In the city of London where crime never sleeps the team are faced with their toughest challenges yet as the acclaimed Law & Order UK returns for Series 2. The Crown Prosecution Service are still reeling in the aftermath of the previous series' heart-wrenching finale but there's little time for contemplation as a raft of new cases quickly pile up. Bradley Walsh (Coronation Street) Jamie Bamber (Battlestar Galactica) and Harriet Walter (Atonement) battle at keeping the streets free of crime delivering criminals into the capable hands of CPS stalwarts Ben Daniels (The State Within) Freema Agyeman (Dr Who) and Bill Paterson (Little Dorrit). Episodes Comprise: 1. Samaritan 2. Hidden 3. Community Service 4. Sacrifice 5. Love & Loss 6. Honour Bound
San Franciscan Police Officer Frank Connor has to go to desperate measures to find a suitable bone marrow donor for his critically ill son. The perfect match is a homicidal sociopath serving a life sentence who escapes from prison while being transferred to hospital. The race is on to recapture him and he has to be alive.
Law And Order: UK - Series 1
Captain Kirk and the intrepid crew of the Starship Enterprise set sail for their final season of mind-blowing small screen adventures. The final mission of the original Starship Enterprise is one no science fiction fan can afford to be without. Episodes comprise: 1. Spock's Brain 2. The Enterprise Incident 3. The Paradise Syndrome 4. And the Children Shall Lead 5. Is There In Truth No Beauty? 6. Spectre Of The Gun 7. Day Of The Dove 8. For The World Is Hollow And I Have Touched The Sky 9. The Tholian Web 10. Plato's Stepchildren 11. Wink Of An Eye 12. The Empath 13. Elaan Of Troyius 14. Whom Gods Destroy 15. Let That Be Your Last Battlefield 16. The Mark Of Gideon 17. That Which Survives 18. The Lights Of Zetar 19. Requiem For Methuselah 20. The Way To Eden 21. The Cloudminders 22. The Savage Curtain 23. All Our Yesterdays 24. Turnabout Intruder
The Searchers: John Wayne plays Ethan Edwards an ex-Confederate who sets out to find his niece captured by Comanches who massacred his family. He won't surrender to hunger thirst the elements or loneliness. And in his obsessive quest Ethan finds something unexpected: his own humanity. One of the most influential movies ever made. Unforgiven: an exciting modern classic that rode off with four 1992 Academy Awards. Clint Eastwood and Morgan Freeman play retired down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remote Wyoming town of Big Whiskey: Richard Harris is an ill-fated interloper a colourful killer-for-hire called English Bob. Gene Hackman is the sly and brutal local sheriff whose brand of Law enforcement ranges from unconventional to ruthless. Big trouble is coming to Big Whiskey...
Timothy Dalton makes his debut as secret agent 007 in this action-packed Cold War thriller. James Bond is given an assignment to guard the life of a high-ranking Russian defector. The trouble is the defection is nothing but a scam to enable the pesky Russkie to perpetrate a perfidious arms deal. Along the way Bond hooks up with the delectable cellist Kara Malovy (Maryam D'Abo) who is not all that she seems to be...
Batman 4-Film Collection 1989 - 1997 includes Batman (1989), Batman Returns (1992), Batman Forever (1995) and Batman & Robin (1997), plus hours of special features, including must-see profiles, documentaries, making -of featurettes, director commentaries by Tim Burton and Joel Schumacher, theatrical trailers and music videos. Special Features: Includes Director Commentaries
Rapid Fire was the penultimate film starring Brandon Lee before his untimely death on the set of The Crow. It's a standard martial arts thriller in which Lee plays Jake Lo, a young arts student who witnesses a gangland execution and is unwittingly drawn into a pitched standoff between the mafia, a Chinese drug syndicate and Ryan, a downbeat but resolute Chicago cop (Powers Boothe) determined to nail his prey. With a plot that careens through every genre cliché, Lee's smouldering looks and showy fighting skills carry the film. The martial arts sequences (which Lee co-choreographed) are nicely staged, but given the unusual settings--the penultimate fight takes place in a Chinese laundry--could have been even more inventive. The workmanlike direction by Dwight H Little (Marked for Death, Free Willy 2) fails to inject much into the material. In particular, traumatised by seeing his Special Agent father die in the Tiananmen Square massacre, Jake Lo's attraction to both a corrupt FBI agent and Ryan as surrogate father figures could have been given more resonance given the loss of Brandon Lee's own father at an early age. With hundreds of bloodless deaths, cringe-worthy dialogue and a dated power rock soundtrack, Rapid Fire looks and feels like a TV film. And on that level, at least, it's entertaining. On the DVD: The main feature is presented in letterboxed widescreen. Sound and picture quality are very good. Subtitles are provided for ten languages (Czech, Danish, Finnish, Hebrew, Hungarian, Icelandic, Norweigian, Polish, Portuguese, Swedish) and in English for the hard of hearing. Extra features are limited to chapter selection and a theatrical trailer. --Chris Campion
Almost universally derided on its first release as the worst of the Star Trek movies to date, The Final Frontier may just have been the victim of bad press. Following in the wake of the massively successful fourth instalment The Voyage Home didn't help matters (notoriously, even-numbered entries are better), nor did having novice director and shameless egomaniac William Shatner at the helm. But if the story, conceived and co-written by Shatner, teeters dangerously on the verge of being corny at times, it redeems itself with enough thought-provoking scenes in the best tradition of the series, and a surprisingly original finale. Granted there are a few too many yawning plot holes along the way, and the general tone is over-earnest (despite some painfully slapstick comedy moments), but the interaction of the central trio (Kirk, Spock and McCoy) is often funny and genuinely insightful; while Laurence Luckinbill is a charismatic adversary as the renegade Vulcan Sybok. True, the rest of the cast scarcely get a look in, and the special effects betray serious budgetary restrictions, but with a standout score from Jerry Goldsmith and a meaty philosophical premise to play around with, Star Trek V looks a lot more substantial in retrospect. Certainly it's no worse than either Generations or Insurrection, the next "odd-numbered" entries in the series. On the DVD: This is a non-anamorphic widescreen (2.35:1) print, with only two trailers as extra features. Quite frankly, Star Trek fans are being short-changed. --Mark Walker
