engine catches fire on the experimental rocket-propulsion plane that he is flying test pilot John Mitchell (Jack Hawkins) defies an order to jettison the vehicle into the sea.
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
Before directing numerous genre defining masterpieces such as Metropolis, M, and Spione, Fritz Lang was already defying cinematic conventions with Der müde Tod (literally, The Weary Death). A young woman (Lil Dagover) confronts the personification of Death (Bernhard Goetzke), in an effort to save the life of her fiancé (Walter Janssen). Death weaves three romantic tragedies and offers to unite the girl with her lover, if she can prevent the death of the lovers in at least one of the episodes. Thus begin three exotic scenarios of ill-fated love, in which the woman must somehow reverse the course of destiny: Persia, Quattrocento Venice, and a fancifully rendered ancient China. Rich in expressionist imagery and featuring innovative special effects work, Der müde Tod has often been overlooked amongst Lang s early work, but has been hugely influential, with directors such as Alfred Hitchcock and Luis Buñuel citing it as a direct influence on their work. The Masters of Cinema Series is proud to present the film on Blu-ray and DVD for the first time in the UK in a new Dual-Format edition. DUAL FORMAT FEATURES: High definition presentation from the superb 2K restoration Original German intertitles with optional English subtitles Score by Cornelius Schwehr, performed by the Berlin Radio Symphony Orchestra under the direction of conductor Frank Strobel Feature length audio commentary by film critic Tim Lucas A new video essay by David Cairns A booklet featuring a new essay by Philip Kemp and more!
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