In this wonderfully witty adaptation of George Orwell's novel Gordon (Grant) and Rosemary (Bonham Carter) may be a middle class 1930s couple but they've got some very modern ideas. Eccentric Gordon whose budding poetry skills have led him into thinking he might just be a literary genius decides to give up his nice job as an advertising copy writer in a bid to embrace poverty and his art. However long-suffering girlfriend Rosemary has to work hard to keep her career (and their unco
It was an event that every fan had waited a decade for: the first Star Trek movie. But after its cinema release in 1979 Star Trek: The Motion Picture was quickly dubbed "The Slow-Motion Picture". In the opinion of general audiences, fans and critics alike, the snail-like pace of the film was a crippling flaw. It bothered one person even more, though: but Robert Wise finally got to scratch that itch when preparing this Director's Edition. In an unprecedented display of confidence from a movie studio, Wise has been allowed to re-edit the film and commission new visual effects sequences that were planned but unrealised for the original release. The result is frankly mind-boggling. Finally we are now able to see how Vulcan was supposed to amaze and alienate us, how integral the B-crew's role was to the mission, and just how spectacular the V'ger ship was imagined to be. Is the pace problem addressed? Undoubtedly it is. Scenes are trimmed and a new "busier" effects soundtrack helps considerably. Does it look better? Definitely. The shades of beige and puce have never seemed more crisply defined. Does it sound better? Jerry Goldsmith's music score (arguably one of the best ever written) is as majestically represented as the Enterprise herself. On the DVD: Star Trek: The Motion Picture two-disc set has oodles of extra features, including a complete library of all scenes deleted from both the original and new versions. The picture quality varies throughout, but it's worth putting up with for the (Wise-ly) excised material such as the unfinished effects work. An audio commentary from Wise, special effects director John Dykstra, composer Jerry Goldsmith and Commander Decker himself (Stephen Collins) provides an appraisal for movie aficionados more than Trek fans: the latter will be far more interested in a text commentary from Trek author and scholar Mike Okuda, who points out endless amounts of in-trivia. Better even than all these are three new documentaries that chronicle the film's history from then to now. Each is brightly put together (they don't drag), informative without being overly technical, and exude a pride without bragging. --Paul Tonks
The very epitome of a cult SF classic, The Day the Earth Stood Still is more often referenced than seen, which is a pity since it remains even now one of the most thought-provoking examples of the genre. The title is a misnomer, a mere tease to entice 1950s audiences into the cinema in the expectation of seeing another sensationalist B-movie about murderous aliens (i.e. Communists). In fact, Robert Wise's film of Edmund North's screenplay is a thoughtful Cold War allegory about a Christ-like visitor (Michael Rennie) who comes to Earth preaching a message of salvation for mankind, only to be spurned, killed then finally resurrected (significantly, Rennie's character Klaatu adopts the pseudonym "Mr Carpenter" while on the run from the authorities). Aside from its philosophical message, the film also boasts memorable imagery--notably the giant robot Gort--a much-quoted catchphrase in "Klaatu barada nikto", and one of composer Bernard Herrmann's most admired scores, featuring the theremin and other electronic instruments that must have sounded very otherworldly back in 1951. The result is a bona fide landmark in cinema SF with a central message about "weapons of mass destruction" that's still uncannily relevant today. On the DVD: The Day the Earth Stood Still has been splendidly restored for its DVD incarnation from the original 35 mm print, and the results are demonstrated in the "Restoration Comparison" feature. Also included is a fascinating 1951 newsreel showing Klaatu receiving a certificate of merit amid stories of Communist threats, the Korean war and beauty pageants ("Pomp and pulchritude on parade in Atlantic City"). Best of all is an absorbing commentary track with director Robert Wise in conversation with Nicholas Meyer (both men have Star Trek movies on their CV). --Mark Walker
Northern California's majestic Redwood Forest is thei scene fori a chance encounter between two young children (Matthew Garber Karen Dotrice) andi Jasper (Tom Lowell) a two-foot high gnome. Jasper has been desperately searching for a suitable bride to please Knobby (Walter Brennan) his 900-year old grandfather. Surprised and delighted with their find the children agree to help Jasper with his predicament - a problem that develops into a wild chase when an enterprising showman (Sea
You can expect the unexpected when they play...""Charade!"" A young American in Paris (Audrey Hepburn) flees a trio of crooks who are trying to recover the fortune her late husband stole from them. The only person she can trust is a suave stranger (Cary Grant). A deliciously dark comedic thriller Stanley Donen's Charade dazzles with style and macabre wit to spare. Henry Mancini and Johnny Mercer were Oscar nominated for Best Original Song but lost out to Jimmy Van Heusen and Sammy Cahn's ""Call Me Irresponsible"" from the movie 'Papa's Delicate Condition'.
Black Beauty, a magnificent stallion, is born on a rundown family farm and loved by young Joe Evans (Mark Lester - Oliver!). Growing up together, the boy and his horse are inseparable - until the wicked new squire (Patrick Mower) forces the Evans family from the farm and steals Black Beauty away from Joe. Escaping from his cruel new master, Black Beauty finds himself caught up in a series of adventures - racing with gypsies, performing at the circus and even going to war. Back home, Joe has never given up hope of being reunited with Beauty, and is determined to find the great love of his childhood days once more...
Mindhorn is a must-see British comedy from co-writers and stars Julian Barratt (The Mighty Boosh) and Simon Farnaby (Star Wars: Rogue One), with a supporting cast that includes Andrea Riseborough, Essie Davis and Steve Coogan. Washed-up actor Richard Thorncroft (Julian Barratt, The Mighty Boosh) is given the chance to revive his flagging career by returning to the role which made him famous: Mindhorn, a genetically modified detective whose eye was replaced by a super-advanced optical lie detector, allowing him to literally see the truth. Decades later, when a deranged Manx criminal demands only to speak to Detective Mindhorn, Thorncroft returns to the scene of his greatest triumph for one last chance to reignite his glory days and professional credibility.
Peter Barkworth (Where Eagles Dare) and Harriet Walter (The Sense of an Ending) star in Peter Ransley's twisting BAFTA-nominated drama, set at the height of The Troubles. Geoffrey Carr (Barkworth), a major player in the emerging computer industry, is newly married to the impetuous Frances (Walter), a much younger woman with a wilful daughter from a previous marriage. He'll go to any lengths to make her happy, and stretches his finances to buy a crumbling Georgian estate in County Wicklow where Frances spent part of her childhood. Aside from commitments on the new house, Geoffrey's continuing control of the company depends on an uncertain research deal with a visiting Japanese consortium. Frank Crossan (Derek Thompson) is an Irish Republican hitman on the run from British authorities in the North, and from his own commanders. Seeking refuge with old flame Kate (Aingeal Grehan), he hatches a plan to kidnap a wealthy Brit for a hefty ransom to fund a major arms deal. The two worlds collide when Frances and daughter Clare are brutally snatched and removed to a bleak hideaway. Geoffrey's immediate impulse is to cave in to the kidnappers demands but nothing is straightforward when a personal crisis plays out against the forces of political intrigue, high finance, and the full glare of the media. First broadcast in 1985, the series is written by Peter Ransley (Fingersmith, Fallen Angel) and directed by Peter Smith (No Surrender, A Perfect Spy), with a haunting soundtrack by David Earl and the RTE Concert Orchestra. In a rare acting role, a pre-teen Susanna Reid (Good Morning Britain) plays Clare, and the cast also includes Simon Jones (The Hitchhiker's Guide to the Galaxy, Brideshead Revisited) and Adrian Dunbar (The Crying Game, Line of Duty).
During World War II, director John Ford joined the ranks of the many Hollywood actors and filmmakers whoparticipated in the war's film propaganda effort. At the behest of the United States' military, John Ford andlegendary cinematographer Gregg Toland (Citizen Kane, The Grapes of Wrath) mounted the first re-creation of the attack on Pearl Harbor in December 7th. Steeped in controversy since it's making when the War Department censored almost half the film because it was too even-handed and didn't demonise the Japanese enough.
A straitlaced businessman meets a quirky, freespirited woman at a downtown New York greasy spoon. Her offer of a ride back to his office results in a lunchtime motel rendezvousjust the beginning of a capricious interstate road trip that brings the two facetoface with their hidden selves. Featuring a killer soundtrack and electric performances from Jeff Daniels, Melanie Griffith, and Ray Liotta, Something Wild, directed by oddball American auteur Jonathan Demme, is both a kinky comic thriller and a radiantly offkilter love story. Features: New, restored digital transfer, supervised by director of photography Tak Fujimoto and approved by director Jonathan Demme, with DTSHD Master Audio soundtrack New video interviews with Demme and writer E. Max Frye Original theatrical trailer PLUS: A booklet featuring a new essay by film critic David Thompson New cover by Sam Smith
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